Donna Tartt’s The Goldfinch, published in 2013, was awarded the 2014 Pulitzer Prize for Fiction. I had read reviews and commentaries about the book, looked it over in a bookstore, and considered borrowing or buying a copy. I resisted because I was daunted by its length – the hardcover edition is 760 pages. I recently found a paperback copy in a Colorado library on the books for sale shelves. For a two dollar contribution to the library’s friends group the book was mine. It’s the second longest book I’ve ever read and it was a long haul, but a good one. During the course of reading it I also borrowed from Lincoln City Libraries the excellent digital audiobook version.
The Goldfinch begins with a terrorist act – a bomb explosion in New York City’s Metropolitan Museum of Art – and the resulting tragic destruction and loss. What follows is an evolving mystery about a missing painting – a Dutch masterwork called The Goldfinch. Included are theft, drugs, the art black market, the craft of antique furniture restoration, and the complex relationships among family, friends, friends of friends, swindlers, and much more. Art, in many forms, is central to the book. The characters are vivid, the settings are rich in detail, and the plot pulls the reader along toward a surprising end. For me, it is the kind of book you don’t necessarily want to come to an end.
Stephen King, in a New York Times Book Review commentary, said “The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind…..” Donna Tartt has also written the novels The Secret History and The Little Friend.
Tartt, Donna. The Goldfinch: A novel. New York: Little, Brown and Company. 2013.