A newly married couple move to Quebec for the summer where Kay works as an acrobat while Theo translates a French biography on Eadweard Muybridge (famous for his photographs of galloping horses and movement).
As the couple explores the city, they find an old toy shop with a wooden puppet under a glass jar that can be seen from the dusty window. Kay falls in love with the puppet and returns often to look at it, although the shop remains closed.
On her way home late one night, Kay hears footsteps behind her. Looking for shelter, she sees a light on in the toy shop and rushes inside without a thought.
The next morning, when Theo realizes that Kay never made it home, he starts contacting the police and the other members of Kay’s group of performers. Only Egon believes that something terrible has happened and together they search the city for any trace of Kay.
In alternating chapters with Theo’s desperate search, the point of view switches back to Kay. She’s been transformed into a puppet and now resides in the back room of the toy shop which is run by the “giants” who decide which puppets get to leave and perform. Kay and the other puppets, who have all been magically transformed over the years, can only wake between midnight and dawn. With her human memories fading more each day, Kay must learn to adapt to her new surroundings unless she can somehow escape with the one puppet, Noe, who still clearly remembers her past life or be rescued.
Based on the myth of Orpheus and Eurydice, this story is more odd/magical than creepy/horror. Slower paced, but well written and still a fairly short read.