Tag Archives: Reading

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  Each month we will be showcasing the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in July and August, 2023:

Bad Subjects : Libertine Lives in the French Atlantic, 1619-1815, by Jennifer J. Davis. Series: France Overseas: Studies in Empire and Decolonization

In a lively account that spans continents, Jennifer J. Davis considers what it meant to be called a libertine in early modern France and its colonies. Libertinage was a polysemous term in early modern Europe and the Atlantic World, generally translated as “debauchery” or “licentiousness” in English. Davis assesses the changing fortunes of the quasi-criminal category of libertinage in the French Atlantic, based on hundreds of cases drawn from the police and judicial archives of seventeenth- and eighteenth-century France and its Atlantic colonies alongside the literature inspired by those proceedings.

The libertine life was not merely a subject for fiction nor a topos against which to play out potential revolutions. It was a charge authorities imposed on a startlingly wide array of behaviors, including gambling, selling alcohol to Native Americans, and secret marriages. Once invoked by family and state authorities, the charge proved nearly impossible for the accused to contest, for a libertine need not have committed any crimes to be perceived as disregarding authority and thereby threatening families and social institutions. The research in Bad Subjects provides a framework for analysis of libertinage as a set of anti-authoritarian practices and discourses that circulated among the peoples of France and the Atlantic World, ultimately providing a compelling blueprint for alternative social and economic order in the Revolutionary period.

Butterfly Nebula, by Laura Reece Hogan. Series: The Backwaters Prize in Poetry

Winner of the Backwaters Prize in Poetry, Butterfly Nebula reaches from the depths of the sea to the edges of space to chart intersections of the physical universe, the divine, the human, and the constantly unfolding experience of being “one thing in the act of becoming another.” This collection of poems teems with creatures and cosmic phenomena that vivify and reveal our common struggle toward faith and identity. The longing and metamorphosis of the human heart and soul are reimagined in an otherworldly landscape of firework jellyfish, sea slug, stingray, praying mantis, butterfly and moth, moon and star, and celestial events ranging from dark matter and Kepler’s Supernova remnant to a dozen classified nebulae. Our desire for purpose and renewal collides with the vast constellation of divine possibility in this collection, which invites the reader to enter a transformative world both deeply interior and embracing of the far-flung cosmos.

Fictionality and Multimodal Narratives, Edited by Torsa Ghosal and Alison Gibbons. Series: Frontiers of Narrative

Fictionality and Multimodal Narratives interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today’s media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality, distinct from fiction, specifically in relation to modes and media of discourse.

Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures, their reception, and their theoretical frameworks in narratology are influenced and changed by media composition—particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds, Fictionality and Multimodal Narratives fills a critical gap in contemporary narratology—the discipline that has, to date, contributed most to the conceptualization of fictionality.

The Gathering of Bastards, by Romeo Oriogun. Series: African Poetry Book

Like I knew, standing
on the seashore, the hunger
wracking a migrant’s body
is movement.
—from Romeo Oriogun’s “Migrant by the Sea”

The Gathering of Bastards chronicles the movement of migrants as they navigate borders both internal and external. At the heart of these poems of vulnerability and sharp intelligence, the poet himself is the perpetual migrant embarked on forced journeys that take him across nations in West and North Africa, through Europe, and through American cities as he navigates the challenges of living through terror and loss and wrestles with the meaning of home.

The JPS Bible Commentary : Psalms 120-150, The Traditional Hebrew Text with the JPS Translation, Commentary by Adele Berlin. Series: JPS Bible Commentary

The Jewish Publication Society’s highly acclaimed Bible Commentary series provides the Hebrew text of the Bible, the JPS English translation, and a line-by-line commentary. This volume presents commentary on Psalms 120–150, based on the most recent research on the language of the Bible, its literary forms, and the historical context that may have given rise to the psalms. The commentary pays special attention to the message of each psalm and to how the poetry shapes the message. At the same time, it draws on traditional Jewish interpretations of the meaning of the psalms.

¡Vino! : The History and Identity of Spanish Wine, by Karl J. Trybus. Series: At Table

¡Vino! explores the history and identity of Spanish wine production from the mid-nineteenth century to today. Nineteenth-century infestations of oidium fungus and phylloxera aphids devastated French and Italian vineyards but didn’t extend to the Iberian Peninsula at first, giving Spanish vintners the opportunity to increase their international sales. Once French and Italian wineries rebounded, however, Spanish wine producers had to up their game. Spain could not produce only table wine; it needed a quality product to compete with the supposedly superior French wines. After the Spanish Civil War the totalitarian Franco regime turned its attention to Spain’s devastated agricultural sector, but the country’s wine industry did not rebound until well after World War II. In the postwar years, it rebranded itself to compete in a more integrated European and international marketplace with the creation of a new wine identity. As European integration continued, Spanish wine producers and the tourism industry worked together to promote the uniqueness of Spain and the quality of its wines.

Karl J. Trybus explores the development of Spanish wine in the context of national and global events, tracing how the wine industry has fared and ultimately prospered despite civil war, regional concerns, foreign problems, and changing tastes.

The Women Who Built Omaha : a Bold and Remarkable History, by Eileen Wirth.

During the 1930s the Federal Writers’ Project described Omaha as a “man’s town,” and histories of the city have all but ignored women. However, women have played major roles in education, health, culture, social services, and other fields since the city’s founding in 1854. In The Women Who Built Omaha Eileen Wirth tells the stories of groundbreaking women who built Omaha, including Susette “Bright Eyes” LaFlesche, who translated at the trial of Chief Standing Bear; Mildred Brown, an African American newspaper publisher; Sarah Joslyn, who personally paid for Joslyn Art Museum; Mrs. B of Nebraska Furniture Mart; and the Sisters of Mercy, who started Omaha’s Catholic schools. Omaha women have been champion athletes and suffragists as well as madams and bootleggers. They transformed the city’s parks, co-founded Creighton University, helped run Boys Town, and so much more, in ways that continue today.

**Pictures and Synopses courtesy of University of Nebraska Press.