Tag Archives: book club spotlight

This December 25th, we celebrated the birth of the late great legend, Mr. Jimmy Buffett. The Margaritaville singer-songwriter known for his island lifestyle and escapism passed away this last year on September 1st. So, to celebrate a true icon, we are spotlighting one of his many fiction books: A Salty Piece of Land. Which picks up from Buffett’s short story “Take Another Road” featured in the Tales From Margaritaville collection. A Salty Piece of Land even has its own single to accompany your island-time reading relaxation. 

When we meet up with cowboy Tully Mars and his trusty steed, Mr. Twain, as they are on the run from a vindictive poodle ranch owner. The pair hightail it out of the mainland and end up on a shrimp boat headed for the Caribbean. Driftless, and surrounded by the cool, pink sands of Cayo Loco, Tully meets old sea captain Cleopatra Highbourne, who has quite the proposal for him: Fix up the abandoned lighthouse and escape everything he is running from. 

“Life is unpredictable, but there is a lot out there to do and see if you just tune in to the radio.”

Jimmy Buffet 

Interspersed with beautiful Caribbean vistas and colorful characters, A Salty Piece of Land is as chill as Buffett’s music. The characters Tully encounters are as varied and strange as their names but are just as heartfelt and dear. Sprinkled with Buffett’s knowledge of the sea, navigation, and lighthouses, A Salty Piece of Land is escapist literature at its finest. Adult Book Clubs and Parrotheads will enjoy the familiar vibes of Buffett’s prose and that never-ending chase for freedom, eternal youth, and sunshine. 

Fins up!

If you’re interested in requesting A Salty Piece of Land  for your book club, you can find the Request Form here. There are 8 copies available. (A librarian must request items)

Buffet, Jimmy. A Salty Piece of Land. Back Bay Books. 2005.

It’s hard to feel fully in the holiday spirit when it’s supposed to be 52 degrees and raining on Christmas Day- so to get us in the “Let it Snow” mood, let’s visit a place where the weather is genuinely “frightful”. Standing at the China-Nepal border, at a ridiculous height of 29,031 feet 8 ½ inches, Mount Everest reaches airplane cruising height and skims into the stratosphere. Most of the year, monsoon winds and far below-freezing temperatures blast the peak, and with only about 33% of the oxygen level you’d find at sea level, it sounds like a reasonable place to visit! And one such visitor, journalist and mountaineer Jon Krakauer (author of Into the Wild, and Under the Banner of Heaven), ended up smack dab in one of the definitive tales from Mount Everest. Into Thin Air: A Personal Account of the Mt. Everest Disaster is Krakauer’s first-hand account of the 1996 Mt. Everest Disaster that would claim 8 lives before the night was through, the highest death count in a single day (at the time). 

Lauded and controversial, Into Thin Air follows Krakauer as he joins the ill-fated 1996 Everest Expedition on behalf of Outside Magazine. As a journalist, his mission was to report from basecamp on the growing commercialization and traffic on Mount Everest, its toll on the Sherpa people and the environment, and the mountain’s unimaginable death rate. But as a mountaineer, the thrall of the peak was too strong, and he convinced his editor to let him make a push for the top. Joining an expedition team led by veteran climber Rob Hall, Krakauer notes due to the technical ease of the climb and the tireless (and thankless) work from the Sherpa guides, the over-commercialized ascent at times felt more like “paying someone to climb for me.” After summiting, Krakauer is waylaid on his descent, stuck in a traffic jam of climbers as they make their way to the top, far past the regarded safe time slot. As his descent continues, tragedy strikes. Small mistakes add up, while the egotism and greed of the expedition leaders and climbers lead to horrifying ends as a blizzard encapsulates Everest, trapping the enthusiasts and Sherpas in the Death Zone. Remember, reaching the summit is only half the journey.

“There were many, many fine reasons not to go, but attempting to climb Everest is an intrinsically irrational act—a triumph of desire over sensibility. Any person who would seriously consider it is almost by definition beyond the sway of reasoned argument.”

Jon Krakauer 

Despite its great expense (anywhere from $30k – $60k) and the very real possibility of death- the mesmerizing top of the world worms its way into the minds of everyone from skilled climbers to middle managers who want a taste of beating the nearly impossible odds. Into Thin Air is breathtaking in that it even exists; very few people from Krakauer’s team survived, and he is lucky to be one of them. I find Mount Everest to be endlessly fascinating, and what is it about the human condition that drives people to climb it not for the sake of discovery or exploration- but for personal gain? Appropriate for Book Club Groups, Adults and Young Adults alike who don’t mind peril, Into Thin Air, and the enormity of Mount Everest can provide endless discussions into ethics and morality. What happens to a marvel of Earth and human achievement when it too falls to overconsumption and exploitation?

Excerpt from the article: Everest a Year Later: False Summit (May, 1997)

Krakauer: I don’t know why this tragedy has grabbed people with such force and won’t let go. Part of it’s the Everest mystique and part of it’s the absurdity and even perversity of people spending this kind of money chasing this kind of goal, throwing prudence and common sense to the wind. But in the final analysis I really don’t get it. I’m a victim and a beneficiary of it all at the same time. Everest has turned my life upside down. Nothing will ever be the same. Why did I end up climbing the mountain on that particular day, with those particular people? Why did I survive while others died? Why has this story become a source of fascination to so many people who ordinarily would have no interest in mountain climbing whatsoever?

…

I guess maybe we should think of Everest not as a mountain, but as the geologic embodiment of myth. And when you try to climb a chunk of myth – as I discovered to my lasting regret- you shouldn’t be too surprised when you wind up with a lot more than you bargained for. 

Further Readings: 

The Climb: Tragic Ambitions on Everest by Anatoli Boukreev and G. Weston Dewalt

• Another account of The 1996 Mt. Everest Disaster a critical response to Into Thin Air

To Watch:

Everest- IMAX Film (1998) (Free on Vimeo)

• IMAX movie, filmed during the events of the 1996 Mt. Everest Disaster. Narrated by Liam Neeson. 

Dark Side of Everest (Free with ads or a lower quality is available on YouTube)

• Follows the fated South African expedition that survived the 1996 Mt. Everest Disaster, and their push on the summit shortly after

Death Zone (Free with ads)

• “The dramatic self-documented story of 20 elite Nepali climbers who venture into the ‘Death Zone’ of Mount Everest to restore their sacred mountain and the contaminated water source of 1.3 billion people.” Narrated by Patrick Stewart

If you’re interested in requesting Into Thin Air for your book club, you can find the Request Form here. There are 17 copies and 1 Large Print available. (A librarian must request items)

Krakauer, Jon. Into Thin Air. Anchor. 1997.

This year’s theme for the 35th Annual World AIDS Day was Remember and Commit, which “pays tribute to those we have lost to HIV/AIDS and emphasizes our collective responsibility to act to end the HIV epidemic.”

Today’s Book Club Spotlight, focuses on Remembering, by taking us to what could be considered the epicenter of the early AIDS crisis- 1987 New York City. Carol Rifka Brunt’s debut novel Tell the Wolves I’m Home was named “One of the Best Books of the Year” by The Wall Street Journal, and also has the distinction of winning the Alex Award in 2013. The Alex Award is presented by the Young Adult Library Services Association to adult novels that have a special appeal to young adults. Spotlight alumnus I’m Glad My Mom Died has also received this award.

Just north of New York City, June Elbus, a romantic at heart, often disappears into the woods after school to pretend she is living in the Middle Ages, wearing medieval boots specially bought by her beloved uncle and famous artist Finn Weiss. June knows Finn is gay; everyone does. But after his death from AIDS, she learns he also had a partner, Toby—the man who is blamed for Finn’s death. In the months that follow, June is torn between jealousy, love and fear, as she forges an unlikely (and secret) friendship with Toby. Reconciling how much of her uncle she really knew until the lines between Toby and Finn begin to blur until she can’t see where one ends and the other begins. All the while, June’s older sister, Greta, slowly loses herself amid attempts to reconcile their strained relationship. But the secrets between the two sisters are overwhelming and become too much for them to overcome on their own. Not until they start to talk through Finn’s final painting. 

“Because maybe I don’t want to leave the planet invisible. Maybe I need at least one person to remember something about me.”

Carol Rifka Brunt

Tell the Wolves I’m Home revels in the language of art, which often goes hand in hand with the Queer experience, and especially the HIV/AIDS Crisis. From Finn and June’s bonding over Mozart’s unfinished Requiem, to Greta starring in the school’s production of South Pacific. The novel uses art and and illness to focus on the absurdity and fear surrounding prejudices and danger they can put people in. Taking place only a few years after the first case of HIV/AIDS was reported, not much is known about the disease, and public panic and demonization of suffering gay men was at an all-time high. Brunt spends a large portion of her book delving into this fear and the vice it had on the public conscience. June’s family loves Finn, but fear turns them to avoiding him, even as they can see him deteriorating before their eyes. Especially for readers who have memories from or connections to the initial HIV/AIDS epidemic of the 1980s, Tell the Wolves I’m Home is a great novel for adult Book Club Groups (or mature teens) to discuss prejudices and how they hold up to a modern lens. 

 And for a fitting multimedia experience, I recommend:  

Art: 

• Tell the Wolves I’m Home Gallery 
• Unfinished Painting (1989) by Keith Haring 
• Untitled (Portrait of Ross in L.A.) by Félix González-Torres 

Music:

• Mozart’s Requiem  
• Bali Ha’i from South Pacific
• You’ve Got To Be Carefully Taught from South Pacific 

If you’re interested in requesting Tell the Wolves I’m Home for your book club, you can find the Request Form here. There are 5 copies and 1 Large Print available. (A librarian must request items)

Brunt, Carol Rifka. Tell the Wolves I’m Home. Dial Press. 2012.

With Halloween a week away, I love to enjoy the spookier books in our collection. But what’s great about Halloween is that there are so many ways for readers to enjoy the season without getting too scared. So, for the scaredy cats this Halloween Season, we’ll be looking at Dead as a Door Knocker by author Diane Kelly. Kelly is a prolific, cozy mystery writer, having (accidentally) worked with white-collar criminals in her former work as a tax advisor and decided to author the criminals herself rather than working with them. She has been awarded the Golden Heart Award from the Romance Writers of America and a Reviewers’ Choice Award.

In the first installment in the House-Flipper Mystery series, we meet 20-something Whitney Whitaker, a property manager living in her parents’ (renovated) pool house with big dreams and a small cat named Sawdust. When a property goes up for sale by the cheapskate Rick Dunaway, Whitney snatches up the deal, thinking it was too good to be true. But she gets more than she bargained for when Rick’s body shows up in her flower bed a few days later! With the help of her best friend Collette, cousin Buck, and Nashville’s newest homicide detective, Collin Flynn, Whitney sets out to catch the killer with her life and the house’s market value on the line.

“Are you going to buy the murder house?”

Diane Kelly

With brief mentions of blood, peril, and, of course, a body, Dead as a Door Knocker is driven by its characters and their relationships, not a murderous fiend. As we tick through the list of potential suspects, there are plenty of stops along the way into the world of house-flipping, rentals, and kitty shenanigans. Cozy mysteries like Dead as a Door Knocker let the more squeamish in your book club groups enjoy the fun of solving a good mystery without all the blood and gore getting in the way.

If you’re interested in requesting Dead as a Door Knocker for your book club, you can find the Request Form here. There are 10 copies available. (A librarian must request items)

Kelly, Diane. Dead as a Door Knocker. St. Martin’s Press. 2019

Today, as we continue to celebrate Disability Pride Month, we’ll discuss the exciting and beautiful middle-grade novel Song for a Whale by author and sign language interpreter Lynne Kelly. Being her sophomore novel, Song for a Whale, received the 2020 ALA Schneider Family Book Award. Established in 2004 by Dr. Katherine Schneider, the first blind student to graduate from the Kalamazoo public school system, the award recognizes children’s and teen novels that excel at disability representation. Dr. Schneider says of the books chosen for the award: “The disability experience in these wonderful children’s books is a part of a character’s full life, not the focus of the life” [ALA.org].

Iris is lonely. As the only deaf person at her school, she has difficulty communicating with anyone and spends most of her days talking to her interpreter or missing conversations altogether. Her grandparents, both deaf and speak using sign language, provide her with a refuge where she doesn’t have to worry about being understood. But since her grandfather’s passing, Iris has found it harder to communicate with her grandmother despite their shared language and wishes to be close to her again. Despite the language barriers, Iris is comfortable with her deafness but hopes for a community where she doesn’t have to worry about being left behind. That’s when she learns about Blue 55, a whale who sings at a frequency no one else can understand, giving it the nickname the “loneliest whale in the world.” And Iris is determined to let him know that he, like her, is not alone. Armed with a song at a frequency made just for him, Iris sets out to find Blue 55, even if it takes her all the way from Texas to Alaska.

“If you don’t know when you’ll get to talk to someone like you again, you don’t want your time together to end.”

Lynne Kelly

For young readers and beyond, Song for a Whale exemplifies the mission of the Schneider Family Book Award. Iris is an incredible protagonist and role-model. She’s incredibly tech-savvy, spending her free time fixing antique radios and other electronics, so you don’t doubt for a second she is capable of greatness even if she can’t hear. During the journey, Iris gains the courage and ability to advocate for herself, even when the odds are against her. Author Lynne Kelly has included an Author’s Note at the end that covers everything from the whale that inspired the novel, and the deaf community that is an integral part of the story. For reading groups and classrooms, there are plenty of resources and activities to enjoy. The website Book Units Teacher has an incredible collection of downloadable activities and study guides. Kelly also has a resources page on her website Lynne Kelly Books, including visual whale calls and an Educator’s Guide.

If you’re apart of an older group who is hesitant to read children’s novels, I encourage you to give them a shot! There’s always more to learn. From the essay, Why You Should Read Children’s Books, Even Though You are so Old and Wise by Katherine Rundell:

“When you read children’s books, you are given the space to read again as a child: to find your way back, back to the time when new discoveries came daily and when the world was colossal, before your imagination was trimmed and neatened, as if it were an optional extra.”

If you’re interested in requesting Song for a Whale for your book club, you can find the Book Club Kit Request form here. There are 10 copies available. (A librarian must request items)

Kelly, Lynne. Song for a Whale. Yearling. 2019.

I’m sure you’re all as excited for National Library Week (April 23rd-29th) as I am, so I’m giving you plenty of time to get pumped up with today’s Book Club Spotlight, which perfectly captures this year’s theme: “There’s More to the Story.” Libraries are community centers and technology hubs and contain many other resources available for everyone and anyone. And The Reading List, by debut author Sara Nisha Adams, is all about how libraries are much more than what they carry on the shelves.

 

We follow two reluctant readers: Widower Mukesh, who, upon reading an old library book left by his late wife, finds comfort and solace in the characters who help the memory of his wife live on. Energized by the experience, Mukesh decides to make an effort to connect with his shy granddaughter through her love of books—leading him to a small Wembley library. In the library, we meet Aleisha, a disillusioned but whip-smart teen working in the slowly dying library over the summer to support her sick mother. Aleisha has no particular love for libraries or books until she is handed a mysterious list of books titled “Just in case you need it.” Inexplicably drawn to reading the first on the list, To Kill a Mockingbird, Aleisha encourages Mukesh to read it as well. Soon they are both making their way down the list and are surprised to find how much they want to talk with someone about the books or maybe just to talk with someone at all. Much like the Sisterhood of the Traveling Pants, the titular “list” in The Reading List serendipitously makes its way across London, finding people who could use a break or a breakthrough. When tragedy strikes, the group’s bond and the lessons they learned from the mysterious reading list and each other become more important than ever.

“Books show us the world. They don’t hide it.”

 Sara Nisha Adams

New to our collection, The Reading List is the perfect book club pick because it centers around characters who inexplicably find themselves in a far-reaching book club. In the beginning, Aleisha and Mukesh are nervous about discussing the books themselves, feeling like they need to be some sort of expert or have an earth-shattering revelation to be worth sharing. Still, as time goes on, they gain confidence in sharing their ideas. While each book might not be the ideal fit, they still find something to discuss and enjoy. The idea of the modern-day book club started as an avenue to encourage open discussion, and they still play an essential role in expressing that inherent want to connect (but I may be biased). People are always looking for connection and community; reading and hearing others’ stories and struggles makes us more open, compassionate, and self-confident. Unlike other “books about books,” there is no magic library or all-powerful novel in The Reading List. Instead, there is simply the magic and importance of people. And at the end of the day, the people and their community are the most critical asset to libraries.

Request The Reading List for your Book Club here. There are 5 copies available (A librarian must request items)

Adams, Sara Nisha. The Reading List. William Morrow. 2022.

In my opinion, the best books are about what it means to be a human and humanity as a whole—which are usually best represented through a different species.  And it’s only fitting that fantasy writer Sir Terry Pratchett would explore this age-old philosophy through rats. Well… educated rats and one amazing cat. In honor of Respect Your Cat Day, today’s spotlight, The Amazing Maurice and His Educated Rodents, is a stand-alone novel in Pratchett’s expansive Discworld series and the first in the collection written for a younger audience.

Magically gifted with speech and consciousness, a clan of self-dubbed “Educated Rodents” and a con artist cat, the “Amazing Maurice,” travel from town to town with a young piper in tow. They successfully run scams where the rats “infest” a town so the boy can pretend to lead them away à la the Pied Piper. Agreeing to one last job, they arrive in the village of Bad Blintz, only to find that the town already has a massive rat infestation. But they can’t seem to find any of these rats anywhere. Realizing that something sinister is at play, the rats, the boy, and Maurice find themselves in more trouble than they ever imagined. And with more than a payday at risk, the newly self-aware rat clan and Maurice don’t know if they can turn their backs and leave the town to fall into ruin. So what’s a cat to do now that he’s got morals and ethics to deal with? 

“I prefer our way. We are silly and weak sometimes. But together we are strong. You have plans for rats? Well, I have dreams for them.”

Terry Pratchett

Pratchett is a widely well-regarded author, and for a good reason, with The Amazing Maurice and His Educated Rodents awarded the Carnegie Award for Children’s Literature. It is one of those rare books written in an accessible manner for younger audiences while still treating them as intelligent and capable of understanding its philosophy. Even though it reads like one, the reader is often reminded that it is not a fairytale and there are dire consequences to be had despite the tap-dancing rodentia. Sure, the book is cute and filled with talking animal shenanigans, but it also shows a grittier side, with rat-on-rat violence, dog-on-rat violence, and laxative-on-man violence. Maurice is perfect for a group of YA readers and beyond who love discussing theories and pondering the Big Questions, such as what comes after death? What would it mean to suddenly have consciousness and a moral code? Can community and strength overcome inherent nature? And what would you do in the face of the Grim Squeaker?

Request The Amazing Maurice and His Educated Rodents for your Book Club here. There are 14 copies available (A librarian must request items)

Pratchett, Terry. The Amazing Maurice and His Educated Rodents. HarperTrophey. 2001.

March, being Women’s History Month (shoutout to women), gives me an excuse to visit a book in our collection that has influenced and consoled countless young girls and women since 1970. Selected as the 1970 New York Times “Outstanding Book of the Year,” listed in Time’s 2010 list of “All-Time 100 Novels”, and in Scholastics’ “100 Greatest Books for Kids/100 Must-Read Books”, Are You There God? It’s Me, Margaret by Judy Blume has carved a legacy and guided our approach to educating young people about puberty. And pioneered middle-grade fiction at a time when books for kids “on the cusp” of puberty were nowhere to be found.    

Eleven-year-old Margaret Simon’s relationship with God has nothing to do with religion. Her parents, one Christian and one Jewish, decided to raise her outside of any faith because of the pressure they received from their own religious upbringings. Even still, Margaret frequently talks to God, whoever he is, about her problems and insecurities, confiding in things she couldn’t tell anyone else. After moving to the New Jersey suburbs, Margaret is tasked with a year-long school project of her choosing. Deciding her project will be to finally find a religion that fits her (much to her parents’ discomfort), Margaret attends Jewish and Christian services, hoping to feel God there the same way as when she talks to him alone. At the same time, she and her group of friends, smartly named “The Pre-Teen Sensations,” wrestle with more down-to-earth issues, like boy problems and bras. All the while eagerly awaiting their first period, deathly afraid that something might be wrong with their bodies when it doesn’t come as soon as other girls in their class. Together, Margaret and her friends face down the scariest enemy of all: the epic highs and lows of being a pre-teen girl.

“I can’t go on being nothing forever, can I?”

Judy Blume

Margaret’s message is still relevant to young girls today. Despite being written over 50 years ago, young readers, alone or in a reading group, can see themselves in Margaret, even the parts they try to hide. Blume’s works encourage open and honest communication, creating a space for community and empathy, which is the foundation of any good book club. To be sincere, to experience new perspectives, and to grow together. All these years later, Judy Blume is still a household name, and for good reason. She created a space where it is easy and necessary to talk about ourselves and our feelings without shame. In school, we giggled and commiserated over her plain and frank depictions of real problems and things happening with our bodies that other adults might have shied away from talking about. But she never did. We’d pull from the advice of Blume to let us know there was nothing wrong with us, we were growing up, and that’s ok.

Amy Weiss-Meyer, a senior editor at the Atlantic, best sums up Blume’s influence and genuine care for nurturing young girls in the article We Still Need Judy Blume: “The letters started right after Margaret. The kids wrote in their best handwriting, in blue ink or pencil, on stationery adorned with cartoon characters or paper torn out of a notebook. They sent their letters care of Blume’s publisher. “Dear Judy,” most began. Girls of a certain age would share whether they’d gotten their period yet. Some kids praised her work while others dove right in, sharing their problems and asking for advice: divorce, drugs, sexuality, bullying, incest, abuse, cancer. They wanted to scream. They wanted to die. They knew Judy would understand.”

The first film adaptation of Are You There God? It’s Me, Margaret will be released in April 2023, starring Rachel McAdams and Kathy Bates, with Judy Blume as a producer. 

If you’re interested in requesting Are You There God? It’s Me, Margaret for your book club, you can find the Book Club Kit Request Form here. There are 13 copies available (A librarian must request items)

Blume, Judy. Are You There God? It’s Me, Margaret. Bradbury Press. 1970.