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Tag Archives: Theater
This #ThrowbackThursday is taking center stage!
This week’s #throwback features a color photograph of six actors in costume of the 1994 Omaha Community Playhouse production of Andrew Lloyd Webber’s “Joseph and the Amazing Technicolor Dream Coat.” This production was directed by Charles Jones and was produced by The Nebraska Theater Caravan, which is the professional touring wing of the Omaha Community Playhouse.
This image is published and owned by Omaha Community Playhouse. The Omaha Community Playhouse collection includes digitized images of the Playhouse and some of its performances. Some of the actors included in these images are Henry Fonda, Jane Fonda, and Dorothy McGuire.
Check out this collection and many more on the Nebraska Memories archive!
The Nebraska Memories archive is brought to you by the Nebraska Library Commission. If your institution is interested in participating in Nebraska Memories, see http://nlc.nebraska.gov/nebraskamemories/participation.aspx for more information.
I noticed among the new titles shown at the library, the latest Bryant and May, Peculiar Crimes Unit title was out. So, instead of picking it up, I went and started at the beginning. The first title in the series is Full Dark House, by Christopher Fowler. When he launched the series he had 10 literary titles, and over 100 short stories written, according to reviewer, Joe Hartlaub, of Bookreporter.com, who describes Christopher Fowler’s writing as quirky, and in Full Dark House “There are elements of mystery (ala Conan Doyle and Agatha Christie), police procedurals, horror, history and suspense aplenty here.” It is one of the best, most atmospheric stories about the bombing of London during World War II, and the citizen’s response to it, I’ve ever read. It made me feel the terror and unease of everyday life at that time. Fowler also laces it with the humor, sometimes dark, such as is often found in the TV British detective series “Midsomer Murders” as well as the odd murders, and strange motives for murder.
Two stories run beside each other, the bombing of the unit in the present day, and the murders that brought eccentric Arthur Bryant and scientific John May, together in Nov, of 1940, when they were 22 and 19. Bryant was doing research on his memoir, reading notes about the case, and had gone to the nursing facility where the last person living concerned in the events of 1940 resided. Bryant often stayed at the office overnight, so when the office exploded in the dark of early morning 2003, and a body is found there, it is presumed his.
The case in 1940 involves deaths in a theater in London called the Palace, and a controversial, intentionally risqué, production of Orpheus in Hell, by Jacque Offenbach. The production is set to run all during the war, as a distraction from the horrors, ostensibly, and produced by a Greek Shipping Tycoon. The most puzzling thing about the murders is the lack of evidence, and the lack of motive.
There is atmosphere in both timelines, but especially the World War II scenes of London with details like “Get you home” booths, that I’d never heard of before, to help citizens find their way home among bombed out streets, after the all clear had been blown. Reminders of black out curtains, and cross tapping on windows, to reduce flying glass from bombing enhance the atmosphere. The current timeline shows how much time has elapsed for the detectives, the changes in the city, and the grieving of the remaining staff of the unit, plus the state of gang relations in 2003 in London.
This is not a cozy mystery, but, it is intriguing, well written, and, yes, quirky. The Peculiar Crimes Unit continues on, with the two oddly matched detectives far past retirement age, solving murders in unusual ways. I admit, I’m on my third story, the fourth in the series.
Full Dark House, by Christopher Fowler, a Bryant and May Mystery, C 2003, A Bantam Book, Doubleday UK hardcover ed.,
Next in series is The Water Room