Tag Archives: Book Covers

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).

  UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in September and October, 2024:

Abortion in Mexico : A History, by Nora E. Jaffary. Series: Engendering Latin America

Abortion in Mexico: A History concisely examines the long history of abortion from the early postcontact period through the present day in Mexico by studying the law, criminal and ecclesiastical trials, medical texts, newspapers, and other popular publications.

Nora E. Jaffary draws on courts’ and medical practitioners’ handling of birth termination to advance two central arguments. First, Jaffary contends, the social, legal, and judicial condemnation of abortion should be understood more as an aberration than the norm in Mexico, as legal conditions and long periods of Mexican history indicate that the law, courts, the medical profession, and everyday Mexicans tolerated the practice. Second, the historical framework of abortion differed greatly from its present representation. The language of fetal personhood and the notion of the inherent value of human life were not central elements of the conceptualization of abortion until the late twentieth century. Until then, the regulation of abortion derived exclusively out of concerns for pregnant people themselves, specifically about their embodiment of sexual honor.

In Abortion in Mexico Jaffary presents the first longue durée examination of this history from a variety of locations in Mexico, providing a concise yet comprehensive overview of the practice of abortion and informing readers of just how much the debate has evolved.

All Daughters Are Awesome Everywhere : Stories, by DeMisty D. Bellinger. Series: Zero Street Fiction

Fantastical, sensual, and as beguilingly strange as they are insightful and real, the stories of All Daughters Are Awesome Everywhere are centered around intimate familial or romantic relationships, featuring protagonists who make awesome discoveries—from the beautiful to the horrible—in seemingly mundane situations. The protagonists in each story come from marginalized communities, which sometimes exacerbates their problems but always allows for unique perspectives and epiphanies.

A violinist nearly hits a bicyclist with her car on her rush to rehearsal, leading to a blissful affair and speculation about the effect of love on her violin playing. The whispering of schoolgirls leads a teacher to consider her own fears and failings. In the title story the nature of motherhood, fatherhood, and familial pride plays against a backdrop of death and high school theater.

These are stories of human frailty and newfound strengths, with surprising confrontations. The writing is rich and playful, whether the characters are coy or startlingly direct, creating worlds in which the metaphorical might become literal in the blink of an eye. DeMisty D. Bellinger finds magic in the smallest moments and makes the biggest moments resonate with a quiet intensity.

Between Black and Brown : Blaxicans and Multiraciality in Comparative Historical Perspective, by Rebecca Romo, G. Reginald Daniel, and J. Sterphone. Series: Borderlands and Transcultural Studies

Between Black and Brown begins with a question: How do individuals with one African American parent and one Mexican American parent identify racially and ethnically? In answer, the authors explore the experiences of Blaxicans, individuals with African American and Mexican American heritage, as they navigate American culture, which often clings to monoracial categorizations.

Part 1 analyzes racial formation and the Blaxican borderlands, comparing racial orders in Anglo-America and Latin America. The Anglo-Americanization of “Latin” North America, particularly in the Gulf Coast and Southwest regions, shapes Black and Mexican American identities. Part 2 delves into Blaxicans’ lived experiences, examining their self-identification with pride and resilience. The book explores challenges and agency in navigating family, school, and community dynamics and discusses expectations regarding cultural authenticity. It also delves into Black and Brown relations and how situational contexts influence interactions. This work contributes to the discourse on multiracial identities and challenges prevailing monoracial norms in academia and society. Ultimately Between Black and Brown advocates for a more inclusive and nuanced understanding of identity, race, and culture.

The Dawn Patrol Diaries : Fly-Fishing Journeys Under the Korean DMZ, by James Card. Series: Outdoor Lives

While working as an English teacher and freelance journalist in South Korea for twelve years, James Card explored remote mountain valleys with a fly rod. In one of the most densely populated countries in the world, he discovered pristine streams holding rare native trout. Only a few hours from Seoul, Card spent years fly-fishing these streams completely alone. Eventually he shared these experiences with people from around the world, as the only fly-fishing guide in the country. Whether fishing alone or guiding clients, he often felt like he was on patrol, scouting new streams in remote valleys, many of which are near the Korean Demilitarized Zone.

In The Dawn Patrol Diaries Card writes about fly-fishing as well as South Korean landscape and culture. His travels range from the borders of the DMZ to inland mountain trout streams, from the rugged southern coast to the tidal flats of the western coast. He goes fly-fishing where battles of the Korean War were fought and offers vivid descriptions of the last wildlands in South Korea as well as insightful observations on the perils facing Korean cities, villages, and farms.

Dear Wallace, by Julie Choffel. Series: The Backwaters Prize in Poetry

Dear Wallace addresses the poet and insurance executive Wallace Stevens in an attempt to reconsider art, power, and creativity amid the demands of everyday responsibility. Exploring relationships between modernism, motherhood, poetry, and privilege, the speaker of these poems puts her daily routines in dialogue with his. Curious, funny, and wry, Julie Choffel confronts Stevens as an unlikely peer who lived and wrote in the same city and weather as she does now, imagining a present-day conversation about the many ways creative practice is informed by social context. As we struggle to marry creative independence with our communal obligations, the questions in these poems are more urgent than ever. Stevens, a proxy for beauty, inventiveness, and legitimacy, becomes an audience for the ennui, anxiety, and politics of care that characterize another kind of writer’s life today.

Disintergrating Empire : Algerian Family Migration and the Limits of the Welfare State in France, by Elise Franklin. Series: France Overseas: Studies in Empire and Decolonization

Disintegrating Empire examines the entangled histories of three threads of decolonization: the French welfare state, family migration from Algeria, and the French social workers who mediated between the state and their Algerian clients. After World War II, social work teams, midlevel bureaucrats, and government ministries stitched specialized social services for Algerians into the structure of the midcentury welfare state. Once the Algerian Revolution began in 1954, many successive administrations and eventually two independent states—France and Algeria—continuously tailored welfare to support social aid services for Algerian families migrating across the Mediterranean.

Disintegrating Empire reveals the belated collapse of specialized services more than a decade after Algerian independence. The welfare state’s story, Elise Franklin argues, was not one merely of rise and fall but of winnowing services to “deserving” clients. Defunding social services—long associated with the neoliberal turn in the 1980s and beyond—has a much longer history defined by exacting controls on colonial citizens and migrants of newly independent countries. Disintegrating Empire explores the dynamic, conflicting, and often messy nature of these relationships, which show how Algerian family migration prompted by decolonization ultimately exposed the limits of the French welfare state.

Dodge County, Incorporated : Big Ag and the Undoing of Rural America, by Sonja Trom Earys.

In 2014 Sonja Trom Eayrs’s parents filed the first of three lawsuits against Dodge County officials and their neighbors, one of the few avenues available to them to challenge installation of a corporate factory farm near their intergenerational family farm in Dodge County, Minnesota. For years they’d witnessed the now widely known devastation wrought by industrial hog operations—inhumane treatment of animals and people, pollution, the threat of cancer clusters, and more. They’d had enough. They also deeply understood an effect of Big Ag rarely discussed in mainstream media—the hollowing-out of their lifelong farming community and economy in service of the corporate bottom line.

In a compelling firsthand account of one family’s efforts to stand against corporate takeover, Dodge County, Incorporated tells a story of corporate malfeasance. Starting with the late 1800s, when her Norwegian great-grandfather immigrated to Dodge County, Trom Eayrs tracks the changes to farming over the years that ultimately gave rise to the disembodied corporate control of today’s food system. Trom Eayrs argues that far from being an essential or inextricable part of American life, corporatism can and should be fought and curbed, not only for the sake of land, labor, and water but for democracy itself.

Free Listening, by Naomi Waltham-Smith. Series: Provocations

Free Listening offers a radical reframing of seemingly intractable debates and polarized positions on free speech, academic freedom, systemic injustice, and political dissent by shifting attention from our voices to our ears. Instead of reclaiming the terrain of free speech that is increasingly ceded to conservatives, Naomi Waltham-Smith argues that progressives should assume a more radical task—to liberate listening from those frameworks that have determined what freedom looks like, who enjoys it, and at what cost. Refocusing on aural responsiveness forces a confrontation with the liberal tradition that has traditionally anchored claims for freedom of expression and inquiry. If listening is placed at the heart of public deliberation and disagreeing well, the relational, open-ended, and unpredictable character of free expression becomes a common good.

In a wide-ranging critical reflection on issues from civility to criticality, righteous anger to gentle listening, and silencing to streaming platforms, Free Listening makes an ambitious contribution to sound studies and political philosophy. Weaving together deconstruction, Black political thought, and decolonial theory, Waltham-Smith argues that the retort to accusations of “cancel culture” should be a revival of abolition democracy.

Ghostwalker : Tracking a Mountain Lion’s Soul Through Science and Story, by Leslie Patten.

Leslie Patten had seen grizzly bears, wolves, coyotes, deer, elk, and many other species in her years living next to Yellowstone National Park. Yet, like most visitors, she had never seen a mountain lion—the charismatic yet enigmatic predator also known as a cougar, panther, or puma. She had only detected their ethereal presence on the landscape, which left her pondering where they were and what they were up to. After five years, through her serendipitous encounters with their tracks and scat, the burning question remained: What is the essence of the mountain lion?

To understand an animal no one sees, Patten conducted more than one hundred interviews with biologists, conservation groups, state wildlife managers, houndsmen, and professional trackers. Slowly, a picture of the lion’s elusive nature emerged. Ghostwalker presents a complete picture of mountain lions in the West today, uncovering the intimacies of their secretive lifestyle as well as the issues they face in our changing world.

Great Plains Homesteaders, by Richard Edwards. Series: Discover the Great Plains

Great Plains Homesteaders tells the epic story of how millions of people, white and Black, women and men, young and old, and of many different religions, languages, and ethnic groups, moved to the Great Plains to claim land. Most were poor, so the government’s offer of “free” farms through the Homestead Act of 1862 seemed a godsend. The settlers found harsh growing conditions and many perils—including exploitation by railroads and banks, droughts, prairie fires, and bitter winters—yet they persisted. The settlers successfully “proved up” nearly a million claims between the 1860s and the 1920s. They filled up the immense grassland, transforming it into productive farms, the beginning of the region’s agriculture. They also created a distinct culture that continues to shape their estimated fifty million descendants living today.

Every homesteader’s experience was different, as particular and distinct as the people were themselves. Yet their collective story, with all its hardships and toil, its ambitions and setbacks, its fresh starts and failures and successes, is central to the American experience.

Homing : Instincts of a Rustbelt Feminist, by Sherrie Flick. Series: American Lives

Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after.

With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change.

Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.

Informal Metropolis : Life on the Edge of Mexico City, 1940-1976, by David Yee. Series: Confluencias

In the 1940s, as Mexican families trekked north to the United States in search of a better life, tens of millions also left their towns and villages for Mexico’s major cities. In Mexico City migrant families excluded from new housing programs began to settle on a dried-out lake bed near the airport, eventually transforming its dusty plains into an informal city of more than one million people.

In Informal Metropolis David Yee uncovers how this former lake bed grew into the world’s largest shantytown—Ciudad Nezahualcóyotl—and rethinks the relationship between urban space and inequality in twentieth-century Mexico. By chronicling the residents’ struggles to build their own homes and gain land rights in the face of extreme adversity, Yee presents a hidden history of land fraud, political corruption, and legal impunity underlying the rise of Mexico City’s informal settlements. When urban social movements erupted across Mexico in the 1970s, Ciudad Nezahualcóyotl’s residents organized to demand land, water, and humane living conditions. Though guided by demands for basic needs, these movements would ultimately achieve a more lasting significance as a precursor to a new urban citizenry in Mexico.

In the first comprehensive history of modern housing in Mexico City, Yee challenges widely held assumptions about urban inequality and politics in Mexico.

Jagadakeer : Apology to the Body, by Lori Bedikian. Series: The Raz/Shumaker Prairie Schooner Book Prize in Poetry (Winner)

Jagadakeer: Apology to the Body presents the voice of a daughter of immigrant parents, now gone, from Lebanon and Syria and of Armenian descent. In this five-part testimony Lory Bedikian reconstructs the father figure, mother figure, and the self. Using a sestina, syllabics, prose poems, and longer poetic sequences, Bedikian creates elegies for parents lost and self-elegiac lyrics and narratives for living with illness. Often interrupted with monologues and rants, the poems grapple with the disorder of loss and the body’s failures. Ultimately, Bedikian contemplates the concept of fate, destiny (jagadakeer), and the excavation of memory—whether to question familial inheritance or claim medical diagnoses.

Leaked Footages, by Abu Bakr Sadiq. Series: African Poetry Book (Winner of the Sillerman First Book Prize for African Poets)

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth telling. Reality is represented in footage seen through the eyes of multifaceted speakers.

In Abu Bakr Sadiq’s exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure—from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

Modern Responsa : An Anthology of Jewish Ethical and Ritual Decisions, by Pamela Barmash. Series: JPS Anthologies of Jewish Thought

An original anthology of modern responsa (Jewish ethical and ritual decision-making) by rabbinic authorities, men and women, across movements (Conservative, Orthodox, Reform), geographic locales, and ethnicities (Ashkenazic, Sefardic, Mizraḥi), Modern Responsa engages readers in understanding how rabbis expert in Jewish law apply principles, precedents, and rules from Judaism’s legal tradition to real-life issues.

Responsa on ten topics—personal and business ethics, ritual, personal status, women, LGBTQIA+ people, medical ethics, the COVID-19 pandemic, relationships with the other, the modern State of Israel, and Jewish life in the United States—showcase how the rabbinic decisors who wrote them handle modern quandaries for their communities. Pamela Barmash’s translations open up most of these original Hebrew texts to English-speaking readers for the first time. Sometimes the decisors disagree—but other times they rule similarly, despite differing ideological commitments. Clear explanations of how the decisors build their arguments along with historical background, decisor biographies, implications, and a glossary enable general adult and teen readers as well as scholars to grasp the finer points of Jewish ethical and ritual decision-making.

Ultimately, Modern Responsa illuminates the dynamic nature of Jewish law, the creativity of Jewish legal writings, and the multidimensionality of the Jewish experience in modernity.

Northern Paiutes of the Malheur : High Desert Reckoning in Oregon Country, by David H. Wilson, Jr.

In 1870 a twenty-six-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land in Oregon Country. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and to free the Paiutes as well. Schurz’s decision unleashed a furious campaign of disinformation by the Bureau of Indian Affairs, cattlemen, and settlers, overturning Schurz’s decision, sweeping truth aside, and falsely branding Paiute chief Egan as instigator of the war.

To this day histories of the Paiutes appear to be unanimous in their mistaken claim that Egan led his Paiutes into the Bannock War. Indian agents’ betrayal of the people they were paid to protect saddled Paiutes with responsibility for a war that most opposed and that led to U.S. misappropriation of their land, their only source of life’s necessities. With neither land nor reservation, Paiutes were driven more deeply into poverty and disease than any other Natives of that era. In Northern Paiutes of the Malheur David H. Wilson Jr. pulls back the curtain to reveal what government officials hid—exposing the full jarring injustice and, after 140 years, recounting the Paiutes’ true and proud history for the first time.

Sandoz and the Battle of the Little Bighorn, by Renée M. Laegreid. Series: Sandoz Studies, Volume 2

Mari Sandoz’s The Battle of the Little Bighorn encouraged a change in how Americans viewed this infamous fight. By the mid-twentieth century a towering Custer myth had come to dominate the national psyche as a tale that confirmed national exceptionalism and continental destiny. Sandoz set out to dismantle this myth in an intimate account of the battle told from multiple perspectives. Although the resulting book received mixed reviews at the time, it has emerged through the decades as a visionary reinterpretation of the battle and a literary masterpiece.

Decades in the making, The Battle of the Little Bighorn was the renowned western writer’s last book, published after her death in 1966. The scholarly essays in this collection contextualize Sandoz’s work in the moment of its writing, situating her treatment of the past within the pivotal moments of her present. The essays address her incorporation of contemporary issues such as the Vietnam War, sensory history, gender study, recentering the Native perspective, environmentalism, and Sandoz’s personal challenge to completing her last book. The innovative insights into Sandoz’s perspective of the Battle of the Little Bighorn bring the historical acts involved, and her treatment of the site in which they occurred, into the twenty-first century.

The Spring Before Obergefall : A Novel, by Ben Grossberg. Series: The James Alan McPherson Prize for the Novel (Winner)

It’s not easy for anyone to find love, let alone a middle-aged gay man in small-town America. Mike Breck works multiple part-time jobs and bickers constantly with his father, an angry conservative who moved in after Mike’s mother died. When he’s not working or avoiding his father, Mike burns time on hookup apps, not looking for anything more. Then he meets a local guy, Dave, just as lonely as he is, and starts to think that maybe he doesn’t have to be alone. Mike falls hard, and in a moment of intimacy, his pent-up hopes for a relationship rush out, leading him to look more honestly at himself and his future.

Winner of the James Alan McPherson Prize for the Novel, Ben Grossberg’s The Spring before Obergefell is about real guys who have real problems, yet still manage to find connection. Funny, serious, meditative, and hopeful, The Spring before Obergefell is a romance—but not a fairytale.

Swallowing a World : Globalization and the Maximalist Novel, by Benjamin Bergholz. Series: Frontiers of Narrative

Swallowing a World offers a new theorization of the maximalist novel. Though it’s typically cast as a (white, male) genre of U.S. fiction, maximalism, Benjamin Bergholtz argues, is an aesthetic response to globalization and a global phenomenon in its own right.

Bergholtz considers a selection of massive and meandering novels that crisscross from London and Lusaka to Kingston, Kabul, and Kashmir and that represent, formally reproduce, and ultimately invite reflection on the effects of globalization. Each chapter takes up a maximalist novel that simultaneously maps and formally mimics a cornerstone of globalization, such as the postcolonial culture industry (Salman Rushdie’s Midnight’s Children), the rebirth of fundamentalism (Zadie Smith’s White Teeth), the transnational commodification of violence (Marlon James’s A Brief History of Seven Killings), the obstruction of knowledge by narrative (Zia Haider Rahman’s In the Light of What We Know), and globalization’s gendered, asymmetrical growth (Namwali Serpell’s The Old Drift).

By reframing analysis of maximalism around globalization, Swallowing a World not only reimagines one of the most perplexing genres of the late twentieth and early twenty-first centuries but also sheds light on some of the most perplexing political problems of our precarious present.

Thanks For This Riot : Stories, by Janelle Bassett. Series: The Raz/Shumaker Prairie Schooner Book Prize in Fiction (Winner)

Thanks for This Riot explores the limits of kindness, the weight of being needed, and the fear of being misunderstood. A group counselor is taunted by a truth-divining piano bench, a voice actor shouts her abortion at the state capitol, a tired caregiver tangles with a pair of stand-up comics, a small-town newspaper office shelters an otherworldly tattletale, a backwoods acupuncturist leans on her least-exciting offspring, a girl in a strapless bra takes a vengeful go-kart ride, and a woman gets surgery to lower her expectations (she thinks it went “okay”). Grouped by types of riot—external riots, internal riots, and laugh riots—Thanks for This Riot is a poignant and mordantly funny collection with a distinctly feminist viewpoint.

Truth and Power in American Archaeology, by Alice Beck Kehoe. Series: Critical Studies in the History of Anthropology

In Truth and Power in American Archaeology, archaeologist and ethnohistorian Alice Beck Kehoe presents her key writings where archaeological fieldwork, ethnohistorical analysis, postcolonial anthropology, and feminist analysis intersect to provide students and scholars of anthropology an overview of the methodological and ethical issues in Americanist archaeology in the last thirty years.

Truth and Power in American Archaeology brings together Kehoe’s broad-ranging, influential articles and previously unpublished lectures to explore archaeology’s history, methods, concepts, and larger imbrication in knowledge production in the West. With her contextualizing introductions, these articles argue for recognition of scientific method in the historical sciences of archaeology, paleontology, and geology; empirically grounded understandings of American First Nations’ ways of life and scientific knowledge; discussion of archaeology as expanded histories; a view of American archaeology’s social contexts of Manifest Destiny ideology, Cold War politics, and patriarchy; and a postcolonial historicist understanding of America’s real deep-time history and of the imperialist racism entrenched in mainstream American archaeology.

**Pictures and Synopses courtesy of University of Nebraska Press.

Apologies that this installment of Book Briefs has taken so long–we have been without a cataloger since December 1st, 2023, but our new cataloger starts July 15th!

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  We normally post every two months, but today we are catching up with our backlog of the UNP books that the Clearinghouse has received.

UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in January through June, 2024:

Antilla, by Henrietta Goodman. Series: The Backwaters Prize in Poetry Honorable Mention

The title poem of this collection refers to the phantom island of Antillia, included on maps in the fifteenth century but later found not to exist. The ghosts that haunt this collection are phantom islands, moon lakes, lasers used to clean the caryatids at the Acropolis, earlier versions of the self, suicides, a madam from the Old West, petroleum, snapdragons, pets, ice apples, Casper, and a “resident ghost” who makes the domestic realm of “the cradle and the bed” uninhabitable. The ghosts are sons, fathers “asleep in front of the TV,” and a variety of exes—“lost boys” with names like The Texan and Mr. No More Cowboy Hat whom Henrietta Goodman treats with snarky wit but also with grief, guilt, and love.

Although memories pervade this collection, these poems also look forward and outward into a world where social inequality and environmental disaster meet the possibility of metamorphosis.

Boundless Deep, and Other Stories, by Gen Del Raye. Series: The Raz/Shumaker Prairie Schooner Book Prize in Fiction

Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Boundless Deep, and Other Stories is a portrait of a family that holds together despite everything. By turns introspective, surreal, and bitingly funny, this collection of linked short stories spans seven decades across Japan and the United States and shows the tenacity of relationships fractured by language and distance.

At the funeral of her old boss, a grandmother confronts the legacy of the draft letters she delivered as a girl during World War II. Facing the loss of his job, a father becomes the caricature strangers have always believed him to be. A graduate student living far from home is worn down by the reality of what it takes to save even a small piece of the world. Along the way, we meet communist revolutionary Shigenobu Fusako hiding out in a Tokyo hotel, submariner and war criminal Nishina Sekio in his tortured dreams, and Edwin, a half-dolphin friend, wreaking havoc in a public pool. Written in the compressed style of Amy Hempel and Lucia Berlin, these stories examine characters whose struggles submerge them, weighing them down from every angle, until they can finally float free.

Brand Antarctica : How Global Consumer Culture Shapes Our Perceptions of the Ice Continent, by Hanne Elliot Fonss Nielsen. Series: Polar Studies

Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavors. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.

By contextualizing and analyzing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.

Bribed With Our Own Money : Federal Abuse of American Indian Funds in the Termination Era, by David R. M. Beck. Series: New Visions in Native American and Indigenous Studies

In Bribed with Our Own Money David R. M. Beck analyzes the successes and failures of Indigenous nations’ opposition to federal policy in the 1950s and 1960s. Focusing on case studies from six Native nations, Beck recounts how the U.S. government coerced American Indian nations to accept termination of their political relationship with the United States by threatening to withhold money that belonged to the tribes.

Termination was the continuation—and, federal officials hoped, the culmination—of more than a century of policy initiatives intended to end the political relationship between Indian tribal nations and the federal government. Termination was also intended to assimilate American Indian individuals into the country’s social and economic culture and to remove the remainder of reservation lands from federal trust. American Indians hoped to gain greater opportunities of self-governance and self-determination, but they wanted to do so under the protection of the federal trust relationship.

Bribed with Our Own Money analyzes both successful and unsuccessful efforts of Native nations to oppose this policy within the larger context of long-standing federal abuse of tribal funds. It is the first book to view federal termination efforts grounded in bribery for what they were: a form of coercion.

Buffalo Bill and the Mormans, by Brent M. Rogers.

In this never-before-told history of Buffalo Bill and the Mormons, Brent M. Rogers presents the intersections in the epic histories of William F. “Buffalo Bill” Cody and the Latter-day Saints from 1846 through 1917. In Cody’s autobiography he claimed to have been a member of the U.S. Army wagon train that was burned by the Saints during the Utah War of 1857–58. Less than twenty years later he began his stage career and gained notoriety by performing anti-Mormon dramas. By early 1900 he actively recruited Latter-day Saints to help build infrastructure and encourage growth in the region surrounding his town of Cody, Wyoming.

In Buffalo Bill and the Mormons Rogers unravels this history and the fascinating trajectory that took America’s most famous celebrity from foe to friend of the Latter-day Saints. In doing so, the book demonstrates how the evolving relationship between Cody and the Latter-day Saints can help readers better understand the political and cultural perceptions of Mormons and the American West.

Creative Genius : The Art of the Nebraska Capitol, by Susanne Shore, Kevin Moser, and Drew Davies.

Few buildings reveal truths, inspire greatness, and narrate the creation of humanity. Creative Genius: The Art of the Nebraska Capitol documents such a place. The Nebraska Capitol—once called “a peak in the history of building accomplishment”—breaks the boundaries of architecture and art.

Creative Genius unveils new images of the art of the Capitol in striking detail. Included are some of the greatest works by some of America’s most recognized artists and visionaries.

Along with remarkable visuals, Creative Genius delivers insights into the extraordinary stories and vision behind the art. Steeped in history and lore, the building narrates the creation of the universe and life, as well as the epic journey of the peoples of Nebraska. This book reveals the themes driving the art, chronicles the stories behind artists and their creations, and celebrates the beauty embodied in this influential building.

Ethics at the Center : Jewish Theory and Practice for Living a Moral Life, by Elliot N. Dorff. Series: A JPS Scholar of Distinction Book

Ethics at the Center culls the best of Rabbi Elliot N. Dorff’s pioneering thinking in Jewish ethics over nearly five decades. Dorff shows that our response to moral issues depends ultimately on our conceptions of the nature of human beings and God; how Jewish law, theology, prayer, history, and community should also define and motivate Jewish responses to moral issues; and how the honorable and divergent stances of Western philosophy and other religions about moral living shed light on Judaism’s distinctive standpoints.

From there Dorff applies Judaism’s ethics to real life: abortion post–Roe v. Wade, sexual orientation and human dignity, avoiding harm in communication, playing violent or defamatory video games, modern war ethics, handling donations of ill-gotten gain after the fact. In conclusion he explores how Jewish family and community, holidays and rituals, theology, study, and law have moral import as well.

Dorff’s personal introduction to each chapter reflects on why and when he wrote its contents, its continuing relevance, and if—and if so, how—he would now change what he wrote earlier. Readers will experience not only his evolving ethical thought but many facets of the person and the Jew that Dorff is today.

Exile and the Jews : Literature, History, and Identity, Edited by Nancy E. Berg and Marc Saperstein. Series: JPS Anthologies of Jewish Thought

This first comprehensive anthology examining Jewish responses to exile from the biblical period to our modern day gathers texts from all genres of Jewish literary creativity to explore how the realities and interpretations of exile have shaped Judaism, Jewish politics, and individual Jewish identity for millennia. Ordered along multiple arcs—from universal to particular, collective to individual, and mythic-symbolic to prosaic everyday living—the chapters present different facets of exile: as human condition, in history and life, in holiday rituals, in language, as penance and atonement, as internalized experience, in relation to the Divine Presence, and more. By illuminating the multidimensional nature of “exile”—political, philosophical, religious, psychological, and mythological—widely divergent evaluations of Jewish life in the Diaspora emerge. The word “exile” and its Hebrew equivalent, galut, evoke darkness, bleakness—and yet the condition offers spiritual renewal and engenders great expressions of Jewish cultural creativity: the Babylonian Talmud, medieval Jewish philosophy, golden age poetry, and modern Jewish literature.

Exile and the Jews will engage students, academics, and general readers in contemplating immigration, displacement, evolving identity, and more.

Forget I Told You This : A Novel, by Hilary Zaid. Series: Zero Street Fiction

Amy Black, a queer single mother and an aspiring artist in love with calligraphy, dreams of a coveted artist’s residency at the world’s largest social media company, Q. One ink-black October night, when the power is out in the hills of Oakland, California, a stranger asks Amy to transcribe a love letter for him. When the stranger suddenly disappears, Amy’s search for the letter’s recipient leads her straight to Q and the most beautiful illuminated manuscript she has ever seen, the Codex Argentus, hidden away in Q’s Library of Books That Don’t Exist—and to a group of data privacy vigilantes who want her to burn Q to the ground.

Amy’s curiosity becomes her salvation, as she’s drawn closer and closer to the secret societies and crackpot philosophers that haunt the city’s abandoned warehouses and defunct train depots. All of it leads to an opportunity of a lifetime: an artist’s residency deep in the holographic halls of Q headquarters. It’s a dream come true—so long as she follows Q’s rules.

The Forsaken and the Dead : The Bass Reeves Trilogy, Book Three, by Sidney Thompson. Series: The Bass Reeves Trilogy Series

**Books 1 & 2 of the Bass Reeves Trilogy adapted for the Paramount+ miniseries Lawmen: Bass Reeves
2023 Foreword INDIES Finalist in Historical Fiction
National Indie Excellence Award Winner in Western Fiction

All heroes have fatal flaws and a moment of defining hubris, but few rise from the ashes to achieve greater heights. In 1884 Deputy U.S. Marshal Bass Reeves was arrested for murder and placed among his own prisoners in Hell on the Border, the infamous federal jail in Fort Smith, Arkansas. It was the single greatest setback of his illustrious career, but it wouldn’t be his last mistake or trial by fire.

In The Forsaken and the Dead we meet Reeves again. In the 1890s, past his prime, Reeves proceeds through the valleys and shadows of Indian and Oklahoma Territories. Despite his caution and innovations as a lawman and detective, his nation no longer seems a product of his own making—so much like his children and his marriage to Jennie. While a modern world implodes around him and demons from his past continue to haunt his present, he remains resolute in his faith that he can be a steady rider on a pale horse.

Forward Without Fear : Native Hawaiians and American Education in Territorial Hawai’i, 1900-1941, by Derek Taira. Series: Studies in Pacific Worlds

During Hawai‘i’s territorial period (1900–1959), Native Hawaiians resisted assimilation by refusing to replace Native culture, identity, and history with those of the United States. By actively participating in U.S. public schools, Hawaiians resisted the suppression of their language and culture, subjection to a foreign curriculum, and denial of their cultural heritage and history, which was critical for Hawai‘i’s political evolution within the manifest destiny of the United States.

In Forward without Fear Derek Taira reveals that many Native Hawaiians in the first forty years of the territorial period neither subscribed nor succumbed to public schools’ aggressive efforts to assimilate and Americanize them but instead engaged with American education to envision and support an alternate future, one in which they could exclude themselves from settler society to maintain their cultural distinctiveness and protect their Indigenous identity. Taira thus places great emphasis on how they would have understood their actions—as flexible and productive steps for securing their cultural sovereignty and safeguarding their future as Native Hawaiians—and reshapes historical understanding of this era as one solely focused on settler colonial domination, oppression, and elimination to a more balanced and optimistic narrative that identifies and highlights Indigenous endurance, resistance, and hopefulness.

The Franz Boas Papers, Volume 2 : Franz Boas, James Teit, and Early Twentieth-Century Salish Ethnology. 2 Volumes– Part 1: 1894-1913, and Part 2: 1914-1922, Edited by Angie Bain, John Haugen, et al. Series: Franz Boas Papers Documentary Edition

The Franz Boas Papers, Volume 2 explores the development of the ethnography of Salishan-speaking societies on the North American Plateau as revealed through the correspondence between Franz Boas and the Scottish-born James Teit, who married into an Interior Salish family and community and became fluent in the Nlaka’pamux language. The letters between Teit (1864–1922) and Boas (1858–1942) chronicle Teit’s varied career as an ethnographer, from shortly after his initial meeting with Boas in 1894 until Teit’s death at the age of fifty-eight. A postscript documents Boas’s contribution to Teit’s legacy through the posthumous publication of the manuscripts Teit left unfinished at his death.

Teit made significant contributions to ethnography and the history of southern British Columbia through his photography of the people with whom he worked, his contributions to ethnomusicology and ethnobotany, his anthologies of mythic narrative, and his collections of Interior Salish—primarily Nlaka’pamux—material culture. In addition to collaborating with Boas in the development of Interior Salish ethnography, between 1909 and 1922 Teit worked to support Indigenous groups in British Columbia who were seeking recognition of Aboriginal title and resolution of their outstanding land claims.

The Franz Boas Papers, Volume 2 meticulously tracks the impact of the differing career trajectories of Teit and Boas on the primary product of their collaboration—the initial development of the ethnography of societies speaking Interior Salish languages. This second volume of the Franz Boas Papers Documentary Edition is an essential primary source of archival materials for research libraries and for students and scholars of Northwest Coast and Interior Mountain West ethnohistory, Native American and Indigenous studies, history of anthropology, and modern U.S. history. It is also an essential source for Indigenous and settler descendant communities.

Let Our Bodies Change the Subject, by Jared Harel. Series: The Raz/Shumaker Prairie Schooner Book Prize in Poetry

National Jewish Book Award Finalist
Paterson Poetry Prize Finalist

Let Our Bodies Change the Subject is a poetry collection that dives headlong into the terrifying, wondrous, sleep-deprived existence of being a parent in twenty-first-century America. In clear, dynamic verses that disarm then strike, Jared Harél investigates our days through the keyhole of domesticity, through personal lyrics and cultural reckonings. Whether taking a family trip to Coney Island or simply showing his son snowflakes on Inauguration morning, Harél guides us toward moments of intimacy and understanding, humor and grief.

“I will try,” he admits, “to be better than myself, which is all/I’ve ever wanted and everything I need.” Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, Let Our Bodies Change the Subject is a secular prayer. Hoping against hope, Harél works to reconcile feelings of luck and loss, of living for joy while fearing the worst.

Loving the Dying, by Len Verwey. Series: African Poetry Book

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.

These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.

As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.

Marcias : Queer Cultures and State Violence in Argentina and Spain, 1942-1982, by Javier Fernandez-Galeano. Series: Engendering Latin America

In Maricas Javier Fernández-Galeano traces the erotic lives and legal battles of Argentine and Spanish gender- and sexually nonconforming people who carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s. In both countries, agents of the state, judiciary, and medical communities employed “social danger” theory to measure individuals’ latent criminality, conflating sexual and gender nonconformity with legal transgression.

Argentine and Spanish queer and trans communities rejected this mode of external categorization. Drawing on Catholicism and camp cultures that stretched across the Atlantic, these communities constructed alternative models of identification that remediated state repression and sexual violence through the pursuit of the sublime, be it erotic, religious, or cultural. In this pursuit they drew ideological and iconographic material from the very institutions that were most antagonistic to their existence, including the Catholic Church, the military, and reactionary mass media. Maricas incorporates non-elite actors, including working-class and rural populations, recruits, prisoners, folk music fans, and defendants’ mothers, among others. The first English-language monograph on the history of twentieth-century state policies and queer cultures in Argentina and Spain, Maricas demonstrates the many ways queer communities and individuals in Argentina and Spain fought against violence, rejected pathologization, and contested imposed, denigrating categorization.

My Grandfather’s Altar : Five Generations of Lakota Holy Men, by Richard Moves Camp, edited by Simon J. Joseph. Series: American Indian Lives

Richard Moves Camp’s My Grandfather’s Altar is an oral-literary narrative account of five generations of Lakota religious tradition. Moves Camp is the great-great-grandson of Wóptuȟ’a (“Chips”), the holy man remembered for providing Crazy Horse with war medicines of power and protection. The Lakota remember the descendants of Wóptuȟ’a for their roles in preserving Lakota ceremonial traditions during the official prohibition period (1883–1934), when the U.S. Indian Religious Crimes Code outlawed Indian religious ceremonies with the threat of imprisonment.

Wóptuȟ’a, his two sons, James Moves Camp and Charles Horn Chips, his grandson Sam Moves Camp, and his great-great-grandson Richard Moves Camp all became well-respected Lakota spiritual leaders. My Grandfather’s Altar offers the rare opportunity to learn firsthand how one family’s descendants played a pivotal role in revitalizing Lakota religion in the twentieth century.

The Narrator : A Problem in Narrative Theory, by Sylvie Patron, translated by Catherine Porter. Series: Frontiers of Narrative

The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative).

Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.

The Nebraska Sandhills, Edited by Monica M. Norby, Judy Diamond, and Aaron Sutherlen, et al.

“Like a rumpled wool blanket, the Nebraska Sandhills spreads out over twenty thousand square miles of north central Nebraska and is the largest stabilized dune field in the Western Hemisphere. It is also the largest intact mixed-grass prairie left on the continent.”

This description by photographer Michael Forsberg alludes to the exceptional physical geography of the Nebraska Sandhills, a place of rolling grasslands, rivers, and wetlands created by the Ogallala Aquifer that underlies the region. Home to abundant wildlife, from pronghorn antelope to sandhill cranes, the Sandhills are an ecological treasure. Dotted with ranches and small towns, the Sandhills are rich with deep cultural history, including those of Indigenous peoples, settlers, Black homesteaders, immigrants, ecotourists, and some adventurous golfers.

The Nebraska Sandhills features nearly forty essays about the history, people, geography, geology, ecology, and conservation of the Nebraska Sandhills. Illustrated with hundreds of remarkable color photographs of the area, this is the most up-to-date and illuminating portrayal of this remarkable yet largely unknown region of the United States.

A New Deal for Quilts, by Janneken Smucker.

During the Roosevelt administration’s efforts to combat the Great Depression, the quilt became an emblem for how to lift one’s family out of poverty, piece by piece. A New Deal for Quilts explores how the U.S. government drew on quilts and quilt-making, encouraging Americans to create quilts individually and collectively in response to unemployment, displacement, and recovery efforts. Quilters shared their perspectives on New Deal programs such as the Tennessee Valley Authority and the National Recovery Administration, which sent quilts as gifts to the Roosevelts and other officials. Federal programs used quilts’ symbolic heft to communicate the values and behaviors individuals should embrace amid the Depression, perceiving the practical potential of crafts to lift morale and impart new skills. The government embraced quilts to demonstrate the efficacy of its programs, show women how they could contribute to their families’ betterment, and generate empathy for impoverished Americans.

With more than one hundred period photographs and images of quilts, A New Deal for Quilts evokes the visual environment of the Depression while conveying ways craft, work, race, poverty, and politics intersected during this pivotal era. Accompanying the book is a fall 2023 exhibit at the International Quilt Museum, featuring 1930s quilts drawn from its renowned collection.

The New Nancy : Flexible and Relatable Daily Comics in the Twenty-First Century, by Jeff Karnicky. Series: Encapsulations: Critical Comics Studies

In The New Nancy Jeff Karnicky explores how today’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture.

Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience.

Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous.

Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.

Object-Oriented Narratology, by Marie-Laure Ryan and Tang Weisheng. Series: Frontiers of Narrative

The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the  existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity.

These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot.

Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans’ relationships to their material environment and with the otherness of objects.

On Our Own Terms : Indigenous Histories of School Funding and Policy, by Meredith L. McCoy. Series: Indigenous Education

On Our Own Terms contextualizes recent federal education legislation against the backdrop of two hundred years of education funding and policy to explore two critical themes: the racial and settler colonial dynamics that have shaped Indian education and an equally long and persistent tradition of Indigenous peoples engaging schools, funding, and policy on their own terms. Focusing primarily on the years 1819 to 2018, Meredith L. McCoy provides an interdisciplinary, methodologically expansive look into the ways federal Indian education policy has all too often been a tool for structural violence against Native peoples. Of particular note is a historical budget analysis that lays bare inconsistencies in federal support for Indian education and the ways funds become a tool for redefining educational priorities.

McCoy shows some of the diverse strategies families, educators, and other community members have used to creatively navigate schooling on their own terms. These stories of strategic engagement with schools, funding, and policy embody what Gerald Vizenor has termed survivance, an insistence of Indigenous presence, trickster humor, and ironic engagement with settler structures. By gathering these stories together into an archive of survivance stories in education, McCoy invites readers to consider ongoing patterns of Indigenous resistance and the possibilities for bending federal systems toward community well-being.

Origins of the Syma Species, by Tares Oburumu. Series: African Poetry Book

Winner of the Sillerman First Book Prize for African Poets

Winner of the Sillerman First Book Prize for African Poets, Tares Oburumu’s collection is a brief history of where he came from: Syma, a neglected oil-producing region of Nigeria. After growing up with a single mother in the creek- and brook-marked region, and himself now a single parent, Oburumu examines single parenthood and how love defines family circles. Mixing music, religion, and political critique, Origins of the Syma Species evokes pasts and futures.

Inspired by the relative chaos found in the origin of things, Oburumu’s poems explore how the beauty of chaos binds us to our ancestral roots. In his poems Oburumu identifies with anyone who is a single parent or is dealing with the lonely trauma of a broken home. His poems instill hopefulness in a world that has the means to throw many into poverty and agony.

Pakistan and American Diplomacy : Insights from 9/11 to the Afghanistan Endgame, by Ted Craig.

Pakistan and American Diplomacy offers an insightful, fast-moving tour through Pakistan-U.S. relations, from 9/11 to the U.S. withdrawal from Afghanistan, as told from the perspective of a former U.S. diplomat who served twice in Pakistan. Ted Craig frames his narrative around the 2019 Cricket World Cup, a contest that saw Pakistan square off against key neighbors and cricketing powers Afghanistan, India, and Bangladesh, and its former colonial ruler, Britain.Craig provides perceptive analysis of Pakistan’s diplomacy since its independence in 1947, shedding light on the country’s contemporary relations with the United States, China, India, Sri Lanka, and Afghanistan. With insights from the field and from Washington, Craig reflects on the chain of policy decisions that led to the fall of the Kabul government in 2021 and offers a sober and balanced view of the consequences of that policy failure. Drawing on his post–Cold War diplomatic career, Craig presents U.S.-Pakistan policy in the context of an American experiment in promoting democracy while combating terrorism.                                  

Resisting Oklahoma’s Reign of Terror : The Society of Oklahoma Indians and the Fight for Native Rights, 1923-1928, by Joshua Clough. Series: New Visions in Native American and Indigenous Studies

The oil and natural gas boom in pre–World War I Oklahoma brought unbelievable wealth to thousands of tribal citizens in the state on whose lands these minerals were discovered. However, as Angie Debo recognizes in her seminal study of the period, And Still the Waters Run, and, more recently, as David Grann does in Killers of the Flower Moon, this affluence placed Natives in the crosshairs of unscrupulous individuals. As a result, this era was also marked by two of the most heinous episodes of racial violence in the state’s history:  the Tulsa Race Massacre of 1921 and the Osage Murders between 1921 and 1925. 

In Resisting Oklahoma’s Reign of Terror Joshua Clough details the responses of one largely forgotten Native organization—the Society of Oklahoma Indians (SOI)—to the violence and pillaging of tribal resources during the 1920s. Clough provides historical understanding of its formation and its shared values of intertribal unity, Native suffrage, and protection of Native property. He also reveals why reform efforts were nearly impossible in 1920s Oklahoma and how this historical perspective informs today’s conflicts between the state and its Indigenous inhabitants.

Through this examination of the SOI, Clough fills the historiographic gap regarding formal Native resistance between the dissolution of the national Society of American Indians in 1923 and the formation of the National Congress of American Indians in 1944. Dismissed or overlooked for a century as an inconsequential Native activist organization, the history of the SOI, when examined carefully, reveals the sophistication and determination of tribal members in their struggle to prevent depredations on their persons and property.

Shift : A Memoir of Identity and Other Illusions, by Penny Guisinger. Series: American Lives

Penny Guisinger was not always attracted to women. In Shift she recounts formative relationships with women and men, including the marriage that produced her two children and ultimately ended in part due to her affair with her now-wife. Beginning her story as straight and ending as queer, she struggles to make sense of how her identity changed so profoundly while leaving her feeling like the same person she’s always been. While covering pivotal periods of her life, including previous relationships and raising her children across the chasm of divorce, Guisinger reaches for quantum physics, music theory, planetary harmonics, palmistry, and more to interrogate her experiences. This personal story plays out against the backdrop of the national debate on same-sex marriage, in rural, easternmost Maine, where Guisinger watched her neighbors vote against the validity of her family.

Shift examines sexual and romantic fluidity while wrestling with the ways past and present mingle rather than staying in linear narratives. Under scrutiny, Guisinger’s sense of her own identity becomes like a Mobius strip or Penrose triangle—an optical illusion that challenges the dimensions and possibilities of the world.

Storytelling in Kabuki : An Exploration of Spatial Poetics of Comics, by Steen Ledet Christiansen. Series: Encapsulations: Critical Comics Studies

Steen Ledet Christiansen’s Storytelling in “Kabuki” explores the series created by David Mack—a slow, recursive narrative that focuses on the death of Kabuki and her past. The series ran from 1994 to 2004 in a variety of miniseries, one-shots, and spin-offs, rather than following a conventional American monthly release schedule. Most of the series explores different perspectives on the same event and adds background to Kabuki’s past, usually through surreal sequences, dreams, and near-death experiences. The flexibility of comics’ approach to chronology, space, focalization, narrative, and fictionality enabled Mack to produce an unusual experience. Kabuki tells a story that can only exist via comics.

Christiansen analyzes the visual design of the series, a heterogeneous collection of styles depending on the story. To understand Kabuki, it is crucial to explore the visual styles, as well as the use of visual and spatial rhymes and mixed media forms. Because Kabuki employs a complex layering of focalizations, diegetic levels, and metafictional self-reflectivity that is rare in mainstream American comics, it utilizes a narrative poetics that focuses on constant repeating, restating, and returning to the same events.

Kabuki’s unique compositional layering allows Christiansen to provide a clear example of how comics work while also expanding on critical vocabulary, especially in terms of spatial poetics. By exploring spatial form, Christiansen illuminates and gives a critical framework to a different and underexamined aspect of comics.

Wardship and the Welfare State : Native Americans and the Formation of First-Class Citizenship in Mid-Twentieth-Century America, by Mary Klann. Series: New Visions in Native American and Indigenous Studies

Wardship and the Welfare State examines the ideological dimensions and practical intersections of public policy and Native American citizenship, Indian wardship, and social welfare rights after World War II. By examining Native wardship’s intersections with three pieces of mid-twentieth-century welfare legislation—the 1935 Social Security Act, the 1942 Servicemen’s Dependents Allowance Act, and the 1944 GI Bill—Mary Klann traces the development of a new conception of first-class citizenship.

Wardship and the Welfare State explores how policymakers and legislators have defined first-class citizenship against its apparent opposite, the much older and fraught idea of Indian wardship. Wards were considered dependent, while first-class citizens were considered independent. Wards were thought to receive gratuitous aid from the government, while first-class citizens were considered responsible. Critics of the federal welfare state’s expansion in the 1930s through 1960s feared that as more Americans received government aid, they too could become dependent wards, victims of the poverty they saw on reservations. Because critics believed wardship prevented Native men and women from fulfilling expectations of work, family, and political membership, they advocated terminating Natives’ trust relationships with the federal government. As these critics mistakenly equated wardship with welfare, state officials also prevented Native people from accessing needed welfare benefits.

But to Native peoples wardship was not welfare and welfare was not wardship. Native nations and pan-Native organizations insisted on Natives’ government-to-government relationships with the United States and maintained their rights to welfare benefits. In so doing, they rejected stereotyped portrayals of Natives’ perpetual poverty and dependency and asserted and defined tribal sovereignty. By illuminating how assumptions about “gratuitous” government benefits limit citizenship, Wardship and the Welfare State connects Native people to larger histories of race, inequality, gender, and welfare in the twentieth-century United States.

Westerns : A Women’s History, by Victoria Lamont. Series: Postwestern Horizons

At every turn in the development of what we now know as the western, women writers have been instrumental. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged.

Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western—cowboys, schoolmarms, gun violence, lynchings, cattle branding—while also placing women characters at the center of their adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character Sheriff Minnie comes to the rescue of a steady stream of defenseless women victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.

Who Would You Kill to Save the World?, by Claire Colebrook. Series: Provocations

2024 Hugh J. Silverman Book Prize in Philosophy and Literature

Who Would You Kill to Save the World? examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society. Claire Colebrook redefines “the world” as affluent Western society and “saving the world” as preventing us from becoming the othered them who are viewed in their suffering. Colebrook further examines how the use of postapocalyptic cinema is a humanist—Western, capitalist, colonizing, white, heteronormative, and individualist—creation and challenges the notion that a world built on foundations of exploitation is worth saving.

Colebrook combines postapocalyptic fiction, concern over the global climate crisis, colonialism, and anti-Blackness to explain how contemporary postapocalypse blockbusters circulate ideas of whiteness and the right of the privileged to rebuild the world. Who Would You Kill to Save the World? is a provocative addition to the field of extinction studies and challenges the conceptual frames we use to define ourselves.

**Pictures and Synopses courtesy of University of Nebraska Press.