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In observance of Holocaust Remembrance Day, today’s Book Club Spotlight, Survivors of the Holocaust: True Stories of Six Extraordinary Children, is a graphic novel that commemorates the Jewish children who were displaced by World War Two. This book will be read in conjunction with next month’s spotlight, When Stars are Scattered, which follows two Somali brothers as they are growing up in a Kenyan refugee camp. While these children all survived, it’s important to remember those who are still being displaced or, worse, by war and apartheid. Survivors of the Holocaust is adapted from a six-part animated interview series, Children of the Holocaust, which won the VLA Graphic Novel Diversity Award for Youth Honor. It was edited by Kath Shackleton and illustrated by Zane Whittingham. 

The graphic novel begins with a foreword by Lilian Black, who was the Chair of the Holocaust Survivors’ Friendship Association. She introduces us to the six storytellers, Heinz, Trude, Ruth, Martin, Suzanne, and Arek, who were all children at the beginning of World War II and were impacted by the Holocaust and its systemic persecution of Jewish people. Split into individual sections, we begin by meeting each child shortly before war breaks out during Hitler’s rise to power. Some are forced to flee with their families, siblings, or all alone. Others are stuck in Germany and manage to survive their time in concentration camps. Their stories are told through evocative and mildly disturbing illustrations that work to bring the sense of terror that Hilter’s reign imposed on their young lives. Sections following the main stories include short paragraphs about each of the children as they grew up outside of the war, a timeline of events, a helpful glossary of terms, and further online resources.

“It is not easy for them to tell their stories. They agreed to because they want people to know what can happen when people are subjected to discrimination and persecution for being seen as “different”. Their dearest wish is that no one should suffer as they did and that people who never again stand by when injustice is taking place.”

Survivors of the holocaust – Foreword: Lilian Black

Appropriate for ages ten and above, Survivors of the Holocaust presents a solid reference point for young readers who are just learning about the Holocaust. As written by The Jewish Book Council: “These accounts rep­re­sent a good cross-sec­tion of expe­ri­ence, since plu­ral­i­ty of expe­ri­ence is vital in pre­sent­ing the Holo­caust to young read­ers. The illus­tra­tions make the iden­ti­ties of the vic­tims and per­pe­tra­tors clear and the maps used as back­grounds pro­vide geo­graph­ic ground­ing for bor­der cross­ings. Ren­der­ings of pho­tographs and pri­ma­ry doc­u­ments add anoth­er lay­er of under­stand­ing”. However, there are minor inconsistencies that often occur through retellings. From classrooms to adult reading groups, Survivors of the Holocaust presents a multifaceted approach to our continuing Holocaust education and commitment to victims of displacement.

As with many of our Book Club Kits, discussion questions and an Educator’s Guide are available to help teachers and Book Club Group leaders through discussion resources and additional information. 

Other Resources: 

• Continued Survivor Stories:
  • Heinz
  • Trude
  • Ruth
  • Martin
  • Suzanne
  • Arek

• Discussing the Holocaust:
  • https://www.learningforjustice.org/the-moment/january-22-2024-our-humanity-is-bound-together-discussing-the-holocaust 

If you’re interested in requesting Survivors of the Holocaust  for your book club, you can find the Request Form here. There are 10 copies available. (A librarian must request items)

Shackleton, Kath. Survivors of the Holocaust. Sourcebooks Explore. 2019.

Reading all the books I feature in the spotlight puts me in a perpetual time crunch of my own making. However, that was not a problem as I read today’s Book Club Spotlight in one day because it was so incredible. Transcendent Kingdom is Yaa Gyasi’s sophomore novel following the success of her debut, Homegoing. A graduate of the Iowa Writers’ Workshop, Gyasi has won the PEN/Hemingway Award for a first book of fiction, the American Book Award for Homegoing, and she was featured not only on the National Book Foundation’s 5 under 35 list but also the Forbes 30 under 30 list. Born in Ghana and raised in Alabama, Gyasi proves in her novels that the immigrant story is not a monolith, and in Transcendent Kingdom, she tackles the great costs of depression and addiction.

Gifty, a neuroscience doctoral student, is studying the reward-seeking behavior in mice, especially as it relates to depression and addiction. Once the mice are hooked on Ensure, she looks for the lengths addicted mice will go to reach their reward and how to dissuade that neurological impulse. While she tries to keep it a secret from her peers, Gifty has a deep connection with addiction and depression. Her older brother, Nana, lost to opiate addiction. And her mother, torn apart by grief, is sleeping in her daughter’s bed. Gifty’s parents moved to the United States from Ghana when Nana was young, only for her father to leave them for the homeland when she was very young. Left to fend for themselves all alone, the family never quite recovered. And Gifty, fueled by ambition focused on nothing but proving herself over and over again. If she was the best, if she did the hardest thing, she’d have a place to rest. Reconciling with the past as a means to her future, Gifty spends her energy trying to understand the problem that tore her family apart while keeping what’s left of it together. 

I want everything and I want to want less.”

― Yaa Gyasi

Focusing on Gifty’s relationship with her family as it transforms and her time in her “motherland” of Ghana, Transcendent Kingdom, is not plot-driven but purpose-driven. To know the story is to understand Gifty and all the little disjointed areas of her life that came together to make her whole. There is no magical solution to her problems, only a continued forward motion. An integral part of Transcendent Kingdom is the struggle between the spiritual and the scientific mind- knowing deep in ourselves that if we can figure out the mechanics of why something happens or why this person is who they are, we can fully understand them and be at peace. Recovering from her anxious evangelical upbringing, Gifty ran to science and only science. But as her questions get more complex and philosophical, she finds herself tentatively reaching out to something more. 

January is Mental Health Awareness Month: 

• If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat 988lifeline.org.

• To learn how to get support for mental health, drug, and alcohol issues, visit FindSupport.gov.

• To locate treatment facilities or providers, visit FindTreatment.gov or call SAMHSA’s National Helpline at 800-662-HELP (4357).

If you’re interested in requesting Transcendent Kingdom  for your book club, you can find the Request Form here. There are 5 copies available. (A librarian must request items)

Gyasi, Yaa. Transcendent Kingdom. Vintage Books. 2020.

This December 25th, we celebrated the birth of the late great legend, Mr. Jimmy Buffett. The Margaritaville singer-songwriter known for his island lifestyle and escapism passed away this last year on September 1st. So, to celebrate a true icon, we are spotlighting one of his many fiction books: A Salty Piece of Land. Which picks up from Buffett’s short story “Take Another Road” featured in the Tales From Margaritaville collection. A Salty Piece of Land even has its own single to accompany your island-time reading relaxation. 

When we meet up with cowboy Tully Mars and his trusty steed, Mr. Twain, as they are on the run from a vindictive poodle ranch owner. The pair hightail it out of the mainland and end up on a shrimp boat headed for the Caribbean. Driftless, and surrounded by the cool, pink sands of Cayo Loco, Tully meets old sea captain Cleopatra Highbourne, who has quite the proposal for him: Fix up the abandoned lighthouse and escape everything he is running from. 

“Life is unpredictable, but there is a lot out there to do and see if you just tune in to the radio.”

Jimmy Buffet 

Interspersed with beautiful Caribbean vistas and colorful characters, A Salty Piece of Land is as chill as Buffett’s music. The characters Tully encounters are as varied and strange as their names but are just as heartfelt and dear. Sprinkled with Buffett’s knowledge of the sea, navigation, and lighthouses, A Salty Piece of Land is escapist literature at its finest. Adult Book Clubs and Parrotheads will enjoy the familiar vibes of Buffett’s prose and that never-ending chase for freedom, eternal youth, and sunshine. 

Fins up!

If you’re interested in requesting A Salty Piece of Land  for your book club, you can find the Request Form here. There are 8 copies available. (A librarian must request items)

Buffet, Jimmy. A Salty Piece of Land. Back Bay Books. 2005.

It’s hard to feel fully in the holiday spirit when it’s supposed to be 52 degrees and raining on Christmas Day- so to get us in the “Let it Snow” mood, let’s visit a place where the weather is genuinely “frightful”. Standing at the China-Nepal border, at a ridiculous height of 29,031 feet 8 ½ inches, Mount Everest reaches airplane cruising height and skims into the stratosphere. Most of the year, monsoon winds and far below-freezing temperatures blast the peak, and with only about 33% of the oxygen level you’d find at sea level, it sounds like a reasonable place to visit! And one such visitor, journalist and mountaineer Jon Krakauer (author of Into the Wild, and Under the Banner of Heaven), ended up smack dab in one of the definitive tales from Mount Everest. Into Thin Air: A Personal Account of the Mt. Everest Disaster is Krakauer’s first-hand account of the 1996 Mt. Everest Disaster that would claim 8 lives before the night was through, the highest death count in a single day (at the time). 

Lauded and controversial, Into Thin Air follows Krakauer as he joins the ill-fated 1996 Everest Expedition on behalf of Outside Magazine. As a journalist, his mission was to report from basecamp on the growing commercialization and traffic on Mount Everest, its toll on the Sherpa people and the environment, and the mountain’s unimaginable death rate. But as a mountaineer, the thrall of the peak was too strong, and he convinced his editor to let him make a push for the top. Joining an expedition team led by veteran climber Rob Hall, Krakauer notes due to the technical ease of the climb and the tireless (and thankless) work from the Sherpa guides, the over-commercialized ascent at times felt more like “paying someone to climb for me.” After summiting, Krakauer is waylaid on his descent, stuck in a traffic jam of climbers as they make their way to the top, far past the regarded safe time slot. As his descent continues, tragedy strikes. Small mistakes add up, while the egotism and greed of the expedition leaders and climbers lead to horrifying ends as a blizzard encapsulates Everest, trapping the enthusiasts and Sherpas in the Death Zone. Remember, reaching the summit is only half the journey.

“There were many, many fine reasons not to go, but attempting to climb Everest is an intrinsically irrational act—a triumph of desire over sensibility. Any person who would seriously consider it is almost by definition beyond the sway of reasoned argument.”

Jon Krakauer 

Despite its great expense (anywhere from $30k – $60k) and the very real possibility of death- the mesmerizing top of the world worms its way into the minds of everyone from skilled climbers to middle managers who want a taste of beating the nearly impossible odds. Into Thin Air is breathtaking in that it even exists; very few people from Krakauer’s team survived, and he is lucky to be one of them. I find Mount Everest to be endlessly fascinating, and what is it about the human condition that drives people to climb it not for the sake of discovery or exploration- but for personal gain? Appropriate for Book Club Groups, Adults and Young Adults alike who don’t mind peril, Into Thin Air, and the enormity of Mount Everest can provide endless discussions into ethics and morality. What happens to a marvel of Earth and human achievement when it too falls to overconsumption and exploitation?

Excerpt from the article: Everest a Year Later: False Summit (May, 1997)

Krakauer: I don’t know why this tragedy has grabbed people with such force and won’t let go. Part of it’s the Everest mystique and part of it’s the absurdity and even perversity of people spending this kind of money chasing this kind of goal, throwing prudence and common sense to the wind. But in the final analysis I really don’t get it. I’m a victim and a beneficiary of it all at the same time. Everest has turned my life upside down. Nothing will ever be the same. Why did I end up climbing the mountain on that particular day, with those particular people? Why did I survive while others died? Why has this story become a source of fascination to so many people who ordinarily would have no interest in mountain climbing whatsoever?

…

I guess maybe we should think of Everest not as a mountain, but as the geologic embodiment of myth. And when you try to climb a chunk of myth – as I discovered to my lasting regret- you shouldn’t be too surprised when you wind up with a lot more than you bargained for. 

Further Readings: 

The Climb: Tragic Ambitions on Everest by Anatoli Boukreev and G. Weston Dewalt

• Another account of The 1996 Mt. Everest Disaster a critical response to Into Thin Air

To Watch:

Everest- IMAX Film (1998) (Free on Vimeo)

• IMAX movie, filmed during the events of the 1996 Mt. Everest Disaster. Narrated by Liam Neeson. 

Dark Side of Everest (Free with ads or a lower quality is available on YouTube)

• Follows the fated South African expedition that survived the 1996 Mt. Everest Disaster, and their push on the summit shortly after

Death Zone (Free with ads)

• “The dramatic self-documented story of 20 elite Nepali climbers who venture into the ‘Death Zone’ of Mount Everest to restore their sacred mountain and the contaminated water source of 1.3 billion people.” Narrated by Patrick Stewart

If you’re interested in requesting Into Thin Air for your book club, you can find the Request Form here. There are 17 copies and 1 Large Print available. (A librarian must request items)

Krakauer, Jon. Into Thin Air. Anchor. 1997.

This year’s theme for the 35th Annual World AIDS Day was Remember and Commit, which “pays tribute to those we have lost to HIV/AIDS and emphasizes our collective responsibility to act to end the HIV epidemic.”

Today’s Book Club Spotlight, focuses on Remembering, by taking us to what could be considered the epicenter of the early AIDS crisis- 1987 New York City. Carol Rifka Brunt’s debut novel Tell the Wolves I’m Home was named “One of the Best Books of the Year” by The Wall Street Journal, and also has the distinction of winning the Alex Award in 2013. The Alex Award is presented by the Young Adult Library Services Association to adult novels that have a special appeal to young adults. Spotlight alumnus I’m Glad My Mom Died has also received this award.

Just north of New York City, June Elbus, a romantic at heart, often disappears into the woods after school to pretend she is living in the Middle Ages, wearing medieval boots specially bought by her beloved uncle and famous artist Finn Weiss. June knows Finn is gay; everyone does. But after his death from AIDS, she learns he also had a partner, Toby—the man who is blamed for Finn’s death. In the months that follow, June is torn between jealousy, love and fear, as she forges an unlikely (and secret) friendship with Toby. Reconciling how much of her uncle she really knew until the lines between Toby and Finn begin to blur until she can’t see where one ends and the other begins. All the while, June’s older sister, Greta, slowly loses herself amid attempts to reconcile their strained relationship. But the secrets between the two sisters are overwhelming and become too much for them to overcome on their own. Not until they start to talk through Finn’s final painting. 

“Because maybe I don’t want to leave the planet invisible. Maybe I need at least one person to remember something about me.”

Carol Rifka Brunt

Tell the Wolves I’m Home revels in the language of art, which often goes hand in hand with the Queer experience, and especially the HIV/AIDS Crisis. From Finn and June’s bonding over Mozart’s unfinished Requiem, to Greta starring in the school’s production of South Pacific. The novel uses art and and illness to focus on the absurdity and fear surrounding prejudices and danger they can put people in. Taking place only a few years after the first case of HIV/AIDS was reported, not much is known about the disease, and public panic and demonization of suffering gay men was at an all-time high. Brunt spends a large portion of her book delving into this fear and the vice it had on the public conscience. June’s family loves Finn, but fear turns them to avoiding him, even as they can see him deteriorating before their eyes. Especially for readers who have memories from or connections to the initial HIV/AIDS epidemic of the 1980s, Tell the Wolves I’m Home is a great novel for adult Book Club Groups (or mature teens) to discuss prejudices and how they hold up to a modern lens. 

 And for a fitting multimedia experience, I recommend:  

Art: 

• Tell the Wolves I’m Home Gallery 
• Unfinished Painting (1989) by Keith Haring 
• Untitled (Portrait of Ross in L.A.) by Félix González-Torres 

Music:

• Mozart’s Requiem  
• Bali Ha’i from South Pacific
• You’ve Got To Be Carefully Taught from South Pacific 

If you’re interested in requesting Tell the Wolves I’m Home for your book club, you can find the Request Form here. There are 5 copies and 1 Large Print available. (A librarian must request items)

Brunt, Carol Rifka. Tell the Wolves I’m Home. Dial Press. 2012.