Tag Archives: Friday Reads

In six months’ time, an asteroid is going to slam into the Earth, ending all life as everyone knows it, and Detective Hank Palace just wants to do his job.

Peter Zell – actuary, ordinary, quiet man, fellow-waiter-for-the-End – is found dead in a McDonald’s bathroom. Suicide, of course. It must be, because all over Concord, and all over the world, people are killing themselves in a preemptive epidemic – it’s the end of the world, and things are beginning to get bad, and they’re only going to get worse before – BAM! – so why not get it out of the way sooner rather than later?

Only Hank – who wanted to be a detective since he was a kid, now, finally, has the chance; all around him people are walking off their jobs, because who wants to clock in when death, confirmed in odds and orbit is hurtling on a direct and unstoppable path towards your species’ sole habitable planet? And those people happen to include detectives, which means rookie cops get promoted years early, making Hank the luckiest, unluckiest man in Concord, depending on your perspective; hey kid, you made it, sorry about the asteroid. Ain’t the just the old sting of existential dread that comes with being a Millennial? – Only Hank isn’t so sure Peter Zell killed himself. Hank, still mostly bright-eyed, still dedicated, with Farley and Leonard’s Criminal Investigation’s textbook memorized, is pretty sure that Peter Zell was murdered.

The Last Policeman is not your everyday detective novel. The elements of a typical mystery are there: the suspects, the clues, the red herrings and the twists, the suspense that moves quick enough to have your spine straightening and your eyes brightening with quickened interest; did we get ‘em, did we figure it out? Remove the asteroid and you have a standard detective story: was a man murdered, and for what? Depending on who the man was, maybe there’s less dragging of feet. Put back the asteroid. Now a man is dead. Maybe murdered, maybe not; does it matter?

To Hank, it matters. He wants to know the story (175). He wants to do his job; a man is dead and that matters, even though they’re all going to die.

I love a good detective story, and if there’s a good, solid human element mixed with a literary style, then I am sold. Winters crafted a doomed world but kept Hank’s chin up enough despite, as one character calls it, “the weight of all this unbearable immanence” (39). It’s a complicated, bittersweet novel that surprised me by having bright moments of humor. Since it is the first in its trilogy, it left some threads dangling, and I am curious to see how Winters develops those plotlines. It is interesting to start a series where the end is pretty much a given – and not a particularly, one must assume, happy end. There was an element of denial I found myself falling into as I read. Because I – like Hank, like everyone – don’t want it to end like that. 

Which creates a fascinating connection between the characters and the reader: to hope, in that ever-irrational, ever-human way, for an impossible way out; that somehow, someone failed to carry a one somewhere and threw the entire model off course; that at the last moment the asteroid is going to veer away and the disaster will be averted and we will all go on living.  

The Last Policeman is followed by Countdown City and World of Trouble.

Winters, Ben H. The Last Policeman. Quirk Books, 2012.

Sissy: A Coming of Gender Story is a comic memoir by Jacob Tobia. I recommend the audiobook, read by the author, whose voice is a like a comfortable but sparkly sweater. Tobia is a vegetarian, gender-nonconforming, Syrian-American from North Carolina who got into (but didn’t go to) Harvard, and who grew up loving Sunday School; and if you don’t already know that you have a lot in common with our author, you will realize it quickly.

Tobia tells their story in an irreverent and authentic way, focusing on recognizing human needs, understanding human impulses, acknowledging human discomfort and pain, and just simply being a living and learning person. You might expect the book to be sad or “heavy,” and Tobia does not shy away from frank discussion and language about serious and emotional topics and events. But the book is funny, even while addressing all of that with respect (and did I mention frank language?). As Tobia told Salon in an interview about the book, “I don’t want to talk about what being trans means so much as I want to talk about how being trans feels.” Tobia is not trying to tell the one trans narrative that speaks for all trans people—they are telling one person’s story, their own, and we can all relate.

In the introduction, Tobia discusses gender identity in the context of physical and emotional health that’s especially illuminating. We all have a relationship with our bodies and our genders, relationships that are dynamic over our lifetimes. And we don’t stop growing and learning when we become adults. If anything, that’s when the truly informed growth and awareness can start. The book goes on to tell an engaging story that is far from being over.

Tobia, Jacob. Sissy : A Coming-of-Gender Story. Penguin Publishing Group, 2019.

Keiko Furukura realized as a child that she was different from everyone else. Her classmates and teachers were increasingly dismayed by her behavior and her family desperately wanted her to be “cured” and become “normal.” Until Keiko found her job at the Smile Mart convenience store during university, she felt doomed to be the odd one out.

But at Smile Mart, the world makes perfect sense. She can follow the employee behavior manual, mimic the speech and dress of her co-workers, and everyone seems happy with her. Flash-forward 18 years; working part-time at a convenience store is no longer enough to keep her friends and family satisfied, and Keiko finds that it is time for a change.

This story gives some insight into the importance of conformity in Japanese culture; it is more important to Keiko’s friends and family that she meet societal expectations, to get married or find a real career path, than to live a content life as a misfit…even if that marriage is dysfunctional or the career makes her unhappy. Keiko must decide if she will do as others think she should… or be true to herself. A short read, this humorous yet heart-breaking tale may have you wondering who the misfits really are.

Murata, Sayaka. Convenience Store Woman. Translated by Ginny Tapley Takemori, Grove Press, 2018.

J.R.R. Tolkien is best known as the creator of Middle-earth, the setting of The Lord of the Rings and The Hobbit. But, did you know that he wrote other stories that don’t take place in Middle-earth?

In addition to being a fantasy author, Tolkien was an academic. He wrote modern translations of Sir Gawain & The Green Knight and Beowulf as well as the narrative poems The Legend of Sigurd and Gudrún, based on Norse mythology, and The Fall of Arthur, inspired by the legend of King Arthur.

Those longer works can be a bit hard to get through. Personally, I prefer his shorter original fairie tale novellas. Some of them are collected in Tales from the Perilous Realm:

Roverandom is the story of a dog who is turned into a toy by an angry wizard and recounts his adventures as he searches for a way to undo the spell.

Farmer Giles of Ham is an accidental hero, who must deal with a dragon who has invaded his village.

Smith of Wootton Major is the tale of a blacksmith who, after eating a magical cake, is able to enter the Land of Faery.

Leaf by Niggle is a short story about a painter struggling to finish his greatest work.

The Adventures of Tom Bombadil is the only selection in this book related to Middle-earth. It is a collection of poems written by Hobbits, such as Bilbo Baggins and Sam Gamgee.

I have discovered that Tolkien is a fun and creative storyteller, in all forms. If you’ve only read his books based in Middle-earth, I highly recommend checking out his other stories.

Coyote (12) travels with Rodeo (her father, but don’t call him that) in a refitted old school bus.  They go where any whim takes them and only think of the future.  One day when Coyote talks to her grandma, she learns the park in their old neighborhood is going to be leveled to become housing.  Now Coyote must get home, somewhere Rodeo will not go, so she will trick him into it.  She must retrieve the memory box she, her sisters and her mom buried in the park five years ago.  They are in Florida and need to get to Washington state in four days, without Rodeo realizing where they are going.

Along the way they give some other travelers a lift and an interesting fellowship develops. First, she finds a kitten who is unusually quiet and seemingly knowing about what humans need, a bit like Coyote herself.  She invites Lester to ride with them to Montana to reunite with his former girl.  Salvador and his mom help Coyote out of a tough spot right when their car dies, so they join the group.  A couple of others join for a spell, including a considerate goat named Gladys.   Heartfelt and full of fun too, this book is able to move from silly to touching and bring a tear to your eye.  It is aimed at upper elementary to early middle school readers, or for anyone who enjoys a good road trip book about family.

Other books by the author include Good Dog, Scar Island and The Honest Truth.

Gemeinhart, Dan. The Remarkable Journey of Coyote Sunrise. Henry Holt and Co., 2019.

“I found a snail in the woods. I brought it back and it’s right here beneath the violets …”

“Is it alive?”

This is the first question Bailey asks of the snail in her book, The Sound of a Wild Snail Eating, in which she recounts her survival through a debilitating relapse of her chronic illness. Once a traveler and gardener, she is rendered bedbound and alone, save for the occasional visits of loved ones and her caregiver. And then she is gifted the company of a wild woodland snail, brought from its habitat with a friend’s potted offering of wild violets.

As it so happens, the snail is alive, and its motion and unique liveliness breathes purpose into Bailey’s stalled life.

The Sound of a Wild Snail Eating is a small book. Its pages number at 170; 191 if you count the acknowledgements and bibliography. It’s a quick read that gets technical at times but never becomes wholly inaccessible. Its style, complete with pages dotted here and there with monochrome drawings of snails, is a tribute to the 19th century naturalists of whom Bailey seems fond, and she follows in their footsteps – or, rather, to borrow her imagery, she glides along the slime trail they left behind.

Bailey draws from scientific literature and poetry in rhythm with her observations, making the book one-part informative essay and one-part ode. Peppered in between discussions of the snail’s locomotion, diet, and evolution are the chronicles of her illness, told in an almost tangential fashion, secondary but parallel to the snail’s life, where she both wishes to be more like the snail and longs to feel human again. Is it alive, she asks of the snail and its stillness during their first introduction. Am I alive, she seems to ask; or, the darker question that lingers, one with an answer she couldn’t know, will I survive this?

The Sound of a Wild Snail Eating is best enjoyed in the perfect stillness that might allow oneself to overhear a snail at its dinner. Bailey asks the reader to slow down and ponder – and wonder – at nature and its small, unnoticed creatures and their tiny, significant lives. The reward for your patience is a quiet sort of jubilation and a feeling of hopeful resilience.

Bailey invites us to consider the snail and, in doing so, asks if we might also see ourselves.

Bailey, Elisabeth Tova. The Sound of a Wild Snail Eating. Algonquin Books of Chapel Hill, 2010.

“As a heartless killing machine, I was a terrible failure.”

Murderbot (as they call themself) is a part organic/part machine SecUnit (security unit) who is contracted out by The Company to various research and exploration teams traveling to other planets to keep them safe, and to keep an eye on what they’re doing. Unlike other SecUnits, however, this particular one has hacked their own (cheaply made) governor module so they no longer have to follow the Company’s strict protocols. Rather than turning against all humans or anything overly violent, Murderbot just wants to be left alone to watch thousands of hours of sci-fi/adventure soap operas and to do the bare minimum of work (just enough so no one realizes they now have free will).

The current job includes a group of humans who are exploring a planet for scientific reasons that don’t matter much to Murderbot. This is a fairly easy job until equipment starts to fail, creatures start attacking, and vital pieces of information seem to be missing which puts the humans all in danger. Now they must find out who is behind the conspiracy and what’s going on, keep the humans safe from other (more heartless) robots, and get them all off of the planet while desperately trying to avoid more social interaction than is necessary.

All Systems Red is the first novella of four in The Murderbot Diaries which all follow our snarky SecUnit. Quick reads with fast-paced stories, engaging characters, lots of snarky humor, cyborg/robot/human battles, and tentative friendships.

1. All Systems Red
2. Artificial Condition
3. Rogue Protocol
4. Exit Strategy