Search Results for: Book Briefs

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in January and February, 2025:

The Complete Letters of Henry James, 1888-1891, Volume 1, by Henry James, edited by Michael Anesko, et al. Series: The Complete Letters of Henry James

This first volume in The Complete Letters of Henry James, 1888–1891 contains 171 letters, of which 119 are published for the first time, written from late November 1888 to April 20, 1890. These letters continue to mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage with timely political and economic issues, and maximize his income, which included hiring an agent. James details his work on The Tragic Muse, “Mrs. Temperly,” “An Animated Conversation,” “The Solution,” and other fiction. This volume opens with James in France and concludes with James on the Continent. Dee MacCormack introduces the volume, paying close attention to James’s increasing interest in the theater.

Men of God : Medicant Orders in Colonial Mexico, by Asunción Lavrin. Series: Confluencias

A broadly researched cultural history, Men of God offers a path to understanding the concept of religious masculinity through an intimate approach to the study of friars and lay brothers in colonial Mexico. Though other scholars have focused on the missionary work of the Augustinian, Franciscan, and Dominican friars, few have addressed their everyday lives and how the internal discipline of their orders shaped them. In Men of God Asunción Lavrin offers a sweeping yet intimate history of the mendicant friars in New Spain from the late sixteenth through the eighteenth centuries.

Focusing on these individuals’ lives from childhood through death, Lavrin explores contemporaneous ideas, from how to raise a boy to the friars’ training as novices, and the similarities and differences in the life experiences of lay brothers and ordained members. She discusses their sexuality to reveal the challenges and failures of religious manhood, as well as the drive behind their missionary duties, especially in the late seventeenth through the eighteenth centuries. Men of God also explores the concepts and realities of martyrdom and death, significant elements in the spirituality of the mendicant friars of colonial Mexico.

Of Corn and Catholicism : a History of Religion and Power in Pueblo Indian Patron Saint Feast Days

In Of Corn and Catholicism Andrea Maria McComb Sanchez examines the development of the patron saint feast days among Eastern Pueblo Indians of New Mexico from the seventeenth century to the late nineteenth century. Focusing on the ways Pueblo religion intertwined with Spanish Catholicism, McComb Sanchez explores feast days as sites of religious resistance, accommodation, and appropriation. McComb Sanchez introduces the term “bounded incorporation” to conceptualize how Eastern Pueblo people kept boundaries flexible: as they incorporated aspects of Catholicism, they changed Catholicism as well, making it part of their traditional religious lifeway.

McComb Sanchez uses archival and published primary sources, anthropological records, and her qualitative fieldwork to discuss how Pueblo religion was kept secret and safe during the violence of seventeenth-century Spanish colonialism in New Mexico; how Eastern Pueblos developed strategies of resistance and accommodation, in addition to secrecy, to deal with missionaries and Catholicism in the eighteenth and early nineteenth centuries; how patron saint feast days emerged as a way of incorporating a foreign religion on the Pueblos’ own terms; and how, by the later nineteenth century, these feast days played a significant role in both Pueblo and Hispano communities through the Pueblos’ own initiative.

Unsettling Cather, by Marilee Lindemann and Ann Romines. Series: Cather Studies, Volume 14

American author Willa Cather was born and spent her first nine years in the Shenandoah Valley of Virginia. Here, as an observant daughter of a privileged white family, Cather first encountered differences and dislocations that remained lively, productive, and sometimes deeply troubling sites of tension and energy throughout her writing life.

The essays in Cather Studies, Volume 14 seek to unsettle prevailing assumptions about Cather’s work as she moved from Virginia to Nebraska to Pittsburgh to New York City to New Mexico and farther west, and to Grand Manan Island. The essays range from examinations of how race shapes and misshapes Cather’s final novel, Sapphira and the Slave Girl, to challenges to criticisms of her 1935 novel, Lucy Gayheart. Contributors also frame fresh discussions of Cather’s literary influences and cultural engagements in the first decade of her career as a novelist through the lens of sex and gender and examine Cather’s engagements with region as a geopolitical, sociolinguistic, and literary site. Together, the essays offer compelling ways of seeing and situating Cather’s texts—both unsettling and advancing Cather scholarship.

**Pictures and Synopses courtesy of University of Nebraska Press.

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in November and December, 2024:

Colonialism and Literature : An Affective Narratology, by Patrick Colm Hogan. Series: Frontiers of Narrative

In earlier work Patrick Colm Hogan argued that a few story genres—heroic, romantic, sacrificial, and others—recur prominently across separate literary traditions. These structures recur because they derive from important emotion-motivation systems governing human social interaction, such as group pride and shame.

In Colonialism and Literature Hogan extends this work to argue that these genres play a prominent role in the fashioning of postcolonization literature—literature encompassing both the colonial and postcolonial periods. Crucially, colonizers and colonized people commonly understand and explain their situation in terms of these narrative structures. In other words, the stories we tell to some degree simply reflect the facts. But we also tend to interpret our condition in terms of genre, with the genre guiding us about what to record and how to evaluate it. Hogan explores these consequential processes in theoretical and literary analysis, presenting extended, culturally and historically specified interpretations of works by Pádraic Pearse (Ireland), Ngũgĩ wa Thiong’o (Kenya), Yasujiro Ozu (Japan), J. M. Coetzee (South Africa), Margaret Atwood (Canada), Rabindranath Tagore (India), Abderrahmane Sissako (Mali), and Dinabandhu Mitra (India).

Contemporary Humanistic Judaism : Beliefs, Values, Practices, edited by Adam Chalom and Jodi Kornfeld. Series: JPS Anthologies of Jewish Thought

Opening up multidimensional ideas, values, and practices of Humanistic Judaism to Jews of all backgrounds and beliefs, Contemporary Humanistic Judaism collects the movement’s most important texts for the first time and answers the oft-raised question, “How can you be Jewish and celebrate Judaism if you don’t believe in God?” with new vision.

Part 1 (“Beliefs and Ethics”) examines core positive beliefs—in human agency, social progress, ethics without supernatural authority, sources of natural transcendence, and Humanistic Jews’ own authority to remake their traditional Jewish inheritance on their own terms “beyond God.” Part 2 (“Identity”) discusses how Humanistic Judaism empowers individuals to self-define as Jews, respects people’s decisions to marry whom they love, and navigates the Israel-Diaspora relationship. Part 3 (“Culture”) describes how the many worlds of Jewish cultural experience—art, music, food, language, heirlooms—ground Jewishness and enable endless exploration. Part 4 (“Jewish Life”) applies humanist philosophy to lived Jewish experience: reimagined creative education (where students choose passages meaningful to them for their bar, bat, or b mitzvah [gender-neutral] celebrations), liturgy, life cycle, and holiday celebrations (where Hanukkah emphasizes the religious freedom to believe as one chooses).

Jewish seekers, educators, and scholars alike will come to appreciate the unique ideologies and lived expressions of Humanistic Judaism.

Great Plains Ethnohistory : New Interdisciplinary Approaches, edited by Rani-Henrik Andersson, Thierry Veyrié, and Logan Sutton. Series: Studies in the Anthropology of North American Indians

Great Plains Ethnohistory offers a collection of state-of-the-field work in Great Plains ethnohistory, both contemporary and historical, covering the traditional anthropological subfields of ethnography, cultural history, archaeology, and linguistics. As ethnohistory matured into an interdisciplinary endeavor in the 1950s with the formation of the American Society for Ethnohistory, historians and anthropologists developed scholarly methodology for the study of Native American societies from their own points of view. Within this developing framework, Native cultures of the Great Plains represented a foundational research area.

Great Plains Ethnohistory pays intellectual debts to Raymond J. DeMallie and Douglas R. Parks, whose research from the 1970s onward brought ethnohistorical approaches to the study of Native cultures, histories, and languages into the international community of the humanities and social sciences, sciences, and arts. The work of the scholars assembled in this volume advocates for an ethnohistory that continues to decompartmentalize Indigenous knowledge and scholarly methodologies, including some of the constructs, biases, and prejudices perpetuated within traditional scholarly disciplines.

Including essays by Gilles Havard, Joanna Scherer, Sebastian Braun, Brad KuuNUx TeeRIt Kroupa, and DeMallie and Parks themselves, among others, plus an afterword by Philip J. Deloria, this is an essential contribution to the scholarly field and a volume for undergraduate and graduate students and scholars who study Native American and Indigenous cultures.

Hell-Bent for Leather : Sex and Sexuality in the Weird Western, edited by Kerry Fine, Michael K. Johnson, Rebecca M. Lush and Sara L. Spurgeon. Series: Postwestern Horizons

Hell-Bent for Leather: Sex and Sexuality in the Weird Western builds on the Locus Award finalist Weird Westerns: Race, Gender, Genre. This new collection takes a deep dive into the myriad ways sex and sexuality are imagined in weird western literature, film, television, and video games, paying special attention to portrayals of power and privilege. The contributors explore weird western challenges to assumptions about varied genders and sexualities, drawing our attention to how the western can reinforce existing gender and sexual paradigms or overturn them in delightful, terrifying, or unexpected ways.

Primary texts range from CBS’s campy BDSM-inflected steampunk western The Wild Wild West to the Star Wars franchise’s popular leather-daddy bounty hunter The Mandalorian, from Ishmael Reed’s satirical postmodern western Yellow Back Radio Broke-Down to C Pam Zhang’s acclaimed novel How Much of These Hills Is Gold. Chapters engage texts from Australia and Great Britain, classic horror like The Texas Chain Saw Massacre, the popular video games BioShock Infinite and The Last of Us II, and less well-known texts like Laguna Pueblo–Navajo author A. A. Carr’s erotic vampire/monster slayer western Eye Killers.

Public Land and Democracy in America : Understanding Conflict Over Grand Staircase-Escalante National Monument, by Julie Brugger. Series: Anthropology of Contemporary North America

In recent years the Grand Staircase-Escalante National Monument in southern Utah has figured prominently in the long and ongoing struggle over the meaning and value of America’s public lands. In 1996 President Bill Clinton used the Antiquities Act to create the monument, with the goal of protecting scientific and historical resources. His action incensed Utah elected officials and local residents who were neither informed nor consulted beforehand, and opposition to the monument has continued to make its day-to-day management problematic. In 2017 President Donald Trump reduced the monument’s size, an action immediately challenged by multiple lawsuits; subsequently, President Joe Biden restored the monument in 2021.

In Public Land and Democracy in America Julie Brugger brings into focus the perspectives of a variety of groups affected by conflict over the monument, including residents of adjacent communities, ranchers, federal land management agency employees, and environmentalists. In the process of following management disputes at the monument over the years, Brugger considers how conceptions of democracy have shaped and been shaped by the regional landscape and by these disputes.

Through this ethnographic evidence, Brugger proposes a concept of democracy that encompasses disparate meanings and experiences, embraces conflict, and suggests a crucial role for public lands in transforming antagonism into agonism.

Taking Charge, Making Change : Native People and the Transition of Education from Stephan Mission to Crow Creek Tribal School, by Robert W. Galler, Jr. Series: Indigenous Education

Taking Charge, Making Change gives voice to generations of Native people—from Crow Creek, Lower Brule, and other reservations in North Dakota and South Dakota—who shaped a school originally designed to foster Catholicism and assimilation. Local initiatives and collaboration transformed the Catholic Stephan Mission boarding school into the Crow Creek Tribal School, which now features both tribal traditions and American educational programs.

Through archival research and interviews with parents, graduates, teachers, and staff at Crow Creek and the surrounding community, Robert W. Galler Jr. places Native students at the heart of the narrative, demonstrating multifaceted family connections at a nineteenth-century, on-reservation religious school that evolved into a tribally run institution in the 1970s. He shows numerous ways that community members worked with Catholic leaders and ultimately transformed their mindsets and educational approaches over nearly a century. While recognizing the many challenges and tragedies that Native students endured, Galler highlights the creativity, collaborations, and contributions of the students and graduates to their communities.

Taking Charge, Making Change shows how individuals and families helped to found the school, maintain enrollment, secure funding, and influence school policies. Its graduates went on to serve with distinction in the U.S. military, earn advanced degrees after college, join and lead tribal councils in North and South Dakota, help their communities push back against federal policies, and continue to run their own education system.

The Windflower Home Almanac of Poetry, edited by Ted Kooser.

The Windflower Home Almanac of Poetry is an anthology of poems originally selected by Ted Kooser in 1980 and published by his Windflower Press, a small, independent publisher that specialized in poetry from the Great Plains. The collection contains almost two hundred poems from dozens of poets and was designed to resemble a commonplace farmer’s almanac.

The Windflower Press was the sole operation of Kooser, who was later named the first U.S. poet laureate from the Great Plains. His press gained national recognition for highlighting the work of the region’s young poets, and its Windflower Home Almanac of Poetry earned notice from the Library Journal as one of its era’s best small press books.

**Pictures and Synopses courtesy of University of Nebraska Press.

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).

  UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in September and October, 2024:

Abortion in Mexico : A History, by Nora E. Jaffary. Series: Engendering Latin America

Abortion in Mexico: A History concisely examines the long history of abortion from the early postcontact period through the present day in Mexico by studying the law, criminal and ecclesiastical trials, medical texts, newspapers, and other popular publications.

Nora E. Jaffary draws on courts’ and medical practitioners’ handling of birth termination to advance two central arguments. First, Jaffary contends, the social, legal, and judicial condemnation of abortion should be understood more as an aberration than the norm in Mexico, as legal conditions and long periods of Mexican history indicate that the law, courts, the medical profession, and everyday Mexicans tolerated the practice. Second, the historical framework of abortion differed greatly from its present representation. The language of fetal personhood and the notion of the inherent value of human life were not central elements of the conceptualization of abortion until the late twentieth century. Until then, the regulation of abortion derived exclusively out of concerns for pregnant people themselves, specifically about their embodiment of sexual honor.

In Abortion in Mexico Jaffary presents the first longue durée examination of this history from a variety of locations in Mexico, providing a concise yet comprehensive overview of the practice of abortion and informing readers of just how much the debate has evolved.

All Daughters Are Awesome Everywhere : Stories, by DeMisty D. Bellinger. Series: Zero Street Fiction

Fantastical, sensual, and as beguilingly strange as they are insightful and real, the stories of All Daughters Are Awesome Everywhere are centered around intimate familial or romantic relationships, featuring protagonists who make awesome discoveries—from the beautiful to the horrible—in seemingly mundane situations. The protagonists in each story come from marginalized communities, which sometimes exacerbates their problems but always allows for unique perspectives and epiphanies.

A violinist nearly hits a bicyclist with her car on her rush to rehearsal, leading to a blissful affair and speculation about the effect of love on her violin playing. The whispering of schoolgirls leads a teacher to consider her own fears and failings. In the title story the nature of motherhood, fatherhood, and familial pride plays against a backdrop of death and high school theater.

These are stories of human frailty and newfound strengths, with surprising confrontations. The writing is rich and playful, whether the characters are coy or startlingly direct, creating worlds in which the metaphorical might become literal in the blink of an eye. DeMisty D. Bellinger finds magic in the smallest moments and makes the biggest moments resonate with a quiet intensity.

Between Black and Brown : Blaxicans and Multiraciality in Comparative Historical Perspective, by Rebecca Romo, G. Reginald Daniel, and J. Sterphone. Series: Borderlands and Transcultural Studies

Between Black and Brown begins with a question: How do individuals with one African American parent and one Mexican American parent identify racially and ethnically? In answer, the authors explore the experiences of Blaxicans, individuals with African American and Mexican American heritage, as they navigate American culture, which often clings to monoracial categorizations.

Part 1 analyzes racial formation and the Blaxican borderlands, comparing racial orders in Anglo-America and Latin America. The Anglo-Americanization of “Latin” North America, particularly in the Gulf Coast and Southwest regions, shapes Black and Mexican American identities. Part 2 delves into Blaxicans’ lived experiences, examining their self-identification with pride and resilience. The book explores challenges and agency in navigating family, school, and community dynamics and discusses expectations regarding cultural authenticity. It also delves into Black and Brown relations and how situational contexts influence interactions. This work contributes to the discourse on multiracial identities and challenges prevailing monoracial norms in academia and society. Ultimately Between Black and Brown advocates for a more inclusive and nuanced understanding of identity, race, and culture.

The Dawn Patrol Diaries : Fly-Fishing Journeys Under the Korean DMZ, by James Card. Series: Outdoor Lives

While working as an English teacher and freelance journalist in South Korea for twelve years, James Card explored remote mountain valleys with a fly rod. In one of the most densely populated countries in the world, he discovered pristine streams holding rare native trout. Only a few hours from Seoul, Card spent years fly-fishing these streams completely alone. Eventually he shared these experiences with people from around the world, as the only fly-fishing guide in the country. Whether fishing alone or guiding clients, he often felt like he was on patrol, scouting new streams in remote valleys, many of which are near the Korean Demilitarized Zone.

In The Dawn Patrol Diaries Card writes about fly-fishing as well as South Korean landscape and culture. His travels range from the borders of the DMZ to inland mountain trout streams, from the rugged southern coast to the tidal flats of the western coast. He goes fly-fishing where battles of the Korean War were fought and offers vivid descriptions of the last wildlands in South Korea as well as insightful observations on the perils facing Korean cities, villages, and farms.

Dear Wallace, by Julie Choffel. Series: The Backwaters Prize in Poetry

Dear Wallace addresses the poet and insurance executive Wallace Stevens in an attempt to reconsider art, power, and creativity amid the demands of everyday responsibility. Exploring relationships between modernism, motherhood, poetry, and privilege, the speaker of these poems puts her daily routines in dialogue with his. Curious, funny, and wry, Julie Choffel confronts Stevens as an unlikely peer who lived and wrote in the same city and weather as she does now, imagining a present-day conversation about the many ways creative practice is informed by social context. As we struggle to marry creative independence with our communal obligations, the questions in these poems are more urgent than ever. Stevens, a proxy for beauty, inventiveness, and legitimacy, becomes an audience for the ennui, anxiety, and politics of care that characterize another kind of writer’s life today.

Disintergrating Empire : Algerian Family Migration and the Limits of the Welfare State in France, by Elise Franklin. Series: France Overseas: Studies in Empire and Decolonization

Disintegrating Empire examines the entangled histories of three threads of decolonization: the French welfare state, family migration from Algeria, and the French social workers who mediated between the state and their Algerian clients. After World War II, social work teams, midlevel bureaucrats, and government ministries stitched specialized social services for Algerians into the structure of the midcentury welfare state. Once the Algerian Revolution began in 1954, many successive administrations and eventually two independent states—France and Algeria—continuously tailored welfare to support social aid services for Algerian families migrating across the Mediterranean.

Disintegrating Empire reveals the belated collapse of specialized services more than a decade after Algerian independence. The welfare state’s story, Elise Franklin argues, was not one merely of rise and fall but of winnowing services to “deserving” clients. Defunding social services—long associated with the neoliberal turn in the 1980s and beyond—has a much longer history defined by exacting controls on colonial citizens and migrants of newly independent countries. Disintegrating Empire explores the dynamic, conflicting, and often messy nature of these relationships, which show how Algerian family migration prompted by decolonization ultimately exposed the limits of the French welfare state.

Dodge County, Incorporated : Big Ag and the Undoing of Rural America, by Sonja Trom Earys.

In 2014 Sonja Trom Eayrs’s parents filed the first of three lawsuits against Dodge County officials and their neighbors, one of the few avenues available to them to challenge installation of a corporate factory farm near their intergenerational family farm in Dodge County, Minnesota. For years they’d witnessed the now widely known devastation wrought by industrial hog operations—inhumane treatment of animals and people, pollution, the threat of cancer clusters, and more. They’d had enough. They also deeply understood an effect of Big Ag rarely discussed in mainstream media—the hollowing-out of their lifelong farming community and economy in service of the corporate bottom line.

In a compelling firsthand account of one family’s efforts to stand against corporate takeover, Dodge County, Incorporated tells a story of corporate malfeasance. Starting with the late 1800s, when her Norwegian great-grandfather immigrated to Dodge County, Trom Eayrs tracks the changes to farming over the years that ultimately gave rise to the disembodied corporate control of today’s food system. Trom Eayrs argues that far from being an essential or inextricable part of American life, corporatism can and should be fought and curbed, not only for the sake of land, labor, and water but for democracy itself.

Free Listening, by Naomi Waltham-Smith. Series: Provocations

Free Listening offers a radical reframing of seemingly intractable debates and polarized positions on free speech, academic freedom, systemic injustice, and political dissent by shifting attention from our voices to our ears. Instead of reclaiming the terrain of free speech that is increasingly ceded to conservatives, Naomi Waltham-Smith argues that progressives should assume a more radical task—to liberate listening from those frameworks that have determined what freedom looks like, who enjoys it, and at what cost. Refocusing on aural responsiveness forces a confrontation with the liberal tradition that has traditionally anchored claims for freedom of expression and inquiry. If listening is placed at the heart of public deliberation and disagreeing well, the relational, open-ended, and unpredictable character of free expression becomes a common good.

In a wide-ranging critical reflection on issues from civility to criticality, righteous anger to gentle listening, and silencing to streaming platforms, Free Listening makes an ambitious contribution to sound studies and political philosophy. Weaving together deconstruction, Black political thought, and decolonial theory, Waltham-Smith argues that the retort to accusations of “cancel culture” should be a revival of abolition democracy.

Ghostwalker : Tracking a Mountain Lion’s Soul Through Science and Story, by Leslie Patten.

Leslie Patten had seen grizzly bears, wolves, coyotes, deer, elk, and many other species in her years living next to Yellowstone National Park. Yet, like most visitors, she had never seen a mountain lion—the charismatic yet enigmatic predator also known as a cougar, panther, or puma. She had only detected their ethereal presence on the landscape, which left her pondering where they were and what they were up to. After five years, through her serendipitous encounters with their tracks and scat, the burning question remained: What is the essence of the mountain lion?

To understand an animal no one sees, Patten conducted more than one hundred interviews with biologists, conservation groups, state wildlife managers, houndsmen, and professional trackers. Slowly, a picture of the lion’s elusive nature emerged. Ghostwalker presents a complete picture of mountain lions in the West today, uncovering the intimacies of their secretive lifestyle as well as the issues they face in our changing world.

Great Plains Homesteaders, by Richard Edwards. Series: Discover the Great Plains

Great Plains Homesteaders tells the epic story of how millions of people, white and Black, women and men, young and old, and of many different religions, languages, and ethnic groups, moved to the Great Plains to claim land. Most were poor, so the government’s offer of “free” farms through the Homestead Act of 1862 seemed a godsend. The settlers found harsh growing conditions and many perils—including exploitation by railroads and banks, droughts, prairie fires, and bitter winters—yet they persisted. The settlers successfully “proved up” nearly a million claims between the 1860s and the 1920s. They filled up the immense grassland, transforming it into productive farms, the beginning of the region’s agriculture. They also created a distinct culture that continues to shape their estimated fifty million descendants living today.

Every homesteader’s experience was different, as particular and distinct as the people were themselves. Yet their collective story, with all its hardships and toil, its ambitions and setbacks, its fresh starts and failures and successes, is central to the American experience.

Homing : Instincts of a Rustbelt Feminist, by Sherrie Flick. Series: American Lives

Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after.

With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change.

Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.

Informal Metropolis : Life on the Edge of Mexico City, 1940-1976, by David Yee. Series: Confluencias

In the 1940s, as Mexican families trekked north to the United States in search of a better life, tens of millions also left their towns and villages for Mexico’s major cities. In Mexico City migrant families excluded from new housing programs began to settle on a dried-out lake bed near the airport, eventually transforming its dusty plains into an informal city of more than one million people.

In Informal Metropolis David Yee uncovers how this former lake bed grew into the world’s largest shantytown—Ciudad Nezahualcóyotl—and rethinks the relationship between urban space and inequality in twentieth-century Mexico. By chronicling the residents’ struggles to build their own homes and gain land rights in the face of extreme adversity, Yee presents a hidden history of land fraud, political corruption, and legal impunity underlying the rise of Mexico City’s informal settlements. When urban social movements erupted across Mexico in the 1970s, Ciudad Nezahualcóyotl’s residents organized to demand land, water, and humane living conditions. Though guided by demands for basic needs, these movements would ultimately achieve a more lasting significance as a precursor to a new urban citizenry in Mexico.

In the first comprehensive history of modern housing in Mexico City, Yee challenges widely held assumptions about urban inequality and politics in Mexico.

Jagadakeer : Apology to the Body, by Lori Bedikian. Series: The Raz/Shumaker Prairie Schooner Book Prize in Poetry (Winner)

Jagadakeer: Apology to the Body presents the voice of a daughter of immigrant parents, now gone, from Lebanon and Syria and of Armenian descent. In this five-part testimony Lory Bedikian reconstructs the father figure, mother figure, and the self. Using a sestina, syllabics, prose poems, and longer poetic sequences, Bedikian creates elegies for parents lost and self-elegiac lyrics and narratives for living with illness. Often interrupted with monologues and rants, the poems grapple with the disorder of loss and the body’s failures. Ultimately, Bedikian contemplates the concept of fate, destiny (jagadakeer), and the excavation of memory—whether to question familial inheritance or claim medical diagnoses.

Leaked Footages, by Abu Bakr Sadiq. Series: African Poetry Book (Winner of the Sillerman First Book Prize for African Poets)

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth telling. Reality is represented in footage seen through the eyes of multifaceted speakers.

In Abu Bakr Sadiq’s exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure—from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

Modern Responsa : An Anthology of Jewish Ethical and Ritual Decisions, by Pamela Barmash. Series: JPS Anthologies of Jewish Thought

An original anthology of modern responsa (Jewish ethical and ritual decision-making) by rabbinic authorities, men and women, across movements (Conservative, Orthodox, Reform), geographic locales, and ethnicities (Ashkenazic, Sefardic, Mizraḥi), Modern Responsa engages readers in understanding how rabbis expert in Jewish law apply principles, precedents, and rules from Judaism’s legal tradition to real-life issues.

Responsa on ten topics—personal and business ethics, ritual, personal status, women, LGBTQIA+ people, medical ethics, the COVID-19 pandemic, relationships with the other, the modern State of Israel, and Jewish life in the United States—showcase how the rabbinic decisors who wrote them handle modern quandaries for their communities. Pamela Barmash’s translations open up most of these original Hebrew texts to English-speaking readers for the first time. Sometimes the decisors disagree—but other times they rule similarly, despite differing ideological commitments. Clear explanations of how the decisors build their arguments along with historical background, decisor biographies, implications, and a glossary enable general adult and teen readers as well as scholars to grasp the finer points of Jewish ethical and ritual decision-making.

Ultimately, Modern Responsa illuminates the dynamic nature of Jewish law, the creativity of Jewish legal writings, and the multidimensionality of the Jewish experience in modernity.

Northern Paiutes of the Malheur : High Desert Reckoning in Oregon Country, by David H. Wilson, Jr.

In 1870 a twenty-six-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land in Oregon Country. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and to free the Paiutes as well. Schurz’s decision unleashed a furious campaign of disinformation by the Bureau of Indian Affairs, cattlemen, and settlers, overturning Schurz’s decision, sweeping truth aside, and falsely branding Paiute chief Egan as instigator of the war.

To this day histories of the Paiutes appear to be unanimous in their mistaken claim that Egan led his Paiutes into the Bannock War. Indian agents’ betrayal of the people they were paid to protect saddled Paiutes with responsibility for a war that most opposed and that led to U.S. misappropriation of their land, their only source of life’s necessities. With neither land nor reservation, Paiutes were driven more deeply into poverty and disease than any other Natives of that era. In Northern Paiutes of the Malheur David H. Wilson Jr. pulls back the curtain to reveal what government officials hid—exposing the full jarring injustice and, after 140 years, recounting the Paiutes’ true and proud history for the first time.

Sandoz and the Battle of the Little Bighorn, by Renée M. Laegreid. Series: Sandoz Studies, Volume 2

Mari Sandoz’s The Battle of the Little Bighorn encouraged a change in how Americans viewed this infamous fight. By the mid-twentieth century a towering Custer myth had come to dominate the national psyche as a tale that confirmed national exceptionalism and continental destiny. Sandoz set out to dismantle this myth in an intimate account of the battle told from multiple perspectives. Although the resulting book received mixed reviews at the time, it has emerged through the decades as a visionary reinterpretation of the battle and a literary masterpiece.

Decades in the making, The Battle of the Little Bighorn was the renowned western writer’s last book, published after her death in 1966. The scholarly essays in this collection contextualize Sandoz’s work in the moment of its writing, situating her treatment of the past within the pivotal moments of her present. The essays address her incorporation of contemporary issues such as the Vietnam War, sensory history, gender study, recentering the Native perspective, environmentalism, and Sandoz’s personal challenge to completing her last book. The innovative insights into Sandoz’s perspective of the Battle of the Little Bighorn bring the historical acts involved, and her treatment of the site in which they occurred, into the twenty-first century.

The Spring Before Obergefall : A Novel, by Ben Grossberg. Series: The James Alan McPherson Prize for the Novel (Winner)

It’s not easy for anyone to find love, let alone a middle-aged gay man in small-town America. Mike Breck works multiple part-time jobs and bickers constantly with his father, an angry conservative who moved in after Mike’s mother died. When he’s not working or avoiding his father, Mike burns time on hookup apps, not looking for anything more. Then he meets a local guy, Dave, just as lonely as he is, and starts to think that maybe he doesn’t have to be alone. Mike falls hard, and in a moment of intimacy, his pent-up hopes for a relationship rush out, leading him to look more honestly at himself and his future.

Winner of the James Alan McPherson Prize for the Novel, Ben Grossberg’s The Spring before Obergefell is about real guys who have real problems, yet still manage to find connection. Funny, serious, meditative, and hopeful, The Spring before Obergefell is a romance—but not a fairytale.

Swallowing a World : Globalization and the Maximalist Novel, by Benjamin Bergholz. Series: Frontiers of Narrative

Swallowing a World offers a new theorization of the maximalist novel. Though it’s typically cast as a (white, male) genre of U.S. fiction, maximalism, Benjamin Bergholtz argues, is an aesthetic response to globalization and a global phenomenon in its own right.

Bergholtz considers a selection of massive and meandering novels that crisscross from London and Lusaka to Kingston, Kabul, and Kashmir and that represent, formally reproduce, and ultimately invite reflection on the effects of globalization. Each chapter takes up a maximalist novel that simultaneously maps and formally mimics a cornerstone of globalization, such as the postcolonial culture industry (Salman Rushdie’s Midnight’s Children), the rebirth of fundamentalism (Zadie Smith’s White Teeth), the transnational commodification of violence (Marlon James’s A Brief History of Seven Killings), the obstruction of knowledge by narrative (Zia Haider Rahman’s In the Light of What We Know), and globalization’s gendered, asymmetrical growth (Namwali Serpell’s The Old Drift).

By reframing analysis of maximalism around globalization, Swallowing a World not only reimagines one of the most perplexing genres of the late twentieth and early twenty-first centuries but also sheds light on some of the most perplexing political problems of our precarious present.

Thanks For This Riot : Stories, by Janelle Bassett. Series: The Raz/Shumaker Prairie Schooner Book Prize in Fiction (Winner)

Thanks for This Riot explores the limits of kindness, the weight of being needed, and the fear of being misunderstood. A group counselor is taunted by a truth-divining piano bench, a voice actor shouts her abortion at the state capitol, a tired caregiver tangles with a pair of stand-up comics, a small-town newspaper office shelters an otherworldly tattletale, a backwoods acupuncturist leans on her least-exciting offspring, a girl in a strapless bra takes a vengeful go-kart ride, and a woman gets surgery to lower her expectations (she thinks it went “okay”). Grouped by types of riot—external riots, internal riots, and laugh riots—Thanks for This Riot is a poignant and mordantly funny collection with a distinctly feminist viewpoint.

Truth and Power in American Archaeology, by Alice Beck Kehoe. Series: Critical Studies in the History of Anthropology

In Truth and Power in American Archaeology, archaeologist and ethnohistorian Alice Beck Kehoe presents her key writings where archaeological fieldwork, ethnohistorical analysis, postcolonial anthropology, and feminist analysis intersect to provide students and scholars of anthropology an overview of the methodological and ethical issues in Americanist archaeology in the last thirty years.

Truth and Power in American Archaeology brings together Kehoe’s broad-ranging, influential articles and previously unpublished lectures to explore archaeology’s history, methods, concepts, and larger imbrication in knowledge production in the West. With her contextualizing introductions, these articles argue for recognition of scientific method in the historical sciences of archaeology, paleontology, and geology; empirically grounded understandings of American First Nations’ ways of life and scientific knowledge; discussion of archaeology as expanded histories; a view of American archaeology’s social contexts of Manifest Destiny ideology, Cold War politics, and patriarchy; and a postcolonial historicist understanding of America’s real deep-time history and of the imperialist racism entrenched in mainstream American archaeology.

**Pictures and Synopses courtesy of University of Nebraska Press.

Apologies that this installment of Book Briefs has taken so long–we have been without a cataloger since December 1st, 2023, but our new cataloger starts July 15th!

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  We normally post every two months, but today we are catching up with our backlog of the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in January through June, 2024:

Antilla, by Henrietta Goodman. Series: The Backwaters Prize in Poetry Honorable Mention

The title poem of this collection refers to the phantom island of Antillia, included on maps in the fifteenth century but later found not to exist. The ghosts that haunt this collection are phantom islands, moon lakes, lasers used to clean the caryatids at the Acropolis, earlier versions of the self, suicides, a madam from the Old West, petroleum, snapdragons, pets, ice apples, Casper, and a “resident ghost” who makes the domestic realm of “the cradle and the bed” uninhabitable. The ghosts are sons, fathers “asleep in front of the TV,” and a variety of exes—“lost boys” with names like The Texan and Mr. No More Cowboy Hat whom Henrietta Goodman treats with snarky wit but also with grief, guilt, and love.

Although memories pervade this collection, these poems also look forward and outward into a world where social inequality and environmental disaster meet the possibility of metamorphosis.

Boundless Deep, and Other Stories, by Gen Del Raye. Series: The Raz/Shumaker Prairie Schooner Book Prize in Fiction

Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Boundless Deep, and Other Stories is a portrait of a family that holds together despite everything. By turns introspective, surreal, and bitingly funny, this collection of linked short stories spans seven decades across Japan and the United States and shows the tenacity of relationships fractured by language and distance.

At the funeral of her old boss, a grandmother confronts the legacy of the draft letters she delivered as a girl during World War II. Facing the loss of his job, a father becomes the caricature strangers have always believed him to be. A graduate student living far from home is worn down by the reality of what it takes to save even a small piece of the world. Along the way, we meet communist revolutionary Shigenobu Fusako hiding out in a Tokyo hotel, submariner and war criminal Nishina Sekio in his tortured dreams, and Edwin, a half-dolphin friend, wreaking havoc in a public pool. Written in the compressed style of Amy Hempel and Lucia Berlin, these stories examine characters whose struggles submerge them, weighing them down from every angle, until they can finally float free.

Brand Antarctica : How Global Consumer Culture Shapes Our Perceptions of the Ice Continent, by Hanne Elliot Fonss Nielsen. Series: Polar Studies

Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavors. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.

By contextualizing and analyzing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.

Bribed With Our Own Money : Federal Abuse of American Indian Funds in the Termination Era, by David R. M. Beck. Series: New Visions in Native American and Indigenous Studies

In Bribed with Our Own Money David R. M. Beck analyzes the successes and failures of Indigenous nations’ opposition to federal policy in the 1950s and 1960s. Focusing on case studies from six Native nations, Beck recounts how the U.S. government coerced American Indian nations to accept termination of their political relationship with the United States by threatening to withhold money that belonged to the tribes.

Termination was the continuation—and, federal officials hoped, the culmination—of more than a century of policy initiatives intended to end the political relationship between Indian tribal nations and the federal government. Termination was also intended to assimilate American Indian individuals into the country’s social and economic culture and to remove the remainder of reservation lands from federal trust. American Indians hoped to gain greater opportunities of self-governance and self-determination, but they wanted to do so under the protection of the federal trust relationship.

Bribed with Our Own Money analyzes both successful and unsuccessful efforts of Native nations to oppose this policy within the larger context of long-standing federal abuse of tribal funds. It is the first book to view federal termination efforts grounded in bribery for what they were: a form of coercion.

Buffalo Bill and the Mormans, by Brent M. Rogers.

In this never-before-told history of Buffalo Bill and the Mormons, Brent M. Rogers presents the intersections in the epic histories of William F. “Buffalo Bill” Cody and the Latter-day Saints from 1846 through 1917. In Cody’s autobiography he claimed to have been a member of the U.S. Army wagon train that was burned by the Saints during the Utah War of 1857–58. Less than twenty years later he began his stage career and gained notoriety by performing anti-Mormon dramas. By early 1900 he actively recruited Latter-day Saints to help build infrastructure and encourage growth in the region surrounding his town of Cody, Wyoming.

In Buffalo Bill and the Mormons Rogers unravels this history and the fascinating trajectory that took America’s most famous celebrity from foe to friend of the Latter-day Saints. In doing so, the book demonstrates how the evolving relationship between Cody and the Latter-day Saints can help readers better understand the political and cultural perceptions of Mormons and the American West.

Creative Genius : The Art of the Nebraska Capitol, by Susanne Shore, Kevin Moser, and Drew Davies.

Few buildings reveal truths, inspire greatness, and narrate the creation of humanity. Creative Genius: The Art of the Nebraska Capitol documents such a place. The Nebraska Capitol—once called “a peak in the history of building accomplishment”—breaks the boundaries of architecture and art.

Creative Genius unveils new images of the art of the Capitol in striking detail. Included are some of the greatest works by some of America’s most recognized artists and visionaries.

Along with remarkable visuals, Creative Genius delivers insights into the extraordinary stories and vision behind the art. Steeped in history and lore, the building narrates the creation of the universe and life, as well as the epic journey of the peoples of Nebraska. This book reveals the themes driving the art, chronicles the stories behind artists and their creations, and celebrates the beauty embodied in this influential building.

Ethics at the Center : Jewish Theory and Practice for Living a Moral Life, by Elliot N. Dorff. Series: A JPS Scholar of Distinction Book

Ethics at the Center culls the best of Rabbi Elliot N. Dorff’s pioneering thinking in Jewish ethics over nearly five decades. Dorff shows that our response to moral issues depends ultimately on our conceptions of the nature of human beings and God; how Jewish law, theology, prayer, history, and community should also define and motivate Jewish responses to moral issues; and how the honorable and divergent stances of Western philosophy and other religions about moral living shed light on Judaism’s distinctive standpoints.

From there Dorff applies Judaism’s ethics to real life: abortion post–Roe v. Wade, sexual orientation and human dignity, avoiding harm in communication, playing violent or defamatory video games, modern war ethics, handling donations of ill-gotten gain after the fact. In conclusion he explores how Jewish family and community, holidays and rituals, theology, study, and law have moral import as well.

Dorff’s personal introduction to each chapter reflects on why and when he wrote its contents, its continuing relevance, and if—and if so, how—he would now change what he wrote earlier. Readers will experience not only his evolving ethical thought but many facets of the person and the Jew that Dorff is today.

Exile and the Jews : Literature, History, and Identity, Edited by Nancy E. Berg and Marc Saperstein. Series: JPS Anthologies of Jewish Thought

This first comprehensive anthology examining Jewish responses to exile from the biblical period to our modern day gathers texts from all genres of Jewish literary creativity to explore how the realities and interpretations of exile have shaped Judaism, Jewish politics, and individual Jewish identity for millennia. Ordered along multiple arcs—from universal to particular, collective to individual, and mythic-symbolic to prosaic everyday living—the chapters present different facets of exile: as human condition, in history and life, in holiday rituals, in language, as penance and atonement, as internalized experience, in relation to the Divine Presence, and more. By illuminating the multidimensional nature of “exile”—political, philosophical, religious, psychological, and mythological—widely divergent evaluations of Jewish life in the Diaspora emerge. The word “exile” and its Hebrew equivalent, galut, evoke darkness, bleakness—and yet the condition offers spiritual renewal and engenders great expressions of Jewish cultural creativity: the Babylonian Talmud, medieval Jewish philosophy, golden age poetry, and modern Jewish literature.

Exile and the Jews will engage students, academics, and general readers in contemplating immigration, displacement, evolving identity, and more.

Forget I Told You This : A Novel, by Hilary Zaid. Series: Zero Street Fiction

Amy Black, a queer single mother and an aspiring artist in love with calligraphy, dreams of a coveted artist’s residency at the world’s largest social media company, Q. One ink-black October night, when the power is out in the hills of Oakland, California, a stranger asks Amy to transcribe a love letter for him. When the stranger suddenly disappears, Amy’s search for the letter’s recipient leads her straight to Q and the most beautiful illuminated manuscript she has ever seen, the Codex Argentus, hidden away in Q’s Library of Books That Don’t Exist—and to a group of data privacy vigilantes who want her to burn Q to the ground.

Amy’s curiosity becomes her salvation, as she’s drawn closer and closer to the secret societies and crackpot philosophers that haunt the city’s abandoned warehouses and defunct train depots. All of it leads to an opportunity of a lifetime: an artist’s residency deep in the holographic halls of Q headquarters. It’s a dream come true—so long as she follows Q’s rules.

The Forsaken and the Dead : The Bass Reeves Trilogy, Book Three, by Sidney Thompson. Series: The Bass Reeves Trilogy Series

**Books 1 & 2 of the Bass Reeves Trilogy adapted for the Paramount+ miniseries Lawmen: Bass Reeves
2023 Foreword INDIES Finalist in Historical Fiction
National Indie Excellence Award Winner in Western Fiction

All heroes have fatal flaws and a moment of defining hubris, but few rise from the ashes to achieve greater heights. In 1884 Deputy U.S. Marshal Bass Reeves was arrested for murder and placed among his own prisoners in Hell on the Border, the infamous federal jail in Fort Smith, Arkansas. It was the single greatest setback of his illustrious career, but it wouldn’t be his last mistake or trial by fire.

In The Forsaken and the Dead we meet Reeves again. In the 1890s, past his prime, Reeves proceeds through the valleys and shadows of Indian and Oklahoma Territories. Despite his caution and innovations as a lawman and detective, his nation no longer seems a product of his own making—so much like his children and his marriage to Jennie. While a modern world implodes around him and demons from his past continue to haunt his present, he remains resolute in his faith that he can be a steady rider on a pale horse.

Forward Without Fear : Native Hawaiians and American Education in Territorial Hawai’i, 1900-1941, by Derek Taira. Series: Studies in Pacific Worlds

During Hawai‘i’s territorial period (1900–1959), Native Hawaiians resisted assimilation by refusing to replace Native culture, identity, and history with those of the United States. By actively participating in U.S. public schools, Hawaiians resisted the suppression of their language and culture, subjection to a foreign curriculum, and denial of their cultural heritage and history, which was critical for Hawai‘i’s political evolution within the manifest destiny of the United States.

In Forward without Fear Derek Taira reveals that many Native Hawaiians in the first forty years of the territorial period neither subscribed nor succumbed to public schools’ aggressive efforts to assimilate and Americanize them but instead engaged with American education to envision and support an alternate future, one in which they could exclude themselves from settler society to maintain their cultural distinctiveness and protect their Indigenous identity. Taira thus places great emphasis on how they would have understood their actions—as flexible and productive steps for securing their cultural sovereignty and safeguarding their future as Native Hawaiians—and reshapes historical understanding of this era as one solely focused on settler colonial domination, oppression, and elimination to a more balanced and optimistic narrative that identifies and highlights Indigenous endurance, resistance, and hopefulness.

The Franz Boas Papers, Volume 2 : Franz Boas, James Teit, and Early Twentieth-Century Salish Ethnology. 2 Volumes– Part 1: 1894-1913, and Part 2: 1914-1922, Edited by Angie Bain, John Haugen, et al. Series: Franz Boas Papers Documentary Edition

The Franz Boas Papers, Volume 2 explores the development of the ethnography of Salishan-speaking societies on the North American Plateau as revealed through the correspondence between Franz Boas and the Scottish-born James Teit, who married into an Interior Salish family and community and became fluent in the Nlaka’pamux language. The letters between Teit (1864–1922) and Boas (1858–1942) chronicle Teit’s varied career as an ethnographer, from shortly after his initial meeting with Boas in 1894 until Teit’s death at the age of fifty-eight. A postscript documents Boas’s contribution to Teit’s legacy through the posthumous publication of the manuscripts Teit left unfinished at his death.

Teit made significant contributions to ethnography and the history of southern British Columbia through his photography of the people with whom he worked, his contributions to ethnomusicology and ethnobotany, his anthologies of mythic narrative, and his collections of Interior Salish—primarily Nlaka’pamux—material culture. In addition to collaborating with Boas in the development of Interior Salish ethnography, between 1909 and 1922 Teit worked to support Indigenous groups in British Columbia who were seeking recognition of Aboriginal title and resolution of their outstanding land claims.

The Franz Boas Papers, Volume 2 meticulously tracks the impact of the differing career trajectories of Teit and Boas on the primary product of their collaboration—the initial development of the ethnography of societies speaking Interior Salish languages. This second volume of the Franz Boas Papers Documentary Edition is an essential primary source of archival materials for research libraries and for students and scholars of Northwest Coast and Interior Mountain West ethnohistory, Native American and Indigenous studies, history of anthropology, and modern U.S. history. It is also an essential source for Indigenous and settler descendant communities.

Let Our Bodies Change the Subject, by Jared Harel. Series: The Raz/Shumaker Prairie Schooner Book Prize in Poetry

National Jewish Book Award Finalist
Paterson Poetry Prize Finalist

Let Our Bodies Change the Subject is a poetry collection that dives headlong into the terrifying, wondrous, sleep-deprived existence of being a parent in twenty-first-century America. In clear, dynamic verses that disarm then strike, Jared Harél investigates our days through the keyhole of domesticity, through personal lyrics and cultural reckonings. Whether taking a family trip to Coney Island or simply showing his son snowflakes on Inauguration morning, Harél guides us toward moments of intimacy and understanding, humor and grief.

“I will try,” he admits, “to be better than myself, which is all/I’ve ever wanted and everything I need.” Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, Let Our Bodies Change the Subject is a secular prayer. Hoping against hope, Harél works to reconcile feelings of luck and loss, of living for joy while fearing the worst.

Loving the Dying, by Len Verwey. Series: African Poetry Book

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.

These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.

As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.

Marcias : Queer Cultures and State Violence in Argentina and Spain, 1942-1982, by Javier Fernandez-Galeano. Series: Engendering Latin America

In Maricas Javier Fernández-Galeano traces the erotic lives and legal battles of Argentine and Spanish gender- and sexually nonconforming people who carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s. In both countries, agents of the state, judiciary, and medical communities employed “social danger” theory to measure individuals’ latent criminality, conflating sexual and gender nonconformity with legal transgression.

Argentine and Spanish queer and trans communities rejected this mode of external categorization. Drawing on Catholicism and camp cultures that stretched across the Atlantic, these communities constructed alternative models of identification that remediated state repression and sexual violence through the pursuit of the sublime, be it erotic, religious, or cultural. In this pursuit they drew ideological and iconographic material from the very institutions that were most antagonistic to their existence, including the Catholic Church, the military, and reactionary mass media. Maricas incorporates non-elite actors, including working-class and rural populations, recruits, prisoners, folk music fans, and defendants’ mothers, among others. The first English-language monograph on the history of twentieth-century state policies and queer cultures in Argentina and Spain, Maricas demonstrates the many ways queer communities and individuals in Argentina and Spain fought against violence, rejected pathologization, and contested imposed, denigrating categorization.

My Grandfather’s Altar : Five Generations of Lakota Holy Men, by Richard Moves Camp, edited by Simon J. Joseph. Series: American Indian Lives

Richard Moves Camp’s My Grandfather’s Altar is an oral-literary narrative account of five generations of Lakota religious tradition. Moves Camp is the great-great-grandson of Wóptuȟ’a (“Chips”), the holy man remembered for providing Crazy Horse with war medicines of power and protection. The Lakota remember the descendants of Wóptuȟ’a for their roles in preserving Lakota ceremonial traditions during the official prohibition period (1883–1934), when the U.S. Indian Religious Crimes Code outlawed Indian religious ceremonies with the threat of imprisonment.

Wóptuȟ’a, his two sons, James Moves Camp and Charles Horn Chips, his grandson Sam Moves Camp, and his great-great-grandson Richard Moves Camp all became well-respected Lakota spiritual leaders. My Grandfather’s Altar offers the rare opportunity to learn firsthand how one family’s descendants played a pivotal role in revitalizing Lakota religion in the twentieth century.

The Narrator : A Problem in Narrative Theory, by Sylvie Patron, translated by Catherine Porter. Series: Frontiers of Narrative

The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative).

Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.

The Nebraska Sandhills, Edited by Monica M. Norby, Judy Diamond, and Aaron Sutherlen, et al.

“Like a rumpled wool blanket, the Nebraska Sandhills spreads out over twenty thousand square miles of north central Nebraska and is the largest stabilized dune field in the Western Hemisphere. It is also the largest intact mixed-grass prairie left on the continent.”

This description by photographer Michael Forsberg alludes to the exceptional physical geography of the Nebraska Sandhills, a place of rolling grasslands, rivers, and wetlands created by the Ogallala Aquifer that underlies the region. Home to abundant wildlife, from pronghorn antelope to sandhill cranes, the Sandhills are an ecological treasure. Dotted with ranches and small towns, the Sandhills are rich with deep cultural history, including those of Indigenous peoples, settlers, Black homesteaders, immigrants, ecotourists, and some adventurous golfers.

The Nebraska Sandhills features nearly forty essays about the history, people, geography, geology, ecology, and conservation of the Nebraska Sandhills. Illustrated with hundreds of remarkable color photographs of the area, this is the most up-to-date and illuminating portrayal of this remarkable yet largely unknown region of the United States.

A New Deal for Quilts, by Janneken Smucker.

During the Roosevelt administration’s efforts to combat the Great Depression, the quilt became an emblem for how to lift one’s family out of poverty, piece by piece. A New Deal for Quilts explores how the U.S. government drew on quilts and quilt-making, encouraging Americans to create quilts individually and collectively in response to unemployment, displacement, and recovery efforts. Quilters shared their perspectives on New Deal programs such as the Tennessee Valley Authority and the National Recovery Administration, which sent quilts as gifts to the Roosevelts and other officials. Federal programs used quilts’ symbolic heft to communicate the values and behaviors individuals should embrace amid the Depression, perceiving the practical potential of crafts to lift morale and impart new skills. The government embraced quilts to demonstrate the efficacy of its programs, show women how they could contribute to their families’ betterment, and generate empathy for impoverished Americans.

With more than one hundred period photographs and images of quilts, A New Deal for Quilts evokes the visual environment of the Depression while conveying ways craft, work, race, poverty, and politics intersected during this pivotal era. Accompanying the book is a fall 2023 exhibit at the International Quilt Museum, featuring 1930s quilts drawn from its renowned collection.

The New Nancy : Flexible and Relatable Daily Comics in the Twenty-First Century, by Jeff Karnicky. Series: Encapsulations: Critical Comics Studies

In The New Nancy Jeff Karnicky explores how today’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture.

Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience.

Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous.

Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.

Object-Oriented Narratology, by Marie-Laure Ryan and Tang Weisheng. Series: Frontiers of Narrative

The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the  existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity.

These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot.

Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans’ relationships to their material environment and with the otherness of objects.

On Our Own Terms : Indigenous Histories of School Funding and Policy, by Meredith L. McCoy. Series: Indigenous Education

On Our Own Terms contextualizes recent federal education legislation against the backdrop of two hundred years of education funding and policy to explore two critical themes: the racial and settler colonial dynamics that have shaped Indian education and an equally long and persistent tradition of Indigenous peoples engaging schools, funding, and policy on their own terms. Focusing primarily on the years 1819 to 2018, Meredith L. McCoy provides an interdisciplinary, methodologically expansive look into the ways federal Indian education policy has all too often been a tool for structural violence against Native peoples. Of particular note is a historical budget analysis that lays bare inconsistencies in federal support for Indian education and the ways funds become a tool for redefining educational priorities.

McCoy shows some of the diverse strategies families, educators, and other community members have used to creatively navigate schooling on their own terms. These stories of strategic engagement with schools, funding, and policy embody what Gerald Vizenor has termed survivance, an insistence of Indigenous presence, trickster humor, and ironic engagement with settler structures. By gathering these stories together into an archive of survivance stories in education, McCoy invites readers to consider ongoing patterns of Indigenous resistance and the possibilities for bending federal systems toward community well-being.

Origins of the Syma Species, by Tares Oburumu. Series: African Poetry Book

Winner of the Sillerman First Book Prize for African Poets

Winner of the Sillerman First Book Prize for African Poets, Tares Oburumu’s collection is a brief history of where he came from: Syma, a neglected oil-producing region of Nigeria. After growing up with a single mother in the creek- and brook-marked region, and himself now a single parent, Oburumu examines single parenthood and how love defines family circles. Mixing music, religion, and political critique, Origins of the Syma Species evokes pasts and futures.

Inspired by the relative chaos found in the origin of things, Oburumu’s poems explore how the beauty of chaos binds us to our ancestral roots. In his poems Oburumu identifies with anyone who is a single parent or is dealing with the lonely trauma of a broken home. His poems instill hopefulness in a world that has the means to throw many into poverty and agony.

Pakistan and American Diplomacy : Insights from 9/11 to the Afghanistan Endgame, by Ted Craig.

Pakistan and American Diplomacy offers an insightful, fast-moving tour through Pakistan-U.S. relations, from 9/11 to the U.S. withdrawal from Afghanistan, as told from the perspective of a former U.S. diplomat who served twice in Pakistan. Ted Craig frames his narrative around the 2019 Cricket World Cup, a contest that saw Pakistan square off against key neighbors and cricketing powers Afghanistan, India, and Bangladesh, and its former colonial ruler, Britain.Craig provides perceptive analysis of Pakistan’s diplomacy since its independence in 1947, shedding light on the country’s contemporary relations with the United States, China, India, Sri Lanka, and Afghanistan. With insights from the field and from Washington, Craig reflects on the chain of policy decisions that led to the fall of the Kabul government in 2021 and offers a sober and balanced view of the consequences of that policy failure. Drawing on his post–Cold War diplomatic career, Craig presents U.S.-Pakistan policy in the context of an American experiment in promoting democracy while combating terrorism.                                  

Resisting Oklahoma’s Reign of Terror : The Society of Oklahoma Indians and the Fight for Native Rights, 1923-1928, by Joshua Clough. Series: New Visions in Native American and Indigenous Studies

The oil and natural gas boom in pre–World War I Oklahoma brought unbelievable wealth to thousands of tribal citizens in the state on whose lands these minerals were discovered. However, as Angie Debo recognizes in her seminal study of the period, And Still the Waters Run, and, more recently, as David Grann does in Killers of the Flower Moon, this affluence placed Natives in the crosshairs of unscrupulous individuals. As a result, this era was also marked by two of the most heinous episodes of racial violence in the state’s history:  the Tulsa Race Massacre of 1921 and the Osage Murders between 1921 and 1925. 

In Resisting Oklahoma’s Reign of Terror Joshua Clough details the responses of one largely forgotten Native organization—the Society of Oklahoma Indians (SOI)—to the violence and pillaging of tribal resources during the 1920s. Clough provides historical understanding of its formation and its shared values of intertribal unity, Native suffrage, and protection of Native property. He also reveals why reform efforts were nearly impossible in 1920s Oklahoma and how this historical perspective informs today’s conflicts between the state and its Indigenous inhabitants.

Through this examination of the SOI, Clough fills the historiographic gap regarding formal Native resistance between the dissolution of the national Society of American Indians in 1923 and the formation of the National Congress of American Indians in 1944. Dismissed or overlooked for a century as an inconsequential Native activist organization, the history of the SOI, when examined carefully, reveals the sophistication and determination of tribal members in their struggle to prevent depredations on their persons and property.

Shift : A Memoir of Identity and Other Illusions, by Penny Guisinger. Series: American Lives

Penny Guisinger was not always attracted to women. In Shift she recounts formative relationships with women and men, including the marriage that produced her two children and ultimately ended in part due to her affair with her now-wife. Beginning her story as straight and ending as queer, she struggles to make sense of how her identity changed so profoundly while leaving her feeling like the same person she’s always been. While covering pivotal periods of her life, including previous relationships and raising her children across the chasm of divorce, Guisinger reaches for quantum physics, music theory, planetary harmonics, palmistry, and more to interrogate her experiences. This personal story plays out against the backdrop of the national debate on same-sex marriage, in rural, easternmost Maine, where Guisinger watched her neighbors vote against the validity of her family.

Shift examines sexual and romantic fluidity while wrestling with the ways past and present mingle rather than staying in linear narratives. Under scrutiny, Guisinger’s sense of her own identity becomes like a Mobius strip or Penrose triangle—an optical illusion that challenges the dimensions and possibilities of the world.

Storytelling in Kabuki : An Exploration of Spatial Poetics of Comics, by Steen Ledet Christiansen. Series: Encapsulations: Critical Comics Studies

Steen Ledet Christiansen’s Storytelling in “Kabuki” explores the series created by David Mack—a slow, recursive narrative that focuses on the death of Kabuki and her past. The series ran from 1994 to 2004 in a variety of miniseries, one-shots, and spin-offs, rather than following a conventional American monthly release schedule. Most of the series explores different perspectives on the same event and adds background to Kabuki’s past, usually through surreal sequences, dreams, and near-death experiences. The flexibility of comics’ approach to chronology, space, focalization, narrative, and fictionality enabled Mack to produce an unusual experience. Kabuki tells a story that can only exist via comics.

Christiansen analyzes the visual design of the series, a heterogeneous collection of styles depending on the story. To understand Kabuki, it is crucial to explore the visual styles, as well as the use of visual and spatial rhymes and mixed media forms. Because Kabuki employs a complex layering of focalizations, diegetic levels, and metafictional self-reflectivity that is rare in mainstream American comics, it utilizes a narrative poetics that focuses on constant repeating, restating, and returning to the same events.

Kabuki’s unique compositional layering allows Christiansen to provide a clear example of how comics work while also expanding on critical vocabulary, especially in terms of spatial poetics. By exploring spatial form, Christiansen illuminates and gives a critical framework to a different and underexamined aspect of comics.

Wardship and the Welfare State : Native Americans and the Formation of First-Class Citizenship in Mid-Twentieth-Century America, by Mary Klann. Series: New Visions in Native American and Indigenous Studies

Wardship and the Welfare State examines the ideological dimensions and practical intersections of public policy and Native American citizenship, Indian wardship, and social welfare rights after World War II. By examining Native wardship’s intersections with three pieces of mid-twentieth-century welfare legislation—the 1935 Social Security Act, the 1942 Servicemen’s Dependents Allowance Act, and the 1944 GI Bill—Mary Klann traces the development of a new conception of first-class citizenship.

Wardship and the Welfare State explores how policymakers and legislators have defined first-class citizenship against its apparent opposite, the much older and fraught idea of Indian wardship. Wards were considered dependent, while first-class citizens were considered independent. Wards were thought to receive gratuitous aid from the government, while first-class citizens were considered responsible. Critics of the federal welfare state’s expansion in the 1930s through 1960s feared that as more Americans received government aid, they too could become dependent wards, victims of the poverty they saw on reservations. Because critics believed wardship prevented Native men and women from fulfilling expectations of work, family, and political membership, they advocated terminating Natives’ trust relationships with the federal government. As these critics mistakenly equated wardship with welfare, state officials also prevented Native people from accessing needed welfare benefits.

But to Native peoples wardship was not welfare and welfare was not wardship. Native nations and pan-Native organizations insisted on Natives’ government-to-government relationships with the United States and maintained their rights to welfare benefits. In so doing, they rejected stereotyped portrayals of Natives’ perpetual poverty and dependency and asserted and defined tribal sovereignty. By illuminating how assumptions about “gratuitous” government benefits limit citizenship, Wardship and the Welfare State connects Native people to larger histories of race, inequality, gender, and welfare in the twentieth-century United States.

Westerns : A Women’s History, by Victoria Lamont. Series: Postwestern Horizons

At every turn in the development of what we now know as the western, women writers have been instrumental. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged.

Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western—cowboys, schoolmarms, gun violence, lynchings, cattle branding—while also placing women characters at the center of their adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character Sheriff Minnie comes to the rescue of a steady stream of defenseless women victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.

Who Would You Kill to Save the World?, by Claire Colebrook. Series: Provocations

2024 Hugh J. Silverman Book Prize in Philosophy and Literature

Who Would You Kill to Save the World? examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society. Claire Colebrook redefines “the world” as affluent Western society and “saving the world” as preventing us from becoming the othered them who are viewed in their suffering. Colebrook further examines how the use of postapocalyptic cinema is a humanist—Western, capitalist, colonizing, white, heteronormative, and individualist—creation and challenges the notion that a world built on foundations of exploitation is worth saving.

Colebrook combines postapocalyptic fiction, concern over the global climate crisis, colonialism, and anti-Blackness to explain how contemporary postapocalypse blockbusters circulate ideas of whiteness and the right of the privileged to rebuild the world. Who Would You Kill to Save the World? is a provocative addition to the field of extinction studies and challenges the conceptual frames we use to define ourselves.

**Pictures and Synopses courtesy of University of Nebraska Press.

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  Every two months we will be showcasing the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in November and December, 2023:

Great Plains Forts, by Jay H. Buckley and Jeffery D. Nokes; Series: Discover the Great Plains

Great Plains Forts introduces readers to the fortifications that have impacted the lives of Indigenous peoples, fur trappers and traders, travelers, and military personnel on the Great Plains and prairies from precontact times to the present. Using stories to introduce patterns in fortification construction and use, Jay H. Buckley and Jeffery D. Nokes explore the eras of fort-building on the Great Plains from Canada to Texas. Stories about fortifications and fortified cities built by Indigenous peoples reveal the lesser-known history of precontact violence on the plains.

Great Plains Forts includes stories of Spanish presidios and French and British outposts in their respective borderlands. Forts played a crucial role in the international fur trade and served as emporiums along the overland trails and along riverway corridors as Euro-Americans traveled into the American West. Soldiers and families resided in these military outposts, and this military presence in turn affected Indigenous Plains peoples. The appendix includes a reference guide organized by state and province, enabling readers to search easily for specific forts.

Making Space : Neighbors, Officials, and North African Migrants in the Suburbs of Paris and Lyon, by Melissa K. Byrnes; Series: France Overseas: Studies in Empire and Decolonization

Since the 2005 urban protests in France, public debate has often centered on questions of how the country has managed its relationship with its North African citizens and residents. In Making Space Melissa K. Byrnes considers how four French suburbs near Paris and Lyon reacted to rapidly growing populations of North Africans, especially Algerians before, during, and after the Algerian War. In particular, Byrnes investigates what motivated local actors such as municipal officials, regional authorities, employers, and others to become involved in debates over migrants’ rights and welfare, and the wide variety of strategies community leaders developed in response to the migrants’ presence. An examination of the ways local policies and attitudes formed and re-formed communities offers a deeper understanding of the decisions that led to the current tensions in French society and questions about France’s ability—and will—to fulfill the promise of liberty, equality, and fraternity for all of its citizens. Byrnes uses local experiences to contradict a version of French migration history that reads the urban unrest of recent years as preordained.

Modern Jewish Theology : the First One Hundred Years, 1835-1935, Edited by Samuel J. Kessler and George Y. Kohler; Series: JPS Anthologies of Jewish Thought

Modern Jewish Theology is the first comprehensive collection of Jewish theological ideas from the pathbreaking nineteenth and early twentieth centuries, featuring selections from more than thirty of the most influential Jewish thinkers of the era as well as explorations of Judaism’s identity, uniqueness, and relevance; the origin of ethical monotheism; and the possibility of Jewish existentialism. These works—most translated for the first time into English by top scholars in modern Jewish history and philosophy—reveal how modern Jewish theology developed in concert with broader trends in Jewish intellectual and social modernization, especially scholarship (Wissenschaft des Judentums), politics (liberalism and Zionism), and religious practice (movement Judaism and the struggles to transcend denominational boundaries).

This anthology thus opens to the English-language reader a true treasure house of source material from the formative years of modern Jewish thought, bringing together writings from the very first generations, who imagined biblical and rabbinic texts and modern scientific research would produce a synthetic view of God, Israel, and the world. A general introduction and chapter introductions guide students and nonspecialists through the key themes and transformations in modern Jewish theology, and extensive annotations immerse them in the latest scholarship.

Reading the Contemporary Author : Narrative, Authority, Fictionality, Edited by Alison Gibbons and Elizabeth King; Series: Frontiers of Narrative

Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure.

Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.

To Educate American Indians : Selected Writings from the National Educational Association’s Department of Indian Education, 1900-1904, Edited by Larry C. Skogen; Series: Indigenous Education

To Educate American Indians presents the most complete versions of papers presented at the National Educational Association’s Department of Indian Education meetings during a time when the debate about how best to “civilize” Indigenous populations dominated discussions. During this time two philosophies drove the conversation. The first, an Enlightenment era–influenced universalism, held that through an educational alchemy American Indians would become productive, Christianized Americans, distinguishable from their white neighbors only by the color of their skin. Directly confronting the assimilationists’ universalism were the progressive educators who, strongly influenced by the era’s scientific racism, held the notion that American Indians could never become fully assimilated. Despite these differing views, a frightening ethnocentrism and an honor-bound dedication to “gifting” civilization to Native students dominated the writings of educators from the NEA’s Department of Indian Education.

For a decade educators gathered at annual meetings and presented papers on how best to educate Native students. Though the NEA Proceedings published these papers, strict guidelines often meant they were heavily edited before publication. In this volume Larry C. Skogen presents many of these unedited papers and gives them historical context for the years 1900 to 1904.

Wallace Stegner’s Unsettled Country : Ruin, Realism, and Possibility in the American West, Edited by Mark Fiege, Michael J. Lansing, and Leisl Carr Childers

Wallace Stegner is an iconic western writer. His works of fiction, including the Pulitzer Prize–winning Angle of Repose and Big Rock Candy Mountain, as well as his nonfiction books and essays introduced the beauty and character of the American West to thousands of readers. Wallace Stegner’s Unsettled Country assesses his life, work, and legacy in light of contemporary issues and crises. Along with Stegner’s achievements, the contributors show how his failures offer equally crucial ways to assess the past, present, and future of the region.

Drawing from history, literature, philosophy, law, geography, and park management, the contributors consider Stegner’s racial liberalism and regional vision, his gendered view of the world, his understandings of conservation and the environment, his personal experience of economic collapse and poverty, his yearning for community, and his abiding attachment to the West. Wallace Stegner’s Unsettled Country is an even-handed reclamation of Stegner’s enduring relevance to anyone concerned about the American West’s uncertain future.

**Pictures and Synopses courtesy of University of Nebraska Press.

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  Each month we will be showcasing the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in September and October, 2023:

Almost Somewhere : Twenty-Eight Days on the John Muir Trail, by Suzanne Roberts. Series: Outdoor Lives.

Winner of the National Outdoor Book Award in Outdoor Literature

It was 1993, Suzanne Roberts had just finished college, and when her friend suggested they hike California’s John Muir Trail, the adventure sounded like the perfect distraction from a difficult home life and thoughts about the future. But she never imagined that the twenty-eight-day hike would change her life. Part memoir, part nature writing, part travelogue, Almost Somewhere is Roberts’s account of that hike.

John Muir wrote of the Sierra Nevada as a “vast range of light,” and that was exactly what Roberts was looking for. But traveling with two girlfriends, one experienced and unflappable and the other inexperienced and bulimic, she quickly discovered that she needed a new frame of reference. Her story of a month in the backcountry—confronting bears, snowy passes, broken equipment, injuries, and strange men—is as much about finding a woman’s way into outdoor experience as it is about the natural world Roberts so eloquently describes. Candid and funny, and finally, wise, Almost Somewhere not only tells the whimsical coming-of-age story of a young woman ill-prepared for a month in the mountains but also reflects a distinctly feminine view of nature.

This new edition includes an afterword by the author looking back on the ways both she and the John Muir Trail have changed over the past thirty years, as well as book club and classroom discussion questions and photographs from the trip.

The Complete Letters of Henry James, 1887-1888, Volume 2, Edited by Michael Anesko and Greg W. Zacharias, and Katie Sommer. Series: The Complete Letters of Henry James

This second volume of The Complete Letters of Henry James, 1887–1888 contains 182 letters, of which 120 are published for the first time, written from late December 1887 to November 19, 1888. These letters continue to mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage timely political and economic issues, and maximize his income. James details work on The Aspern Papers, The Reverberator, Partial Portraits, and The Tragic Muse. This volume opens with some of James’s social visits, includes the death of longtime friend Lizzie Boott, and concludes with James on the Continent.

Ecologies of Imperialism in Algeria, by Brock Cutler. Series: France Overseas: Studies in Empire and Decolonization.

Between 1865 and 1872 widespread death and disease unfolded amid the most severe ecological disaster in modern North African history: a plague of locusts destroyed crops during a disastrous drought that left many Algerians landless and starving. The famine induced migration that concentrated vulnerable people in unsanitary camps where typhus and cholera ran rampant. Before the rains returned and harvests normalized, some eight hundred thousand Algerians had died.

In Ecologies of Imperialism in Algeria Brock Cutler explores how repeated ecosocial divisions across an expansive ecosystem produced modern imperialism in nineteenth-century Algeria. Massive ecological crises—cultural as well as natural—cleaved communities from their homes, individuals from those communities, and society from its typical ecological relations. At the same time, the relentless, albeit slow-moving crises of ongoing settler colonialism and extractive imperial capitalism cleaved Algeria to France in a new way. Ecosocial divisions became apparent in performances of imperial power: officials along the Algerian-Tunisian border compulsively repeated narratives of “transgression” that over decades made the division real; a case of poisoned bread tied settlers in Algiers to Paris; Morocco-Algeria border violence exposed the exceptional nature of imperial sovereignty; a case of vagabondage in Oran evoked colonial gender binaries. In each case, factors in the broader ecosystem were implicated in performances of social division, separating political entities from each other, human from nature, rational from irrational, and women from men. Although these performances take place in the nineteenth-century Maghrib, the process they describe goes beyond those spatial and temporal limits—across the field of modern imperialism to the present day.

Encountering Palestine : Un/Making Spaces of Colonial Violence, Edited by Mark Griffiths and Mikko Joronen. Series: Cultural Geographies + Rewriting the Earth.

Encountering Palestine: Un/making Spaces of Colonial Violence, edited by Mark Griffiths and Mikko Joronen, sits at the intersection of cultural and political geographies and offers innovative reflections on power, colonialism, and anti-colonialism in contemporary Palestine and Israel. Organized around the theme of encountering and focusing on the ways violence and struggle are un/made in the encounter between the colonizer and colonized, the essays focus on power relations as they manifest in cultural practices and everyday lives in anti/colonial Palestine.

Covering numerous sites in Gaza, the West Bank, East Jerusalem, and Israel, Encountering Palestine addresses a range of empirical topics—from marriage and queer aesthetics to policing, demolition, armament failure, and violence. The contributors utilize diverse theoretical frameworks, such as hyperreality, settler capitalism, intimate biopolitics, and politics of vulnerability, to help us better understand the cultural making and unmaking of colonial and anti-colonial space in Palestine. Encountering Palestine asks us to rethink how colonialism and power operate in Palestine, the ways Palestinians struggle, and the lifeways that constantly encounter, un/make, and counter the spaces of colonial violence.

Galloping Gourmet : Eating and Drinking With Buffalo Bill, by Steve Friesen.

Galloping Gourmet explores an unfamiliar side of a familiar character in American history, William F. “Buffalo Bill” Cody. In this entertaining narrative Steve Friesen explores the evolving role of eating and drinking in Buffalo Bill’s life (1846–1917). Friesen starts with Buffalo Bill’s culinary roots on the American Plains, eating simple foods such as cornbread, fried “yellow-legged” chicken, and hardtack. Buffalo Bill discovered gourmet dining while leading buffalo-hunting expeditions and scouting. As his fame increased, so did his desire and opportunities for fine dining: his early show business career allowed him to dine at some of the best restaurants in the country.

Friesen examines the creation of Buffalo Bill’s Wild West Show in 1883, in which Cody introduced his diverse cast of employees to dining that equaled America’s best restaurants. One newspaper reporter observed that “Colonel Cody displays no more care about anything than the proper feeding of horse and man.” Cody opened the first Mexican restaurant east of the Mississippi and introduced American foodways to Europe. Equally comfortable eating around a campfire on the plains or at Delmonico’s in New York City, he also dined with leading celebrities of his day. In the final section Friesen addresses the controversies surrounding Cody’s drinking, his death, and his ongoing culinary legacy. Galloping Gourmet includes an appendix of more than thirty annotated period recipes.

Godfall : a Novel, by Van Jensen. Series: Flyover Fiction.

When a massive asteroid hurtles toward Earth, humanity braces for annihilation—but the end doesn’t come. In fact, it isn’t an asteroid but a three-mile-tall alien that drops down, seemingly dead, outside Little Springs, Nebraska. Dubbed “the giant,” its arrival transforms the red-state farm town into a top-secret government research site and major metropolitan area, flooded with soldiers, scientists, bureaucrats, spies, criminals, conspiracy theorists—and a murderer.

As the sheriff of Little Springs, David Blunt thought he’d be keeping the peace among the same people he’d known all his life, not breaking up chanting crowds of conspiracy theorists in tiger masks or struggling to control a town hall meeting about the construction of a mosque. As a series of brutal, bizarre murders strikes close to home, Blunt throws himself into the hunt for a killer who seems connected to the Giant. With bodies piling up and tensions in Little Springs mounting, he realizes that in order to find the answers he needs, he must first reconcile his old worldview with the town he now lives in—before it’s too late.

The Grapes of Conquest : Race, Labor, and the Industrialization of California Wine, 1769-1920, by Julia Ornelas-Higdon. Series: At Table.

California’s wine country conjures images of pastoral vineyards and cellars lined with oak barrels. As a mainstay of the state’s economy, California wines occupy the popular imagination like never before and drive tourism in famous viticultural regions across the state. Scholars know remarkably little, however, about the history of the wine industry and the diverse groups who built it. In fact, contemporary stereotypes belie how the state’s commercial wine industry was born amid social turmoil and racialized violence in eighteenth- and nineteenth-century California.

In The Grapes of Conquest Julia Ornelas-Higdon addresses these gaps in the historical narrative and popular imagination. Beginning with the industry’s inception at the California missions, Ornelas-Higdon examines the evolution of wine growing across three distinct political regimes—Spanish, Mexican, and American—through the industry’s demise after Prohibition. This interethnic study of race and labor in California examines how California Natives, Mexican Californios, Chinese immigrants, and Euro-Americans came together to build the industry. Ornelas-Higdon identifies the birth of the wine industry as a significant missing piece of California history—one that reshapes scholars’ understandings of how conquest played out, how race and citizenship were constructed, and how agribusiness emerged across the region. The Grapes of Conquest unearths the working-class, multiracial roots of the California wine industry, challenging its contemporary identity as the purview of elite populations.

The Incarceration of Native American Women : Creating Pathways to Wellness and Recovery Through Gentle Action Theory, by Carma Corcoran. Series: New Visions in Native American and Indigenous Studies.

In The Incarceration of Native American Women, Carma Corcoran examines the rising number of Native American women being incarcerated in Indian Country. With years of experience as a case management officer, law professor, consultant to tribal defenders’ offices, and workshop leader in prisons, she believes this upward trajectory of incarceration continues largely unacknowledged and untended. She explores how a combination of F. David Peat’s gentle action theory and the Native traditional ways of knowing and being could heal Native American women who are or have been incarcerated.

Colonization and the historical trauma of Native American incarceration runs through history, spanning multiple generations and including colonial wartime imprisonment, captivity, Indian removal, and boarding schools. The ongoing ills of childhood abuse, domestic violence, sexual assault, and drug and alcohol addiction and the rising number of suicides are indicators that Native people need healing. Based on her research and work with Native women in prisons, Corcoran provides a theory of wellness and recovery that creates a pathway for meaningful change. The Incarceration of Native American Women offers students, academics, social workers, counselors, and those in the criminal justice system a new method of approach and application while providing a deeper understanding of the cultural and historical experiences of Native Americans in relation to criminology.

Nebraska Volleyball : the Origin Story, by John Mabry.

When Title IX was enacted in 1972, the University of Nebraska volleyball program, like many across the country, received a fraction of the funding and attention given to the school’s mighty football program. The players had to organize a run from Lincoln to Omaha to raise money for uniforms. The women were asked to wait their turn to use the weight room. Today the Nebraska women’s volleyball team is one of the sport’s most decorated programs—with more career wins than any other program and five NCAA National Championships—and draws standing-room-only crowds at home games in the 8,000-seat Devaney Center.

Nebraska Volleyball is the first book to recount how volleyball took hold at Nebraska, through Pat Sullivan, the team’s first coach; through such early figures as Cathy Noth, a decorated player and later an assistant coach into the 1990s; through Terry Pettit, who coached the team for twenty-three seasons and led it to its first National Championship in 1995; and through John Cook, who took over as head coach in 2000. John Mabry highlights the small Nebraska towns that have sent some of the best players to the program and helped build statewide support for the team. Public television helped too, with its power to broadcast games early on and thus build a following across the state.

The success of Nebraska’s volleyball program is one of the greatest stories in sports. As Karch Kiraly, head coach for the U.S. National Women’s Volleyball Team, said: “If you want to learn about women’s college volleyball, your first stop has to be Lincoln, Nebraska.”

Of Love and War : Pacific Brides of World War II, by Angela Wanhalla. Series: Studies in Pacific Worlds.

Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area.

In Of Love and War Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era.

Rise Up! : Indigenous Music in North America, by Craig Harris.

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music.

Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

Settler Aesthetics : Visualizing the Spectacle of Originary Moments in The New World, by Mishuana Goeman. Series: Indigenous Films.

In Settler Aesthetics, an analysis of renowned director Terrence Malick’s 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans.

As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified “civilizational discourse” that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media.

The Sonoran Dynasty in Mexico : Revolution, Reform, and Repression, by Jürgen Buchenau. Series: Confluencias.

Two generals from the northwestern state of Sonora, Álvaro Obregón and Plutarco Elías Calles, dominated Mexico between 1920 and 1934, having risen to prominence in the course of the Mexican Revolution. Torn between popular demands for ending the privileges of wealthy foreign investors and opposition by a hawkish U.S. administration and enemies at home, the two generals and their allies from their home state mixed radical rhetoric with the accommodation of entrenched interests.

In The Sonoran Dynasty in Mexico Jürgen Buchenau tells the story of this ruling group, which rejected the Indigenous and Catholic past during the decades of the revolution and aimed to reinvent Mexico along the lines of the modern and secular societies in western Europe and the United States. In addition to Obregón and Calles, the Sonoran Dynasty included Adolfo de la Huerta and Abelardo L. Rodríguez, four Sonorans among six presidents in less than two decades. Although the group began with the common aims of nationalism, modernization, central political control, and enrichment, Buchenau argues that this group progressively fell apart in a series of bloody conflicts that reflected broader economic, political, and social disagreements. By analyzing the dynasty from its origins through its eventual downfall, Buchenau presents an innovative look at the negotiation of power and state formation in revolutionary Mexico.

Ted Kooser : More Than a Local Wonder, by Carla Ketner, illustrated by Paula Wallace.

Long before Ted Kooser won a Pulitzer Prize for Poetry, served as the U.S. Poet Laureate, and wrote award-winning books for children, he was an unathletic child growing up in Iowa, yearning to fit in. Young Teddy found solace in stories, and one specific book, Robert McCloskey’s Lentil, inspired him to become a writer. As a child and later, while working in the insurance industry, Ted honed his craft and unique style as he wrote about the people and places of the rural Midwest. Ted Kooser: More Than a Local Wonder celebrates the power of stories and of finding oneself through words.

Washington State Politics and Government, by T.M. Sell. Series: Politics and Governments of the American States.

In the twenty-first century, as many candidates actively campaign against the very government they seek to serve in, and as many people appear to believe their government irreparably broken, T. M. Sell argues that in Washington State, the system works better than most realize. In Washington State Politics and Government Sell explains how the many parts of government function and introduces readers to a diverse array of individuals who work in government, including how they got there and what it is they’re trying to do. Sell covers the three branches of state government, plus county, city, special purpose district, and tribal governments. He explains the state budgets and taxes; the functions of major and better-known state agencies; how policy is made; the political landscape of Washington; and parties, voting, and elections.

Sell discusses economic development, including the importance of high-tech industry, aviation, Amazon.com, and more traditional parts of the state economy, such as timber and agriculture. He also provides a contemporary look at Washington’s elected officials, constitution, judiciary, media, demographics, and political culture and landscape. With this volume, any Washington citizen, student of politics, or specialist in government can gain insight into the state’s current political system.

**Pictures and Synopses courtesy of University of Nebraska Press.

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  Each month we will be showcasing the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in July and August, 2023:

Bad Subjects : Libertine Lives in the French Atlantic, 1619-1815, by Jennifer J. Davis. Series: France Overseas: Studies in Empire and Decolonization

In a lively account that spans continents, Jennifer J. Davis considers what it meant to be called a libertine in early modern France and its colonies. Libertinage was a polysemous term in early modern Europe and the Atlantic World, generally translated as “debauchery” or “licentiousness” in English. Davis assesses the changing fortunes of the quasi-criminal category of libertinage in the French Atlantic, based on hundreds of cases drawn from the police and judicial archives of seventeenth- and eighteenth-century France and its Atlantic colonies alongside the literature inspired by those proceedings.

The libertine life was not merely a subject for fiction nor a topos against which to play out potential revolutions. It was a charge authorities imposed on a startlingly wide array of behaviors, including gambling, selling alcohol to Native Americans, and secret marriages. Once invoked by family and state authorities, the charge proved nearly impossible for the accused to contest, for a libertine need not have committed any crimes to be perceived as disregarding authority and thereby threatening families and social institutions. The research in Bad Subjects provides a framework for analysis of libertinage as a set of anti-authoritarian practices and discourses that circulated among the peoples of France and the Atlantic World, ultimately providing a compelling blueprint for alternative social and economic order in the Revolutionary period.

Butterfly Nebula, by Laura Reece Hogan. Series: The Backwaters Prize in Poetry

Winner of the Backwaters Prize in Poetry, Butterfly Nebula reaches from the depths of the sea to the edges of space to chart intersections of the physical universe, the divine, the human, and the constantly unfolding experience of being “one thing in the act of becoming another.” This collection of poems teems with creatures and cosmic phenomena that vivify and reveal our common struggle toward faith and identity. The longing and metamorphosis of the human heart and soul are reimagined in an otherworldly landscape of firework jellyfish, sea slug, stingray, praying mantis, butterfly and moth, moon and star, and celestial events ranging from dark matter and Kepler’s Supernova remnant to a dozen classified nebulae. Our desire for purpose and renewal collides with the vast constellation of divine possibility in this collection, which invites the reader to enter a transformative world both deeply interior and embracing of the far-flung cosmos.

Fictionality and Multimodal Narratives, Edited by Torsa Ghosal and Alison Gibbons. Series: Frontiers of Narrative

Fictionality and Multimodal Narratives interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today’s media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality, distinct from fiction, specifically in relation to modes and media of discourse.

Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures, their reception, and their theoretical frameworks in narratology are influenced and changed by media composition—particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds, Fictionality and Multimodal Narratives fills a critical gap in contemporary narratology—the discipline that has, to date, contributed most to the conceptualization of fictionality.

The Gathering of Bastards, by Romeo Oriogun. Series: African Poetry Book

Like I knew, standing
on the seashore, the hunger
wracking a migrant’s body
is movement.
—from Romeo Oriogun’s “Migrant by the Sea”

The Gathering of Bastards chronicles the movement of migrants as they navigate borders both internal and external. At the heart of these poems of vulnerability and sharp intelligence, the poet himself is the perpetual migrant embarked on forced journeys that take him across nations in West and North Africa, through Europe, and through American cities as he navigates the challenges of living through terror and loss and wrestles with the meaning of home.

The JPS Bible Commentary : Psalms 120-150, The Traditional Hebrew Text with the JPS Translation, Commentary by Adele Berlin. Series: JPS Bible Commentary

The Jewish Publication Society’s highly acclaimed Bible Commentary series provides the Hebrew text of the Bible, the JPS English translation, and a line-by-line commentary. This volume presents commentary on Psalms 120–150, based on the most recent research on the language of the Bible, its literary forms, and the historical context that may have given rise to the psalms. The commentary pays special attention to the message of each psalm and to how the poetry shapes the message. At the same time, it draws on traditional Jewish interpretations of the meaning of the psalms.

¡Vino! : The History and Identity of Spanish Wine, by Karl J. Trybus. Series: At Table

¡Vino! explores the history and identity of Spanish wine production from the mid-nineteenth century to today. Nineteenth-century infestations of oidium fungus and phylloxera aphids devastated French and Italian vineyards but didn’t extend to the Iberian Peninsula at first, giving Spanish vintners the opportunity to increase their international sales. Once French and Italian wineries rebounded, however, Spanish wine producers had to up their game. Spain could not produce only table wine; it needed a quality product to compete with the supposedly superior French wines. After the Spanish Civil War the totalitarian Franco regime turned its attention to Spain’s devastated agricultural sector, but the country’s wine industry did not rebound until well after World War II. In the postwar years, it rebranded itself to compete in a more integrated European and international marketplace with the creation of a new wine identity. As European integration continued, Spanish wine producers and the tourism industry worked together to promote the uniqueness of Spain and the quality of its wines.

Karl J. Trybus explores the development of Spanish wine in the context of national and global events, tracing how the wine industry has fared and ultimately prospered despite civil war, regional concerns, foreign problems, and changing tastes.

The Women Who Built Omaha : a Bold and Remarkable History, by Eileen Wirth.

During the 1930s the Federal Writers’ Project described Omaha as a “man’s town,” and histories of the city have all but ignored women. However, women have played major roles in education, health, culture, social services, and other fields since the city’s founding in 1854. In The Women Who Built Omaha Eileen Wirth tells the stories of groundbreaking women who built Omaha, including Susette “Bright Eyes” LaFlesche, who translated at the trial of Chief Standing Bear; Mildred Brown, an African American newspaper publisher; Sarah Joslyn, who personally paid for Joslyn Art Museum; Mrs. B of Nebraska Furniture Mart; and the Sisters of Mercy, who started Omaha’s Catholic schools. Omaha women have been champion athletes and suffragists as well as madams and bootleggers. They transformed the city’s parks, co-founded Creighton University, helped run Boys Town, and so much more, in ways that continue today.

**Pictures and Synopses courtesy of University of Nebraska Press.