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Search Results for: great american read
The Great American Read is the new PBS eight-part television competition and nationwide campaign to discover America’s favorite novel. Everyone can vote for their favorite from a list of 100 novels chosen in a national survey. NET Television is offering Nebraska resources for programming to help community members participate in the Great American Read. Nebraska libraries are invited to request posters and bookmarks (and possibly a local screening) from Marthaellen Florence, Director, Community Engagement, Nebraska Educational Telecommunications – NET, firstname.lastname@example.org, 402-470-6603.
See http://netnebraska.org/greatread or Facebook.com/netNebraska for more information about the program broadcasts on NET. The series is hosted by Meredith Vieira and features conversations with authors, celebrities, and book lovers. The programs are scheduled for the next six weeks, leading up to the last day of voting (October 18, 2018) and announcement of America’s favorite read (October 23, 3018).
“Launch Special” (Premiered Tuesday, May 22, 2018) – WATCH NOW
“Fall Kick-off” (Premieres Tuesday, September 11, 2018 7:00 p.m. ct)
“Who Am I?” (Premieres Tuesday, September 18, 2018 7:00 p.m. ct)
“Heroes” (Premieres Tuesday, September 25, 2018 7:00 p.m. ct)
“Villains and Monsters” (Premieres Tuesday, October 2, 2018 7:00 p.m. ct)
“What We Do For Love” (Premieres Tuesday, October 9, 2018 7:00 p.m. ct)
“Other Worlds” (Premieres Tuesday, October 16, 2018 7:00 p.m. ct)
“Grand Finale” (Premieres Tuesday, October 23, 2018 7:00 p.m. ct)
The Nebraska Library Commission’s Talking Book and Braille Service helps Nebraska librarians serve library customers who can’t use regular print, and all but four of the Great American Read titles are available in the talking book format through this service. For more information, see http://nlcblogs.nebraska.gov/nlcblog/?s=great+american+read. To help serve book clubs that want to read a title from this list, the Nebraska Library Commission Book Club Kit collection contains 59 of the 100 selections. To serve your library customers, search at http://nlc.nebraska.gov/ref/bookclub/ or contact Lisa Kelly, Information Services Director, 402-471-4015 for the list of Great American Read titles available in Book Club Kits.
For more information, see the recording of the Sept. 5, 2018 NCompass Live Great American Read broadcast at http://nlc.nebraska.gov/scripts/calendar/eventshow.asp?ProgID=17615
Join us for the next NCompass Live, ‘The Great American Read’, on Wednesday, September 5, 10:00am – 11:00am CT.
The Great American Read is the new PBS eight-part television competition and nationwide campaign to discover America’s favorite novel. Everyone can vote for their favorite from a list of 100 novels chosen in a national survey. Marthaellen Florence, from NET Television, and Katie Murtha, from Lincoln City Libraries, will join us to share resources and activities that you can use in your library to help your community participate in the program.
Upcoming NCompass Live events:
- Sept. 12 – Book vs. Movie: The Ultimate Showdown!
- Sept. 19 – Get a Youth Grant for Excellence!
- Sept. 26 – 2018 Continuing Education/Training and Internship Grants
- Oct. 3 – NO NCOMPASS LIVE – ENJOY NLA/NSLA!
- Oct. 24 – Strategies for Identifying Fake News
For more information, to register for NCompass Live, or to listen to recordings of past events, go to the NCompass Live webpage.
NCompass Live is broadcast live every Wednesday from 10am – 11am Central Time. Convert to your time zone on the Official U.S. Time website. The show is presented online using the GoToWebinar online meeting service. Before you attend a session, please see the NLC Online Sessions webpage for detailed information about GoToWebinar, including system requirements, firewall permissions, and equipment requirements for computer speakers and microphones.
This reading list, curated by PBS, shows the diversity of America’s 100 most beloved fiction books. Voting for America’s greatest novel began May 22nd and will end in October 2018. Learn more about The Great American Read and how to vote at http://www.pbs.org/the-great-american-read/about/show/
For library patrons who can’t use regular print, all but four of the Great American Read titles are available in the talking book format. If you know readers who would love to be involved, but their vision is making it hard to use regular print, they can’t hold a book, or turn pages, the Nebraska Library Commission Talking Book and Braille Service is here to help! You can use the 5-digit numbers beside the book titles below to order these and many other wonderful books and magazines. Simply give us a call anywhere in Nebraska by dialing 1-800-742-7691, or visit our section of the NLC website.
|DB||Title and Author|
|73474||1984 by George Orwell|
|50482||A Confederacy of Dunces by John Kennedy Toole|
|29012||A Prayer for Owen Meany: A Novel by John Irving|
|24697||A Separate Peace by John Knowles|
|44769||A Tree Grows in Brooklyn by Betty Smith|
|53084||The Adventures of Tom Sawyer by Mark Twain|
|65599||The Alchemist by Paulo Coelho|
|Alex Cross Series by James Patterson|
|50842||Alice’s Adventures in Wonderland by Lewis Carroll|
|77188||Americanah by Chimamanda Ngozi Adichie|
|11077||And Then There Were None by Agatha Christie|
|(also within DB 53999)|
|56114||Anne of Green Gables by Lucy Maud Montgomery|
|(also within DB 50475)|
|51074||Atlas Shrugged by Ayn Rand|
|26026||Beloved by Toni Morrison|
|62431||The Book Thief by Markus Zusak|
|65402||The Brief Wondrous Life Of Oscar Wao by Junot Díaz|
|49486||The Call of the Wild by Jack London|
|48063||Catch-22 by Joseph Heller|
|47480||Catcher in the Rye by J.D. Salinger|
|74950||Charlotte’s Web by E.B. White|
|50083||Chronicles of Narnia series by C.S. Lewis|
|52680||Clan of the Cave Bear by Jean M. Auel|
|57412||Coldest Winter Ever by Sister Souljah|
|58842||The Color Purple by Alice Walker|
|56946||Count of Monte Christo by Alexandre Dumas|
|50147||Crime and Punishment by Fyodor Dostoyevsky|
|56893||The Curious Incident of the Dog in the Night-Time by Mark Haddon|
|55735||The Da Vinci Code by Dan Brown|
|24290||Don Quixote by Miguel de Cervantes|
|26423||Doña Bárbára by Rómulo Gallegos|
|44126||Dune by Frank Herbert|
|74504||Fifty Shades of Grey series by E.L. James|
|36176||Flowers in the Attic by V.C. Andrews|
|80139||Foundation series by Isaac Asimov|
|book 1 10365, book 2 80139, book 3 10610|
|25835||Frankenstein by Mary Shelley|
|45742||Game of Thrones series by George R.R. Martin|
|Prequel Companion 80183, Prequel Anthology 80183|
|book 1 45742, book 2 49913, book 3 51406,|
|book 4 62348, book 5 73557|
|85921||Ghost by Jason Reynolds|
|59561||Gilead by Marilynne Robinson|
|37689||The Giver by Lois Lowry|
|25677||The Godfather by Mario Puzo|
|74888||Gone Girl by Gillian Flynn|
|33082||Gone with the Wind by Margaret Mitchell|
|68308||The Grapes of Wrath by John Steinbeck|
|53991||Great Expectations by Charles Dickens|
|16147||The Great Gatsby by F. Scott Fitzgerald|
|23150||Gulliver’s Travels by Jonathan Swift|
|24695||The Handmaid’s Tale by Margaret Atwood|
|Harry Potter Series by J.K. Rowling|
|book 1 47260, book 2 48437, book 3 48772, book 4 50228,|
|book 5 56062, book 6 60262, book 7 64495|
|30535||Hatchet by Gary Paulsen|
|12613||Heart of Darkness by Joseph Conrad|
|68889||The Help by Kathryn Stockett|
|18339||Hitchhiker’s Guide to the Galaxy by Douglas Adams|
|Hunger Games series by Suzanne Collins|
|book 1 68384, book 2 69689, book 3, 71734|
|21513||The Hunt for Red October by Tom Clancy|
|56346||Invisible Man by Ralph Ellison|
|47868||Jane Eyre by Charlotte Brontë|
|29021||The Joy Luck Club by Amy Tan|
|32018||Jurassic Park by Michael Crichton|
|47462||Left Behind by Tim Lahaye and Jerry B. Jenkins|
|44071||The Little Prince by Antoine de Saint-Exupéry|
|18128||Little Women by Louisa May Alcott|
|Lonesome Dove series by Larry McMurtry|
|book 1 43928, book 2 45001, book 3 22959, book 4 37323|
|61873||Looking for Alaska by John Green|
|The Lord of the Rings (series) by J.R.R. Tolkien|
|prequel 48978, book 1 47486, book 2 47487, book 3 47488|
|54698||The Lovely Bones by Alice Sebold|
|78389||The Martian by Andy Weir|
|45008||Memoirs of a Geisha by Arthur Golden|
|34184||Moby-Dick by Herman Melville|
|43180||The Notebook by Nicholas Sparks|
|25181||One Hundred Years of Solitude by Gabriel García Márquez|
|Outlander series by Diana Gabaldon|
|book 1 36535, book 2 36536, book 3 38591, book 4 43320|
|book 5 53366, book 6 61201, book 7 70073, book 8 79331|
|22433||The Outsiders by S. E. Hinton|
|56794||The Picture of Dorian Gray by Oscar Wilde|
|59950||The Pilgrim’s Progress by John Bunyan|
|30999||The Pillars of The Earth by Ken Follett|
|50549||Pride and Prejudice by Jane Austen|
|73772||Ready Player One by Ernest Cline|
|11106||Rebecca by Daphne du Maurier|
|67237||The Shack by William P. Young|
|52190||Siddhartha by Hermann Hesse|
|15759||The Sirens Of Titan by Kurt Vonnegut|
|12942||The Stand by Stephen King|
|34114||The Sun Also Rises by Ernest Hemingway|
|26498||Swan Song by Robert R. McCammon|
|Tales of The City series by Armistead Maupin|
|book 1 39531, book 2 39602, book 3 39603, book 4 39604,|
|book 5 39605, book 6 39606, book 7 65336, book 8 72107,|
|book 9 78276|
|35745||Their Eyes Were Watching God by Zora Neale Hurston|
|47510||Things Fall Apart by Chinua Achebe|
|29252||This Present Darkness by Frank. E. Peretti|
|36414||To Kill a Mockingbird by Harper Lee|
|Twilight Saga series by Stephanie Meyer|
|book 1 82750, book 2 64367, book 3 65812, book 4 67238|
|67136||War and Peace by Leo Tolstoy|
|25982||Watchers by Dean Koontz|
|The Wheel of Time series by Robert Jordan and Brandon|
|prequel 57628, book 1 57628, book 2 34701, book 3 34702,|
|book 4 36984, book 5 37569, book 6 39661, book 7 43043,|
|book 8 47082, book 9 51203, book 10 55506, book 11 62078,|
|book 12 70020, book 13 71926, book 14 76085|
|32449||Where the Red Fern Grows by Wilson Rawls|
|50261||White Teeth by Zadie Smith|
|25178||Wuthering Heights by Emily Brontë|
Nebraska public libraries are invited to apply for grants to host public programs around the PBS series “The Great American Read,” an eight-part television and online series designed to spark a national conversation about reading and the books that have inspired, moved, and shaped us, the ALA Public Programs Office announced. “The Great American Read” will engage audiences with a list of 100 diverse books, encouraging audiences to read the books, vote from the list of 100, and share their personal connections to the titles.
Fifty U.S. public libraries will be selected through a competitive application process to receive a cash grant to support programs and events related to “The Great American Read.” Selected libraries will also receive a programming kit, developed by ALA and PBS, that will help public libraries participate in a national conversation about reading and books, including those featured in the series that highlight themes of love, heroes, villains, other worlds and self-discovery.
Selected libraries will be required to hold at least three public programs related to “The Great American Read” series May and November 2018. Collaboration with local PBS member stations is strongly encouraged.
“The Great American Read” will premiere May 22 on PBS stations with a two-hour launch, kicking off a summer of reading and voting. In fall 2018, seven new episodes will air, featuring appearances by celebrities, athletes, experts, authors and everyday Americans advocating for their favorite book, culminating with a finale that reveals America’s best-loved novel as chosen by the American public. Selected libraries will receive a DVD collection of the eight-part series with public performance rights; a hardcover copy of the companion book, “The Great American Read: The Book of Books” by PBS (Black Dog & Leventhal, August 21, 2018); print materials for local program promotion and publicity; a programming guide developed by ALA, PBS and a panel of librarian advisors; and more. The libraries will also have the opportunity to host private screenings of the series premiere and six fall episodes before they broadcast to the public.
“The Great American Read” is a production of Nutopia for PBS. PBS Funding for “The Great American Read” is provided by The Anne Ray Foundation and PBS. For more information contact Sarah Ostman, Communications Manager, Public Programs Office, American Library Association, 312-280-5061, email@example.com.
Old McDonald has nothing on this week’s #BookFaceFriday!
“The Last Farmer: An American Memoir” by Howard Kohn (Bison Books, 2004) is a great read, even if you’re just a farm kid at heart. This memoir is based on Howard Kohn’s father, his last few seasons working the farm that they both were raised on. Kohn, a former editor at Rolling Stone, digs into the gritty details of his father’s story and the only way of life he ever knew. As part of our permanent collection it’s available for check out to anyone. Just ask our amazing Information Services staff! This title is published by the Bison Books, and imprint of University of Nebraska Press, which we collect from for our state document program.
“A stunning portrait. . . . Kohn went looking for one story—his father’s—only to find his own.”—Chicago Tribune
Love this #BookFace & reading? We suggest checking out all the titles available for book clubs at http://nlc.nebraska.gov/ref/bookclub. Check out our past #BookFaceFriday photos on the Nebraska Library Commission’s Facebook page!
This title came to my attention on July 1st aka Canada Day as the daily special from Audible. I was intrigued, downloaded the title, and eagerly began listening. It helps that the author of whom I have long been a fan reads this title.
Myers begins with the premise that Canada lacks a mission statement. The country promises to provide good government and a safe place to live but is that enough? The inevitable comparisons to life in the United States make up a great deal of content. He compares regional colloquialisms, health care, the love of hockey, and the government supported CBC to their American counterparts. The United States does not propagate information about Canada so there may be many episodes in Canadian history that will be new information. To drive this point home, when my curiosity was piqued for the Prime Minister Pierre Trudeau, father of the current Prime Minister Justin Trudeau, I looked for books to read more about him from my local library, but there were none.
Mike Myers was born to two Liverpudlian parents who immigrated to Canada for better employment opportunities. English parents making a life in Canada caused a clash of culture. Mike shares how the values of his parents and the humor of his brothers Peter and Paul shaped his worldview and brand of comedy. One of the attributes of his father in often-difficult situations was a non-rhetorical question of “how can we make this funny?”
Mike shares how his character Wayne Campbell (Wayne’s World) is a quintessential Canadian creation, specifically from the Scarborough district of Montreal, dissecting everything from his language to his name. Other Saturday Night Live characters also owe their origin to Mike’s Canadian and British upbringing. With Canadian, British, and United States Citizenship, it’s clear that Mike Myers is a very proud Canadian patriot despite being an expatriate.
Myers, Mike (2016) Canada. Doubleday Canada
I heard Celeste Ng speak at a United for Libraries hosted author event a few years ago. At the same event, I received an advance copy of her book, Little Fires Everywhere. I enjoyed her remarks but I wasn’t especially interested in reading the book. The book has received a lot of attention since its publication. It is included on many best books of 2017 lists and it is now among three books on Lincoln City Libraries short list for One Book One Lincoln voting. During a recent and long road trip, I had a chance to listen to the audio version of Ng’s book. I wasn’t disappointed.
Little Fires Everywhere begins with a house on fire and speculation about who is to blame. At the top of the list is the youngest family member – a non-conforming teen rebel. But did she do it and, if so, why? The setting is Shaker Heights, Ohio, and the story evolves from the developing relationships among members of two families – one long rooted in the community and prosperous, and the other (a mother and daughter) impoverished and living day to day under uncertain circumstances. Central are the two mothers – Elena Richardson, a local news reporter, mother of four and a well-connected community member, and Mia Warren, a mysterious artist and single mother of one. Connections evolve and conflict emerges as a result of the attempted adoption of a Chinese-American baby and an ensuing custody battle. In the background is Elena Richardson’s effort to uncover Mia Warren’s true identity.
Lincoln’s three books selected for the all community read are all excellent choices. Celeste Ng’s book is worthy and notable. If chosen, it will make an interesting read and a great source for conversation.
Little Fires Everywhere is Celeste Ng’s second novel. Her debut book is, Everything I Never Told You, an award winning best seller.
Ng, Celeste. Little fires everywhere. (New York: Penguin Press) 2017.
I became motivated to reread this book when I looked at the booklist for The Great American Read program and realized that it had been about forty years since I first encountered this classic “Coming of Age” story.
With Bless Me, Ultima (1972), the first in a trilogy (followed by the publication of Heart of Aztlan in 1976 and Tortuga in 1979), Anaya follows six-year-old Antonio on his growing-up journey and spins the story by revealing dreams and reality—and blurring the fine line between them from time to time. Anaya says he does not seek characters—they just come to him. So it is with Ultima. Anaya says she appeared in the doorway while he was writing and assured him that the story will not work unless he put her in it. Ultima is a pivotal character in the story. She is a curandera—a healer and teacher, and she guides Antonio gently without prescribing exact choices to make or solutions to problems.
From the first dream sequence to the last (you’ll recognize them, they are in italics), it is clear that Antonio was born to struggle and that his path is marked by having his feet in two different worlds. Throughout the book, he is faced with tests. Some are common tests of childhood, like how to overcome the loneliness of feeling different. Others are extremely unusual and painful tests for a young person to endure and learn from. I feel like this book has resonated with so many readers because even though we may live in different worlds, many of us can really relate to his experience. Are we all on the same journey as Antonio? Struggling to understand good and evil around (and within) us? But are some of us especially lost with no guides or curanderas to show us the way?
The setting and characters ring true to me. The book mirrors my experience in small towns in New Mexico right down to my best friend Lenora’s grandmother—who might very well be the model for Antonio’s mother—speaking only Spanish, warning us against straying to the city (too late—we were already on our way to LA), and feeding us the most heavenly comfort food for breakfast, lunch, and dinner.
The story is told in flat-out beautiful writing, and unless you read the book, you’ll just have to take my word for it that this book has one of the best first paragraphs ever! So I’d suggest you (and your book group) find out for yourselves. This #FridayReads feature is available as a Book Club kit from the Nebraska Library Commission at http://nlc.nebraska.gov/ref/bookclub.
The Great American Read is an eight-part PBS series that explores and celebrates the power of reading, in the context of America’s 100 best-loved novels (as chosen through a national survey). It investigates how and why writers create their fictional worlds, how we as readers are affected by these stories, and what these 100 different books have to say about our diverse nation and our shared human experience. Voting for America’s favorite book opened with the launch of the two-hour premiere episode on May 22 and continues throughout the summer, leading up to the grand finale “favorite” announcement in October 2018. Viewers can vote at pbs.org/greatamericanread and through hashtag voting via Facebook and Twitter using #GreatReadPBS. I think I might be voting for Bless Me Ultima. Which book will you vote for?
Review by Mary Jo Ryan.
All 5-year-old Mike wanted from life was to go to Disney World. One day, his dad packed him in the car, drove him to an abandoned shipyard, and told him that The Happiest Place on Earth must have closed. That was the day that ol’ Mike Muñoz realizes that life will be a constant disappointment, and just when you think you’re going to get what you want, it will all be taken away.
Today, Mike is a 22-year-old landscaper (although he prefers the title “topiary artist” for his skills with the hedge-trimmers). He still lives with his mom and his developmentally disabled brother, their dad long gone to parts unknown. He drives a junky car, always one step away from engine failure, and still hangs out with his high school buddy, neither of them with any romantic prospects on the horizon.
When Mike loses his landscaping job for refusing to pick up dog poo, he is determined to do whatever it takes to break free of his hand-to-mouth existence and chase the American Dream, perhaps writing “the great American landscaping novel” along the way. And so begins a series of unfortunate events that will be all too familiar to anyone who has ever tried to escape from the cycle of poverty that holds down a good portion of our society. Though angry and resentful about his lot in life, Mike keeps his sense of humor, even as “The Man” takes everything else away.
The American Library Association asks Nebraska librarians, “Do you love books and want to instill a love of reading in others? Learn how ALA’s Great Stories Club grants can help you connect with underserved youth in your community.”
This grant opportunity is open to all library types who are interested in working with (or located within) organizations that serve under-resourced youth, such as alternative high schools, juvenile justice organizations, or foster care agencies.
ALA is now accepting applications for the Great Stories Club, a grant program in which library workers lead reading and discussion programs with underserved teens in their communities. Read the project guidelines and apply online. Applications are due July 9. Up to 150 grants will be awarded.
Program details and eligibility: Working with small groups of approximately 10 teens, grantees will host reading and discussion programs for up to four thematically related books. The titles — selected in consultation with librarian advisors and humanities scholars — are chosen to resonate with reluctant readers struggling with complex issues like academic probation, detention, incarceration, violence, and poverty. All types of libraries are eligible, as long as they work in partnership with, or are located within, organizations that serve under-resourced youth, such as alternative high schools, juvenile justice organizations, homeless shelters, foster care agencies, teen parenting programs, residential treatment facilities, and other nonprofit and community agencies. (Read an account of a former Great Stories Club grantee about her partnership with a juvenile detention center.) Libraries located in high-poverty communities are also eligible to apply, though outreach partnerships with youth-focused organizations are still encouraged.
Themes and titles: Participating libraries may choose to work with one or both of the following themes during a 12-month programming period (September 2018 – August 2019): “Empathy: The Cost of Switching Sides” and “What Makes a Hero? Self, Society and Rising to the Occasion.”
Grantees will receive: 11 paperback copies of up to four book selections (10 to gift to participants and 1 for discussion leader/library collection), travel and accommodation expenses paid for one staff member to attend a 1 ½-day project orientation workshop in Chicago (libraries selected to implement both Great Stories Club series will be assigned to attend only one workshop), and programming materials, including discussion guides, related reading lists and promotional resources,
For more information: See http://www.programminglibrarian.org/articles/apply-now-great-stories-club-book-club-underserved-youth. Potential applicants may sign up for a free webinar to learn more about this opportunity. The webinar will be held at 1 p.m. Central Time on Monday, May 21. Reserve a spot for the webinar.
Sarah Ostman, American Library Association
Public Programs Office Communications Manager
Matthias Lane is a library archivist, a widower nearing retirement at an American university, who guards the rules of the library’s archives religiously. Case in point—the archives has among its’ collections the letters written by T.S. Eliot to Emily Hale, a close personal friend. Graduate student Roberta Spire wants access to those letters, but the instructions left when the letters were donated do not allow public viewing until the year 2020. Roberta believes that the letters will give insight into why Eliot enjoyed female companionship, but was so emotionally detached from his wife, as well as to why Eliot became religious. At first, Matthias sees Roberta as only another grad student doing research. But as Roberta persists in wanting to read Eliot’s letters, Matthias is intrigued by her persistence, and by her knowledge of Eliot’s life and poetry that matches his own. As Matthias gets better acquainted with Roberta, he begins to realize that his own life and marriage are similar to Eliot’s, which Matthias has not previously examined in depth. As a result, his dilemma over Eliot’s letters ends in a completely unexpected solution.
This book appealed to me on two levels: it was a story involving a library archives, and a story based in historical fact. The letters of T.S. Eliot to Emily Hale are real, and are kept in the Firestone Library, at Princeton University. The letters are not to be shown to the public until January 1, 2020.
The Archivist, by Martha Cooley, was written 20 years ago, it was is still a great read, and I highly recommend it.
Friday Reads: The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy by Kliph Nesteroff
I’ve had bad book luck lately. Even titles that have won fancy awards have left me feeling pretty unsatisfied. But The Comedians broke my streak—this is a fantastic book, strong enough to be considered the definitive work on the subject. Nesteroff starts off with comedy’s beginnings in Vaudeville and progresses through the radio era, comedy clubs and cable specials, & sketch comedy and variety shows. The title is not a rib—this is a serious, expansive history of comedy as an art form and business—and the treatment of the material might disappoint people who just want a laugh-a-minute romp. But they’ll be missing out if they skip this book.
The title is also not kidding about the “drunks, thieves, scoundrels” part. Early American comedy had strong links to seedy elements and there are numerous examples of that here—insult comics getting threatened by the Mafiosi sitting in the audience, people dying when cheap comedy clubs collapsed. Beyond its chronicles of actual violence, The Comedians also devotes a fair bit of time to the “crying clown” idea and prevalence of addiction in comedy. Some famous names come across as very broken people and a few emerge as basically forever-unhappy monsters. Some of your favorites might seem a little tarnished after you read it and The Comedians occasionally gets gossipy in a Hollywood Babylon kind of way. But, most of the time, it takes the high road and tells the story of the art form in a fun and engaging fashion. It does for comedy what David J. Skal’s epic The Monster Show did for the history of horror.
One of the most important things about the book is its championing of obscure comedians. Everybody knows the Marx Brothers and Joan Rivers, but it was great to learn about people like Eddie Cantor and Fred Allen, especially at a time when radio-era comedy is instantly accessible through sources like the Internet Archive. If a comedian is/was important, they’re almost certainly here. As I neared the end of the book, I was getting nervous that Andy Kaufman hadn’t been mentioned yet, but The Comedians came through for me. Because of the book’s massive scope, nobody gets tons of spotlight time, but you’ll finish this with a solid understanding of pretty much everything you’d ever want to know about American comedy.
Nesteroff, K. (2015). The Comedians Drunks, Thieves, Scoundrels, and the History of American Comedy. Pgw.
After watching I Am Not Your Negro, the Oscar-nominated documentary based on an unfinished James Baldwin manuscript, I finally tracked down and read Baldwin’s much-referenced 1963 book, The Fire Next Time. This book contains two essays: “My Dungeon Shook—Letter to my Nephew on the One Hundredth Anniversary of Emancipation,” and “Down At The Cross—Letter from a Region of My Mind.”
In the first essay, Baldwin endeavors to impart to his 15-year-old nephew the wisdom and advice he’ll need to survive growing up as a black man in America. Despite being “born into a society which spelled out with brutal clarity and in as many ways as possible that you were a worthless human being,” Baldwin urges his nephew to trust his own experience, to resist internalizing messages of inferiority, and to continue to love. And in a more sophisticated exhortation than our contemporary “Make America Great Again” slogan, Baldwin writes: “Great men have done great things here and will again and we can make America what America must become.” This essay actually served as inspiration for Ta-Nehisi Coates’s 2015 book, Between the World and Me, which took the form of a letter to his own teenage son. The tragedy, of course, is that such letters are still necessary.
The second essay, “Down At The Cross—Letter from a Region of My Mind,” is quite a bit longer than the first. In it Baldwin recounts his experiences with the Christian church during his youth and the Nation of Islam as an adult, seeing in neither a solution to the racial problems that infect America. Throughout, he offers an unsparing analysis of the problematic role race has played in the development of American civilization, “which compromises, when it does not corrupt, all the American efforts to build a better world…”
This essay is a demoralizing read because of how applicable Baldwin’s criticisms remain. “People are not, for example,” Baldwin writes, “terribly anxious to be equal (equal, after all to what and to whom?) but they love the idea of being superior.” And also: “It is rare indeed that people give. Most people guard and keep; they suppose that it is they themselves and what they identify with themselves that they are guarding and keeping, whereas what they are actually guarding and keeping is their system of reality and what they assume themselves to be.”
Baldwin’s writing is not without hope, but his is a bleak optimism–more philosophical choice than true faith. This perspective is powerfully captured in a 1963 television interview (“The Negro and The American Promise,” WGBH), in his response to a question about whether he is a pessimist or optimist: “I can’t be a pessimist because I’m alive. To be a pessimist means that you have agreed that human life is an academic matter, so I’m forced to be an optimist. I’m forced to believe that we can survive whatever we must survive.” As he did in his letter to his nephew, in this essay he holds out love as the only way forward. But he makes clear that when he uses the word “love” he is referring to “a state of being, or a state of grace—not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
Baldwin, James. The Fire Next Time. Ashland, Oregon: Blackstone Audio, 2008.
In the mystery series “Death on Demand”, by Carolyn Hart, several women authors of the golden age are mentioned: Agatha Christy, Ngaio Marsh, Dorothy Sayers, Margery Allingham, and our own Mignon Eberhart. But one author I’d never heard of was Mary Roberts Rinehart. So when an e-book edition of The Great Mistake, one of her titles, popped up on BookBub, I bought it.
And I wasn’t disappointed. Set in a small town called Beverly set near Town, it is large enough to have a hunt club, and Society. After some digging online, I discovered the book was published in 1940, but nothing of World War II, politics, or international tensions shadow this book. I was a third of the way through before I could clearly say, “well, we don’t do that anymore”. The characters are from all sections of society, and for the most part are treated very fairly. If anyone comes off looking churlish, it’s the homicide officer from Town, and of course, it’s part of his job, as the outsider. The main characters are all definitely rounded. There is a love story, but surprisingly enough for the time, it is low-key. The foundation of the mystery is built skillfully, adding to the suspense.
The main character, Pat, comes into “the big house on the Hill,” to be a secretary to the widow of the billionaire who built the house for her and her son. Maude, the widow, is a vibrant, attractive personality, and busy hostess in need of help for her parties and social responsibilities. And Pat is fond of her. Tony is the son, who runs the family firm in Town and at first they merely get on each others nerves. Pat never sets out to be a detective of any type, unlike many other main characters of mystery fiction, particularly cozy mysteries. She is meant to be more of a way for us to be a part of the mystery. The events of the story tell on her, as her employer falls mysteriously ill. Then a dear friend’s runaway & divorced husbanded returns for nursing for a terminal illness, (he says.) A mysterious figure is seen peering in a window, and a night watchman is mugged, stripped of trousers (& keys). The entire mystery is framed by remarks about writing the entire story down for everyone, which serves as a fine way to find out how the dangling threads are tied up. It all flows so well, the language enhances the story and never shouts out the time period. A smoother read in that regard than Christie.
Mary Roberts Rinehart, (August 12, 1876-September 22, 1958) was often called the American Agatha Christie. While she is considered the source of the phrase “the butler did it”, from her novel The Door, 1930, the writer never used that phrase in the book. She is also considered to have invented the “Had-I-But-Known” school of mystery writing in her book The Circular Staircase, 1908. She wrote novels, plays, short stories, travelogues, and was a war correspondent. With her sons she founded the publishing house Farrer & Rinehart, and served as director.
Far away from bike paths that lead to grocery stores that sell kale is Appalachia. It runs through West Virginia and eastern Kentucky, and some parts of Tennessee and the Carolinas, too. It’s mostly dirt-poor and the things for which it’s known—family feuds, coal mining, moonshine—seem to have little connection with modern life in other parts of America. These days, unless Appalachia is being mocked, it’s generally ignored.
Which is why it’s strange that this memoir has struck such a chord. It has been sitting atop the bestseller lists for months and has received coverage in tons of major media outlets. On its face, the story doesn’t seem to be widely relatable. J.D. Vance’s family originated in the hills and hollers of rural eastern Kentucky. He experienced the traumas that often shadow poor communities: drug abuse, outbursts of violence, and other self-defeating behaviors. But, unlike many, Vance escaped and prospered, eventually attending Yale and joining a San Francisco investment firm. Hillbilly Elegy reads like a gateway into the world of “Bloody Breathitt” County, Kentucky. But it also details the process through which Vance found a better life outside the region. The book is interesting as a depiction of an overlooked place, but it also works as a coming-of-age story.
And it’s getting talked up as a kind of Rosetta Stone that explains election results. The Times calls it “a civilized reference guide for an uncivilized election”. I’m not sure that I totally buy that. Appalachia is a pretty unique place. I don’t know how much you can port over its attributes to cities in the Rust Belt and so on. It’s worthwhile to examine a culture and community for its own sake, but if you’re just looking for national power brokers or explanations for electoral trends, Hazard, Kentucky might not be where you want to start.
Even if Hillbilly Elegy can’t provide pat answers to complex political questions, it’s still a good book that’s very affecting and ultimately inspiring. If you would like to learn more about the region, I’d recommend this book, as well as two documentaries. American Hollow focuses on the same area and lifestyle described in Hillbilly Elegy and Oxyana viciously captures the prevalence of drug addiction in Appalachian communities. It’s great that attention is being drawn to a part of our country that’s often been forgotten—hopefully, it will lead to some real change for the region.
Vance, J. D. (2016). Hillbilly elegy: a memoir of a family and culture in crisis. New York: Harper.
When a fan approaches the autobiography of a rock star, the bar is set pretty high. And with Bruce Springsteen’s Born to Run, I thought the high bar was reached and sailed over. I didn’t really know what to expect. I always thought the real Bruce was probably a combination of the characters that shine out from his songs, but of course that’s an oversimplification. The character that comes off the pages of this book does have a lot in common with the characters that are seen in the narratives in his music. But Bruce Springsteen is a multi-layered guy and he is complicated. He is the real deal, for sure. He came up on the streets of New Jersey and early Greenwich Village, and his reflections on those early days (and what came later) take the reader into a slice of America that goes well beyond voyeuristic star gazing. When he says, “The grinding hypnotic power of this ruined place and these people would never leave me,” (in reference to his hometown) you can bet it won’t be leaving the reader soon either.
This book was written over seven years in several drafts and redrafts. Springsteen likens the process of writing the book to song-writing. That comparison isn’t lost on this reader. He writes the book in the same cool, clean voice that brought us “In the day we sweat it out on the streets of a runaway American dream / At night we ride through the mansions of glory in suicide machines.” The pages of this book ring just as true as the lyrics to the Springsteen songs that this fan listened to over and over on a front porch in Nebraska on hot summer nights.
I was also struck by the fact that for an autobiography there is a ton of rich, juicy detail about the others on this journey with him. His family is finely drawn and very interesting. And there is lots of intel on the cast of characters that made up his bands through the years. For me, Stevie Van Zandt (think stellar musician and one of the central members of the Sopranos cast) and the late sax great Clarence Clemons are tremendously compelling characters that really help paint the picture of Springsteen. Knowing more about his close relationships really rounds out the reader’s understanding of who “The Boss” really is. You’ll love this book if you ever sang along to “We gotta get out while we’re young / `Cause tramps like us, baby we were born to run.” Even if you didn’t, this autobiography is worth your time.
Review by Mary Jo Ryan
Born to Run by Bruce Springsteen
Simon & Schuster, 2016
One advantage I have had over the years with the Nebraska Library Commission is that of being able to visit libraries all over the state – primarily public libraries, but a few other types as well. Often the public libraries have ongoing book sales of both weeded and donated books, usually on a shelf or sale table with suggested prices for paperback, hardbacks, or magazines, sometimes with statements such as, “Donation accepted.” On one fairly recent swing through the western part of the state to do a strategic planning workshop, I paused briefly at a book sale and purchased The Tenth Man, a short novel by Graham Greene.
Of course it was the author’s name that intrigued me, and the recollection of a film based on one of his novels, The Third Man, that caught my attention since I had never heard of a book by him entitled, The Tenth Man (and since the title so closely resembled the more well-known one). A summary of the novel itself is fairly easy and straightforward. The setting is a German prison camp during the World War II era in which political prisoners are forced to draw lots to determine which of every ten men will be executed – a “decimation” order that is apparently similar to what happened in Spain during its Fascist years.
This short novel (about 30,000 words) moves quickly, with the action and dialog quite spare, yet effective. The primary story concerns that of a wealthy attorney who is among the prisoners and who draws one of the marked papers indicating he will be executed (following orders of the prison masters who allow the prisoners themselves to determine who will be sacrificed). The crux of the story is that the attorney desperately offers all his wealth, his home and his land to any other prisoner who will take his place and be executed. He has a taker, and, being an attorney, knows how to put the proper papers together to bring this about to make the destitute man temporarily rich, at least until his death, with his family provided for.
The substitute is executed, and later, after the war has ended, the attorney returns to his former home, passing himself off with a different name and identify. He is, of course, penniless, but he is befriended by the executed prisoner’s sister and her crotchety mother, and is given caretaker-type work there since the family is in a somewhat precarious position. Yet another imposter – as it turns out, an unemployed actor — shows up, claiming to be the surviving attorney and ingratiating himself to the sister.
The story is fairly sparse, as I mentioned, but very well-written. What was most interesting to me, however, was not so much the novel itself, but more how it came about. According to the author, he wrote this novella sometime in 1944, based on an idea he had had in 1937. In 1983 Greene was contacted by an agent in America, telling him that The Tenth Man was being offered by the movie giant MGM for sale to an American publisher. Graham’s memory of the novel was so vague, that he thought he remembered writing a two-page summary of the story idea, not the 30,000 words it turned out to be. Apparently Greene had sold the rights to the novella to MGM under what he deemed a “slave contract” to ensure security for his family’s income.
Graham Greene himself worked for MI6, England’s spy agency. His travels for the agency took him all over the world, and he used many of the settings from his travels in his novels. The Tenth Man is not considered among Greene’s greatest work, but this author’s prolific career of writing novels, short stories, travel books, essays, plays and screen plays bears looking into. The Tenth Man is my introduction to an author I always meant to, but never had read, before this.
I grew up knowing Fannie Flagg from the ‘70s game show Match Game. Knowing of my love for books and movies, my Southern Uncle took me to visit Juliette, Georgia the actual film location of Fried Green Tomatoes (based on the book of the same name by Fannie Flagg) where a Whistle Stop Café actually exists and operates. I have thought of Fannie as a comedic personality but having read nearly all of her books, she has a knack for balancing humor with poignant story lines and creating very memorable, sometimes outrageous characters and plots.
Fannie weaves two stories from different families together in this novel. In the first chapter we are introduced to Mrs. Earle Pool Jr., better known to her friends and family as Sookie. Sookie is happily married with four children and a loving husband but unfortunately is burdened with an extraordinarily difficult, high-maintenance mother named Lenore, all living in Alabama in 2005. We are taken back to 1909 Pulaski, Wisconsin and the Jurdabralinsky family. The patriarch, Stanislaw Ludic Jurdabralinsky, emigrated from Poland and he struggles to make a new home for his wife and children by opening a Filling Station that operates with roller skating daughters during WWII. Meanwhile back in 2005, Sookie receives a mysterious registered letter from the Texas Board of Health that puts her identity and her mostly quiet life into a tailspin. The collision of the two stories makes for a delightful read, ending with a twist upon a twist.
The great takeaway of this book for me was learning about the daughters from the Jurdabralinsky family who served in World War II as Women Airforce Service Pilots – WASP for short.
“During the existence of the WASP— 38 women lost their lives while serving their country. Their bodies were sent home in poorly crafted pine boxes. Their burial was at the expense of their families or classmates. In fact, there were no gold stars allowed in their parents’ windows; and because they were not considered military, no American flags were allowed on their coffins. In 1944, General Arnold made a personal request to Congress to militarize the WASP, and it was denied. Then, on December 7, 1944, in a speech to the last graduating class of WASP, General Arnold said, “You and more than 900 of your sisters have shown you can fly wingtip to wingtip with your brothers. I salute you … We of the Army Air Force are proud of you. We will never forget our debt to you.” With victory in WWII almost certain, on December 20, 1944, the WASP were quietly and unceremoniously disbanded. What is amazing is that there were no honors, no benefits, and very few “thank you’s”. In fact, just as they had paid their own way to enter training, they had to pay their own way back home after their honorable service to the military. The WASP military records were immediately sealed, stamped “classified” or “secret”, and filed away in Government archives, unavailable to the historians who wrote the history of WWII or the scholars who compiled the history text books used today, with many of the records not declassified until the 1980s.” taken from: http://www.birdaviationmuseum.com/WASPS.html
This year I read books by Gloria Steinem and Ruth Bader Ginsberg – both advocates for women’s rights; and while Fannie Flagg writes another kind of book, this title fit in nicely and was a great selection for my book club with many things to discuss. If you enjoy audio books, please consider listening to this book as Fannie Flagg is the narrator. I think you’ll enjoy her comic southern accent and stereotypical Wisconsin accent both of which made me laugh many times.
The Young Adult Library Services Association (YALSA), a division of the American Library Association (ALA), has officially announced the nominees for the 2016 Teens Top Ten. It is a teen choice list containing titles recommended by teens and voted on by teens across the country. Teen readers are encouraged to read as many of the nominees as they can, and vote for their favorites starting on August 15th through Teen Read Week (October 9-15, 2016). The final Top Ten will be announced the week following Teen Read Week. For an annotated list of the nominees, go to this PDF and share it with your teens!
To Catch a Cheat by Varian Johnson is the sequel to The Great Greene Heist which came out in May of 2014. Jackson Greene (8th grade) has again promised no more schemes or pranks, and stuck with it. He is surprised when the principal calls him into his office and accuses him and Charlie (his best friend) of flooding the school over the weekend. There is even video evidence they did it. They did not do it. Now they need to discover who doctored the video, and what can be done to clear their names. The con they concoct will do the trick, if everyone can stick to their task. Great for middle school readers who love teens getting one over on scalawags.
(The Nebraska Library Commission receives free copies of children’s and young adult books for review from a number of publishers. After review, the books are distributed free, via the Regional Library Systems, to Nebraska school and public libraries.)
Why would a person be interested in reading a book published forty years ago? It doesn’t seem that is old enough to be considered a “classic,” and, to a degree, the author is not one of current list of “hot” authors that everyone wants to pick up. Still, there are often reasons to read a book not on a current best seller list that have less to do with the author, the subject, the title, the whatever. In this case it was a “waste not, want not” situation. I’d purchased this book over two years ago on a trip out of the country (It cost 187 “I-don’t-know-whats,”), I’d had it sitting around and had recently run across it again while winnowing my book collection to decide what to give to Lincoln City Libraries as donations.
A little history here — I’ve always been interested in trains. Our first home (my twin sister’s and mine) was an apartment a couple of stories above the local public library in Emmaus, Pennsylvania, with the back “yard” a steep bank falling away to railroad tracks on which heavy rail cars clanked their way by. Our second home was an old place (Built in 1879 by A. & H. Hoerhammer) on Railroad Street, with those same railroad tracks now a narrow street and a less-steep bank away from our front door. So, you see, I couldn’t help but be, if not interested, at least steeped in the noise, smells, etc. first of steam locomotives, then diesel monsters as their rushed or crawled by our house.
But back to the book. The Great Railway Bazaar recounts author Theroux’s four-month journey, mostly by rail (with a few legs of the journey by ship and plane) all the way from Great Britain, to Japan and back. Most critics consider this book Theroux’s greatest achievement, but he has also written fiction — Jungle Lovers, Saint Jack, and perhaps more famous, The Mosquito Coast, several of these having been made into films.
If you choose to read this book, you will find the author highly entertaining (of the “laugh-out-loud” variety) at times. Other times he comes across as too critical of an entire culture (a little too much generalization at times), and at other points in the book very incisive. He doesn’t shrink from controversy and tackles just about anything, not excluding himself from criticism when he feels it is needed.
I do not doubt his sometimes shocking descriptions of life in a number of the countries he rides through. The most interesting feature of the book, however, is seeing how his descriptions of life on the various trains he takes reflect the countries and cultures they are riding through, and how he is affected by those forces. (“The railway bazaar, with its gadgets and passengers, represented the society so completely that to board it was to be challenged by the national character.”) But at other times the train travel itself, especially on journeys that lasted for days at a time, the author expresses his pleasure: “Train travel animated my imagination and usually gave me the solitude to order and write my thoughts. I travelled easily in two directions, along the level rails while Asia flashed changes at the window, and at the interior rim of a private world of memory and language.”
Of course, so many years later his descriptions are probably woefully out-of-date for a number of the countries he passed through, although I have to admit that some of them still appear quite incisive today. (For example, the Shah is still in power in Iran; the U.S. is just pulling out of the war in Vietnam. In Saigon a local woman tries to get the author to take a “half-American” baby with him. In Japan he experiences a noodle soup (“ra-men”) for the first time, probably one of the earliest mentions of that ubiquitous food in American writing.)
One of the most entertaining aspects of this book for me was that it dragged me decades back to my time as a not-very-good English major in college. The book is loaded with literary and historical allusions, making me want to go back to books I missed (or didn’t finish reading) all those years ago, and savor them with the passage of time and their relationship to this book. The author also captures the essence of really long-distance travel, especially to foreign countries when he says, “. . . the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving . . . at . . . autobiography.” And in this he is in good company with both Mark Twain and Henry James.
Try it. I think you’ll like it!