This 8” x 10” glass plate negative shows a Hodgman ambulance from the year 1922. The ambulance is white with black trim, white wheel tires, and curtains in the back. A plaque just under the window of the front passenger door reads “Hodgman” and another plaque over the windshield reads “Ambulance.”
This image is published and owned by Townsend Studio, which has been in continuous operation since its foundation in 1888 in Lincoln, Nebraska. The studio holds a collection of glass plate and acetate negatives of early Lincoln and its residents.
The Nebraska Memories archive is brought to you by the Nebraska Library Commission. If your institution is interested in participating in Nebraska Memories, see http://nlc.nebraska.gov/nebraskamemories/participation.aspx for more information.
Apologies that this installment of Book Briefs has taken so long–we have been without a cataloger since December 1st, 2023, but our new cataloger starts July 15th!
The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP). We normally post every two months, but today we are catching up with our backlog of the UNP books that the Clearinghouse has received.
UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.
Here are the UNP books the Clearinghouse received in January through June, 2024:
The title poem of this collection refers to the phantom island of Antillia, included on maps in the fifteenth century but later found not to exist. The ghosts that haunt this collection are phantom islands, moon lakes, lasers used to clean the caryatids at the Acropolis, earlier versions of the self, suicides, a madam from the Old West, petroleum, snapdragons, pets, ice apples, Casper, and a “resident ghost” who makes the domestic realm of “the cradle and the bed” uninhabitable. The ghosts are sons, fathers “asleep in front of the TV,” and a variety of exes—“lost boys” with names like The Texan and Mr. No More Cowboy Hat whom Henrietta Goodman treats with snarky wit but also with grief, guilt, and love.
Although memories pervade this collection, these poems also look forward and outward into a world where social inequality and environmental disaster meet the possibility of metamorphosis.
Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Boundless Deep, and Other Stories is a portrait of a family that holds together despite everything. By turns introspective, surreal, and bitingly funny, this collection of linked short stories spans seven decades across Japan and the United States and shows the tenacity of relationships fractured by language and distance.
At the funeral of her old boss, a grandmother confronts the legacy of the draft letters she delivered as a girl during World War II. Facing the loss of his job, a father becomes the caricature strangers have always believed him to be. A graduate student living far from home is worn down by the reality of what it takes to save even a small piece of the world. Along the way, we meet communist revolutionary Shigenobu Fusako hiding out in a Tokyo hotel, submariner and war criminal Nishina Sekio in his tortured dreams, and Edwin, a half-dolphin friend, wreaking havoc in a public pool. Written in the compressed style of Amy Hempel and Lucia Berlin, these stories examine characters whose struggles submerge them, weighing them down from every angle, until they can finally float free.
Brand Antarctica : How Global Consumer Culture Shapes Our Perceptions of the Ice Continent, by Hanne Elliot Fonss Nielsen. Series: Polar Studies
Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavors. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.
By contextualizing and analyzing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.
In Bribed with Our Own Money David R. M. Beck analyzes the successes and failures of Indigenous nations’ opposition to federal policy in the 1950s and 1960s. Focusing on case studies from six Native nations, Beck recounts how the U.S. government coerced American Indian nations to accept termination of their political relationship with the United States by threatening to withhold money that belonged to the tribes.
Termination was the continuation—and, federal officials hoped, the culmination—of more than a century of policy initiatives intended to end the political relationship between Indian tribal nations and the federal government. Termination was also intended to assimilate American Indian individuals into the country’s social and economic culture and to remove the remainder of reservation lands from federal trust. American Indians hoped to gain greater opportunities of self-governance and self-determination, but they wanted to do so under the protection of the federal trust relationship.
Bribed with Our Own Money analyzes both successful and unsuccessful efforts of Native nations to oppose this policy within the larger context of long-standing federal abuse of tribal funds. It is the first book to view federal termination efforts grounded in bribery for what they were: a form of coercion.
Buffalo Bill and the Mormans, by Brent M. Rogers.
In this never-before-told history of Buffalo Bill and the Mormons, Brent M. Rogers presents the intersections in the epic histories of William F. “Buffalo Bill” Cody and the Latter-day Saints from 1846 through 1917. In Cody’s autobiography he claimed to have been a member of the U.S. Army wagon train that was burned by the Saints during the Utah War of 1857–58. Less than twenty years later he began his stage career and gained notoriety by performing anti-Mormon dramas. By early 1900 he actively recruited Latter-day Saints to help build infrastructure and encourage growth in the region surrounding his town of Cody, Wyoming.
In Buffalo Bill and the Mormons Rogers unravels this history and the fascinating trajectory that took America’s most famous celebrity from foe to friend of the Latter-day Saints. In doing so, the book demonstrates how the evolving relationship between Cody and the Latter-day Saints can help readers better understand the political and cultural perceptions of Mormons and the American West.
Creative Genius : The Art of the Nebraska Capitol, by Susanne Shore, Kevin Moser, and Drew Davies.
Few buildings reveal truths, inspire greatness, and narrate the creation of humanity. Creative Genius: The Art of the Nebraska Capitol documents such a place. The Nebraska Capitol—once called “a peak in the history of building accomplishment”—breaks the boundaries of architecture and art.
Creative Genius unveils new images of the art of the Capitol in striking detail. Included are some of the greatest works by some of America’s most recognized artists and visionaries.
Along with remarkable visuals, Creative Genius delivers insights into the extraordinary stories and vision behind the art. Steeped in history and lore, the building narrates the creation of the universe and life, as well as the epic journey of the peoples of Nebraska. This book reveals the themes driving the art, chronicles the stories behind artists and their creations, and celebrates the beauty embodied in this influential building.
Ethics at the Center : Jewish Theory and Practice for Living a Moral Life, by Elliot N. Dorff. Series: A JPS Scholar of Distinction Book
Ethics at the Center culls the best of Rabbi Elliot N. Dorff’s pioneering thinking in Jewish ethics over nearly five decades. Dorff shows that our response to moral issues depends ultimately on our conceptions of the nature of human beings and God; how Jewish law, theology, prayer, history, and community should also define and motivate Jewish responses to moral issues; and how the honorable and divergent stances of Western philosophy and other religions about moral living shed light on Judaism’s distinctive standpoints.
From there Dorff applies Judaism’s ethics to real life: abortion post–Roe v. Wade, sexual orientation and human dignity, avoiding harm in communication, playing violent or defamatory video games, modern war ethics, handling donations of ill-gotten gain after the fact. In conclusion he explores how Jewish family and community, holidays and rituals, theology, study, and law have moral import as well.
Dorff’s personal introduction to each chapter reflects on why and when he wrote its contents, its continuing relevance, and if—and if so, how—he would now change what he wrote earlier. Readers will experience not only his evolving ethical thought but many facets of the person and the Jew that Dorff is today.
Exile and the Jews : Literature, History, and Identity, Edited by Nancy E. Berg and Marc Saperstein. Series: JPS Anthologies of Jewish Thought
This first comprehensive anthology examining Jewish responses to exile from the biblical period to our modern day gathers texts from all genres of Jewish literary creativity to explore how the realities and interpretations of exile have shaped Judaism, Jewish politics, and individual Jewish identity for millennia. Ordered along multiple arcs—from universal to particular, collective to individual, and mythic-symbolic to prosaic everyday living—the chapters present different facets of exile: as human condition, in history and life, in holiday rituals, in language, as penance and atonement, as internalized experience, in relation to the Divine Presence, and more. By illuminating the multidimensional nature of “exile”—political, philosophical, religious, psychological, and mythological—widely divergent evaluations of Jewish life in the Diaspora emerge. The word “exile” and its Hebrew equivalent, galut, evoke darkness, bleakness—and yet the condition offers spiritual renewal and engenders great expressions of Jewish cultural creativity: the Babylonian Talmud, medieval Jewish philosophy, golden age poetry, and modern Jewish literature.
Exile and the Jews will engage students, academics, and general readers in contemplating immigration, displacement, evolving identity, and more.
Forget I Told You This : A Novel, by Hilary Zaid. Series: Zero Street Fiction
Amy Black, a queer single mother and an aspiring artist in love with calligraphy, dreams of a coveted artist’s residency at the world’s largest social media company, Q. One ink-black October night, when the power is out in the hills of Oakland, California, a stranger asks Amy to transcribe a love letter for him. When the stranger suddenly disappears, Amy’s search for the letter’s recipient leads her straight to Q and the most beautiful illuminated manuscript she has ever seen, the Codex Argentus, hidden away in Q’s Library of Books That Don’t Exist—and to a group of data privacy vigilantes who want her to burn Q to the ground.
Amy’s curiosity becomes her salvation, as she’s drawn closer and closer to the secret societies and crackpot philosophers that haunt the city’s abandoned warehouses and defunct train depots. All of it leads to an opportunity of a lifetime: an artist’s residency deep in the holographic halls of Q headquarters. It’s a dream come true—so long as she follows Q’s rules.
The Forsaken and the Dead : The Bass Reeves Trilogy, Book Three, by Sidney Thompson. Series: The Bass Reeves Trilogy Series
**Books 1 & 2 of the Bass Reeves Trilogy adapted for the Paramount+ miniseries Lawmen: Bass Reeves 2023 Foreword INDIES Finalist in Historical Fiction National Indie Excellence Award Winner in Western Fiction
All heroes have fatal flaws and a moment of defining hubris, but few rise from the ashes to achieve greater heights. In 1884 Deputy U.S. Marshal Bass Reeves was arrested for murder and placed among his own prisoners in Hell on the Border, the infamous federal jail in Fort Smith, Arkansas. It was the single greatest setback of his illustrious career, but it wouldn’t be his last mistake or trial by fire.
In The Forsaken and the Dead we meet Reeves again. In the 1890s, past his prime, Reeves proceeds through the valleys and shadows of Indian and Oklahoma Territories. Despite his caution and innovations as a lawman and detective, his nation no longer seems a product of his own making—so much like his children and his marriage to Jennie. While a modern world implodes around him and demons from his past continue to haunt his present, he remains resolute in his faith that he can be a steady rider on a pale horse.
Forward Without Fear : Native Hawaiians and American Education in Territorial Hawai’i, 1900-1941, by Derek Taira. Series: Studies in Pacific Worlds
During Hawai‘i’s territorial period (1900–1959), Native Hawaiians resisted assimilation by refusing to replace Native culture, identity, and history with those of the United States. By actively participating in U.S. public schools, Hawaiians resisted the suppression of their language and culture, subjection to a foreign curriculum, and denial of their cultural heritage and history, which was critical for Hawai‘i’s political evolution within the manifest destiny of the United States.
In Forward without Fear Derek Taira reveals that many Native Hawaiians in the first forty years of the territorial period neither subscribed nor succumbed to public schools’ aggressive efforts to assimilate and Americanize them but instead engaged with American education to envision and support an alternate future, one in which they could exclude themselves from settler society to maintain their cultural distinctiveness and protect their Indigenous identity. Taira thus places great emphasis on how they would have understood their actions—as flexible and productive steps for securing their cultural sovereignty and safeguarding their future as Native Hawaiians—and reshapes historical understanding of this era as one solely focused on settler colonial domination, oppression, and elimination to a more balanced and optimistic narrative that identifies and highlights Indigenous endurance, resistance, and hopefulness.
The Franz Boas Papers, Volume 2 : Franz Boas, James Teit, and Early Twentieth-Century Salish Ethnology. 2 Volumes– Part 1: 1894-1913, and Part 2: 1914-1922, Edited by Angie Bain, John Haugen, et al. Series: Franz Boas Papers Documentary Edition
The Franz Boas Papers, Volume 2 explores the development of the ethnography of Salishan-speaking societies on the North American Plateau as revealed through the correspondence between Franz Boas and the Scottish-born James Teit, who married into an Interior Salish family and community and became fluent in the Nlaka’pamux language. The letters between Teit (1864–1922) and Boas (1858–1942) chronicle Teit’s varied career as an ethnographer, from shortly after his initial meeting with Boas in 1894 until Teit’s death at the age of fifty-eight. A postscript documents Boas’s contribution to Teit’s legacy through the posthumous publication of the manuscripts Teit left unfinished at his death.
Teit made significant contributions to ethnography and the history of southern British Columbia through his photography of the people with whom he worked, his contributions to ethnomusicology and ethnobotany, his anthologies of mythic narrative, and his collections of Interior Salish—primarily Nlaka’pamux—material culture. In addition to collaborating with Boas in the development of Interior Salish ethnography, between 1909 and 1922 Teit worked to support Indigenous groups in British Columbia who were seeking recognition of Aboriginal title and resolution of their outstanding land claims.
The Franz Boas Papers, Volume 2 meticulously tracks the impact of the differing career trajectories of Teit and Boas on the primary product of their collaboration—the initial development of the ethnography of societies speaking Interior Salish languages. This second volume of the Franz Boas Papers Documentary Edition is an essential primary source of archival materials for research libraries and for students and scholars of Northwest Coast and Interior Mountain West ethnohistory, Native American and Indigenous studies, history of anthropology, and modern U.S. history. It is also an essential source for Indigenous and settler descendant communities.
National Jewish Book Award Finalist Paterson Poetry Prize Finalist
Let Our Bodies Change the Subject is a poetry collection that dives headlong into the terrifying, wondrous, sleep-deprived existence of being a parent in twenty-first-century America. In clear, dynamic verses that disarm then strike, Jared Harél investigates our days through the keyhole of domesticity, through personal lyrics and cultural reckonings. Whether taking a family trip to Coney Island or simply showing his son snowflakes on Inauguration morning, Harél guides us toward moments of intimacy and understanding, humor and grief.
“I will try,” he admits, “to be better than myself, which is all/I’ve ever wanted and everything I need.” Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, Let Our Bodies Change the Subject is a secular prayer. Hoping against hope, Harél works to reconcile feelings of luck and loss, of living for joy while fearing the worst.
Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.
These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.
As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.
Marcias : Queer Cultures and State Violence in Argentina and Spain, 1942-1982, by Javier Fernandez-Galeano. Series: Engendering Latin America
In Maricas Javier Fernández-Galeano traces the erotic lives and legal battles of Argentine and Spanish gender- and sexually nonconforming people who carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s. In both countries, agents of the state, judiciary, and medical communities employed “social danger” theory to measure individuals’ latent criminality, conflating sexual and gender nonconformity with legal transgression.
Argentine and Spanish queer and trans communities rejected this mode of external categorization. Drawing on Catholicism and camp cultures that stretched across the Atlantic, these communities constructed alternative models of identification that remediated state repression and sexual violence through the pursuit of the sublime, be it erotic, religious, or cultural. In this pursuit they drew ideological and iconographic material from the very institutions that were most antagonistic to their existence, including the Catholic Church, the military, and reactionary mass media. Maricas incorporates non-elite actors, including working-class and rural populations, recruits, prisoners, folk music fans, and defendants’ mothers, among others. The first English-language monograph on the history of twentieth-century state policies and queer cultures in Argentina and Spain, Maricas demonstrates the many ways queer communities and individuals in Argentina and Spain fought against violence, rejected pathologization, and contested imposed, denigrating categorization.
My Grandfather’s Altar : Five Generations of Lakota Holy Men, by Richard Moves Camp, edited by Simon J. Joseph. Series: American Indian Lives
Richard Moves Camp’s My Grandfather’s Altar is an oral-literary narrative account of five generations of Lakota religious tradition. Moves Camp is the great-great-grandson of Wóptuȟ’a (“Chips”), the holy man remembered for providing Crazy Horse with war medicines of power and protection. The Lakota remember the descendants of Wóptuȟ’a for their roles in preserving Lakota ceremonial traditions during the official prohibition period (1883–1934), when the U.S. Indian Religious Crimes Code outlawed Indian religious ceremonies with the threat of imprisonment.
Wóptuȟ’a, his two sons, James Moves Camp and Charles Horn Chips, his grandson Sam Moves Camp, and his great-great-grandson Richard Moves Camp all became well-respected Lakota spiritual leaders. My Grandfather’s Altar offers the rare opportunity to learn firsthand how one family’s descendants played a pivotal role in revitalizing Lakota religion in the twentieth century.
The Narrator : A Problem in Narrative Theory, by Sylvie Patron, translated by Catherine Porter. Series: Frontiers of Narrative
The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative).
Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
The Nebraska Sandhills, Edited by Monica M. Norby, Judy Diamond, and Aaron Sutherlen, et al.
“Like a rumpled wool blanket, the Nebraska Sandhills spreads out over twenty thousand square miles of north central Nebraska and is the largest stabilized dune field in the Western Hemisphere. It is also the largest intact mixed-grass prairie left on the continent.”
This description by photographer Michael Forsberg alludes to the exceptional physical geography of the Nebraska Sandhills, a place of rolling grasslands, rivers, and wetlands created by the Ogallala Aquifer that underlies the region. Home to abundant wildlife, from pronghorn antelope to sandhill cranes, the Sandhills are an ecological treasure. Dotted with ranches and small towns, the Sandhills are rich with deep cultural history, including those of Indigenous peoples, settlers, Black homesteaders, immigrants, ecotourists, and some adventurous golfers.
The Nebraska Sandhills features nearly forty essays about the history, people, geography, geology, ecology, and conservation of the Nebraska Sandhills. Illustrated with hundreds of remarkable color photographs of the area, this is the most up-to-date and illuminating portrayal of this remarkable yet largely unknown region of the United States.
A New Deal for Quilts, by Janneken Smucker.
During the Roosevelt administration’s efforts to combat the Great Depression, the quilt became an emblem for how to lift one’s family out of poverty, piece by piece. A New Deal for Quilts explores how the U.S. government drew on quilts and quilt-making, encouraging Americans to create quilts individually and collectively in response to unemployment, displacement, and recovery efforts. Quilters shared their perspectives on New Deal programs such as the Tennessee Valley Authority and the National Recovery Administration, which sent quilts as gifts to the Roosevelts and other officials. Federal programs used quilts’ symbolic heft to communicate the values and behaviors individuals should embrace amid the Depression, perceiving the practical potential of crafts to lift morale and impart new skills. The government embraced quilts to demonstrate the efficacy of its programs, show women how they could contribute to their families’ betterment, and generate empathy for impoverished Americans.
With more than one hundred period photographs and images of quilts, A New Deal for Quilts evokes the visual environment of the Depression while conveying ways craft, work, race, poverty, and politics intersected during this pivotal era. Accompanying the book is a fall 2023 exhibit at the International Quilt Museum, featuring 1930s quilts drawn from its renowned collection.
In The New Nancy Jeff Karnicky explores how today’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture.
Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience.
Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous.
Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.
Object-Oriented Narratology, by Marie-Laure Ryan and Tang Weisheng. Series: Frontiers of Narrative
The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity.
These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot.
Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans’ relationships to their material environment and with the otherness of objects.
On Our Own Terms : Indigenous Histories of School Funding and Policy, by Meredith L. McCoy. Series: Indigenous Education
On Our Own Terms contextualizes recent federal education legislation against the backdrop of two hundred years of education funding and policy to explore two critical themes: the racial and settler colonial dynamics that have shaped Indian education and an equally long and persistent tradition of Indigenous peoples engaging schools, funding, and policy on their own terms. Focusing primarily on the years 1819 to 2018, Meredith L. McCoy provides an interdisciplinary, methodologically expansive look into the ways federal Indian education policy has all too often been a tool for structural violence against Native peoples. Of particular note is a historical budget analysis that lays bare inconsistencies in federal support for Indian education and the ways funds become a tool for redefining educational priorities.
McCoy shows some of the diverse strategies families, educators, and other community members have used to creatively navigate schooling on their own terms. These stories of strategic engagement with schools, funding, and policy embody what Gerald Vizenor has termed survivance, an insistence of Indigenous presence, trickster humor, and ironic engagement with settler structures. By gathering these stories together into an archive of survivance stories in education, McCoy invites readers to consider ongoing patterns of Indigenous resistance and the possibilities for bending federal systems toward community well-being.
Winner of the Sillerman First Book Prize for African Poets
Winner of the Sillerman First Book Prize for African Poets, Tares Oburumu’s collection is a brief history of where he came from: Syma, a neglected oil-producing region of Nigeria. After growing up with a single mother in the creek- and brook-marked region, and himself now a single parent, Oburumu examines single parenthood and how love defines family circles. Mixing music, religion, and political critique, Origins of the Syma Species evokes pasts and futures.
Inspired by the relative chaos found in the origin of things, Oburumu’s poems explore how the beauty of chaos binds us to our ancestral roots. In his poems Oburumu identifies with anyone who is a single parent or is dealing with the lonely trauma of a broken home. His poems instill hopefulness in a world that has the means to throw many into poverty and agony.
Pakistan and American Diplomacy : Insights from 9/11 to the Afghanistan Endgame, by Ted Craig.
Pakistan and American Diplomacy offers an insightful, fast-moving tour through Pakistan-U.S. relations, from 9/11 to the U.S. withdrawal from Afghanistan, as told from the perspective of a former U.S. diplomat who served twice in Pakistan. Ted Craig frames his narrative around the 2019 Cricket World Cup, a contest that saw Pakistan square off against key neighbors and cricketing powers Afghanistan, India, and Bangladesh, and its former colonial ruler, Britain.Craig provides perceptive analysis of Pakistan’s diplomacy since its independence in 1947, shedding light on the country’s contemporary relations with the United States, China, India, Sri Lanka, and Afghanistan. With insights from the field and from Washington, Craig reflects on the chain of policy decisions that led to the fall of the Kabul government in 2021 and offers a sober and balanced view of the consequences of that policy failure. Drawing on his post–Cold War diplomatic career, Craig presents U.S.-Pakistan policy in the context of an American experiment in promoting democracy while combating terrorism.
The oil and natural gas boom in pre–World War I Oklahoma brought unbelievable wealth to thousands of tribal citizens in the state on whose lands these minerals were discovered. However, as Angie Debo recognizes in her seminal study of the period, And Still the Waters Run, and, more recently, as David Grann does in Killers of the Flower Moon, this affluence placed Natives in the crosshairs of unscrupulous individuals. As a result, this era was also marked by two of the most heinous episodes of racial violence in the state’s history: the Tulsa Race Massacre of 1921 and the Osage Murders between 1921 and 1925.
In Resisting Oklahoma’s Reign of Terror Joshua Clough details the responses of one largely forgotten Native organization—the Society of Oklahoma Indians (SOI)—to the violence and pillaging of tribal resources during the 1920s. Clough provides historical understanding of its formation and its shared values of intertribal unity, Native suffrage, and protection of Native property. He also reveals why reform efforts were nearly impossible in 1920s Oklahoma and how this historical perspective informs today’s conflicts between the state and its Indigenous inhabitants.
Through this examination of the SOI, Clough fills the historiographic gap regarding formal Native resistance between the dissolution of the national Society of American Indians in 1923 and the formation of the National Congress of American Indians in 1944. Dismissed or overlooked for a century as an inconsequential Native activist organization, the history of the SOI, when examined carefully, reveals the sophistication and determination of tribal members in their struggle to prevent depredations on their persons and property.
Shift : A Memoir of Identity and Other Illusions, by Penny Guisinger. Series: American Lives
Penny Guisinger was not always attracted to women. In Shift she recounts formative relationships with women and men, including the marriage that produced her two children and ultimately ended in part due to her affair with her now-wife. Beginning her story as straight and ending as queer, she struggles to make sense of how her identity changed so profoundly while leaving her feeling like the same person she’s always been. While covering pivotal periods of her life, including previous relationships and raising her children across the chasm of divorce, Guisinger reaches for quantum physics, music theory, planetary harmonics, palmistry, and more to interrogate her experiences. This personal story plays out against the backdrop of the national debate on same-sex marriage, in rural, easternmost Maine, where Guisinger watched her neighbors vote against the validity of her family.
Shift examines sexual and romantic fluidity while wrestling with the ways past and present mingle rather than staying in linear narratives. Under scrutiny, Guisinger’s sense of her own identity becomes like a Mobius strip or Penrose triangle—an optical illusion that challenges the dimensions and possibilities of the world.
Steen Ledet Christiansen’s Storytelling in “Kabuki” explores the series created by David Mack—a slow, recursive narrative that focuses on the death of Kabuki and her past. The series ran from 1994 to 2004 in a variety of miniseries, one-shots, and spin-offs, rather than following a conventional American monthly release schedule. Most of the series explores different perspectives on the same event and adds background to Kabuki’s past, usually through surreal sequences, dreams, and near-death experiences. The flexibility of comics’ approach to chronology, space, focalization, narrative, and fictionality enabled Mack to produce an unusual experience. Kabuki tells a story that can only exist via comics.
Christiansen analyzes the visual design of the series, a heterogeneous collection of styles depending on the story. To understand Kabuki, it is crucial to explore the visual styles, as well as the use of visual and spatial rhymes and mixed media forms. Because Kabuki employs a complex layering of focalizations, diegetic levels, and metafictional self-reflectivity that is rare in mainstream American comics, it utilizes a narrative poetics that focuses on constant repeating, restating, and returning to the same events.
Kabuki’s unique compositional layering allows Christiansen to provide a clear example of how comics work while also expanding on critical vocabulary, especially in terms of spatial poetics. By exploring spatial form, Christiansen illuminates and gives a critical framework to a different and underexamined aspect of comics.
Wardship and the Welfare State examines the ideological dimensions and practical intersections of public policy and Native American citizenship, Indian wardship, and social welfare rights after World War II. By examining Native wardship’s intersections with three pieces of mid-twentieth-century welfare legislation—the 1935 Social Security Act, the 1942 Servicemen’s Dependents Allowance Act, and the 1944 GI Bill—Mary Klann traces the development of a new conception of first-class citizenship.
Wardship and the Welfare State explores how policymakers and legislators have defined first-class citizenship against its apparent opposite, the much older and fraught idea of Indian wardship. Wards were considered dependent, while first-class citizens were considered independent. Wards were thought to receive gratuitous aid from the government, while first-class citizens were considered responsible. Critics of the federal welfare state’s expansion in the 1930s through 1960s feared that as more Americans received government aid, they too could become dependent wards, victims of the poverty they saw on reservations. Because critics believed wardship prevented Native men and women from fulfilling expectations of work, family, and political membership, they advocated terminating Natives’ trust relationships with the federal government. As these critics mistakenly equated wardship with welfare, state officials also prevented Native people from accessing needed welfare benefits.
But to Native peoples wardship was not welfare and welfare was not wardship. Native nations and pan-Native organizations insisted on Natives’ government-to-government relationships with the United States and maintained their rights to welfare benefits. In so doing, they rejected stereotyped portrayals of Natives’ perpetual poverty and dependency and asserted and defined tribal sovereignty. By illuminating how assumptions about “gratuitous” government benefits limit citizenship, Wardship and the Welfare State connects Native people to larger histories of race, inequality, gender, and welfare in the twentieth-century United States.
At every turn in the development of what we now know as the western, women writers have been instrumental. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged.
Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western—cowboys, schoolmarms, gun violence, lynchings, cattle branding—while also placing women characters at the center of their adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character Sheriff Minnie comes to the rescue of a steady stream of defenseless women victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.
Who Would You Kill to Save the World?, by Claire Colebrook. Series: Provocations
2024 Hugh J. Silverman Book Prize in Philosophy and Literature
Who Would You Kill to Save the World? examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society. Claire Colebrook redefines “the world” as affluent Western society and “saving the world” as preventing us from becoming the othered them who are viewed in their suffering. Colebrook further examines how the use of postapocalyptic cinema is a humanist—Western, capitalist, colonizing, white, heteronormative, and individualist—creation and challenges the notion that a world built on foundations of exploitation is worth saving.
Colebrook combines postapocalyptic fiction, concern over the global climate crisis, colonialism, and anti-Blackness to explain how contemporary postapocalypse blockbusters circulate ideas of whiteness and the right of the privileged to rebuild the world. Who Would You Kill to Save the World? is a provocative addition to the field of extinction studies and challenges the conceptual frames we use to define ourselves.
“Oh Grandma, You’re Kidding: Memories of 75 Years in Lincoln” by Gladys S. Douglass, is now available on cartridge and for download on BARD, the Braille and Audio Reading Download service. BARD is a service offered by the Nebraska Library Commission Talking Book and Braille Service and the National Library Service for the Blind and Print Disabled at the Library of Congress.
The author tells of her own early experiences in Lincoln, shortly after the turn of the century. The book previously appeared in the form of short articles which were published in Lincoln’s SUNDAY JOURNAL AND STAR.
“In these pages the reader will find the flow of family and tradition, the story of the common man and woman in Nebraska during the early years of the century. Mari Sandoz knew this secret: the story of the Kinkaid lands lay not with Moses Kinkaid – the “important” man of the law – but rather with the “unimportant” people who were the Kinkaiders – like her father Old Jules. Here we see the fabric of Nebraska life 75 years ago.”
—Roger L. Welsch
TBBS borrowers can request “Oh Grandma, You’re Kidding” DCB02041 or download it from the National Library Service BARD (Braille and Audio Reading Download) website. If you have high-speed internet access, you can download books to your smartphone or tablet, or onto a flash drive for use with your player. You may also contact your reader’s advisor to have the book mailed to you on cartridge.
The year is 1969 in this week’s #BookFace! “Mr. and Mrs. American Pie” by Juliet McDaniel ( Inkshares, 2018) stars notable Palm Springs socialite and beauty queen Maxine Simmons- recently divorced and outcast. She must find, or build a family all on her own to earn the title of Mrs. American Pie. Perfect for comedy lovers, the novel also serves as the inspiration for Apple TV’s “Palm Royale.” It’s available for checkout as an eBook from Nebraska Overdrive Libraries. This oddball adventure, featuring themes of friendship, motherhood, and complicated relationships keeps Finlay and her nanny/partner-in-crime Vero’s story rolling.
“McDaniel’s debut is the perfect blend of salty and sweet, combining 1970s culinary horrors like ham and bananas hollandaise with a motley crew of fakers learning what family really means.”
— Booklist (starred review)
Find this title and many more through Nebraska OverDrive! Libraries participating in the Nebraska OverDrive Libraries Group currently have access to a shared and growing collection of digital downloadable audiobooks and eBooks. 194 libraries across the state share the Nebraska OverDrive collection of 26,898 audiobooks, 36,794 ebooks, and 5,133 magazines. As an added bonus it includes 130 podcasts that are always available with simultaneous use (SU), as well as SU ebooks and audiobook titles that publishers have made available for a limited time. If you’re a part of it, let your users know about this great title, and if you’re not a member yet, find more information about participating in Nebraska Overdrive Libraries!
Reading this book conjures up thoughts about collection development. Yep, that’s right, for the handful of you that are reading this, I want to talk about collection development, on the record. Not necessarily because you might have limited knowledge of this practice (you may or may not—let’s avoid assumptions), but rather my concern is that some libraries may have forgotten the importance of having balanced library collections, or perhaps have never really believed in the practice in the first place. Coleman Hughes, for instance, presents an alternate view of race politics, taking aim at contemporary works by Ibram Kendi and Robin DiAngelo, among others espousing similar views. He doesn’t pull any punches in his criticism, starting with labeling them as “Neoracists” (to be fair, a term used by many others, including, notably, John McWhorter). We live in times where some (librarian or not) might dismiss outright the assertions of Hughes, limiting his book in library collections (or requesting it’s immediate removal) while categorizing what he has to say as blasphemy, disinformation, or applying any other ridiculous criticism. To me, it doesn’t matter if one agrees or disagrees with what Hughes (or Kendi, DiAngelo, et. al.) has to say; it’s a question of providing the public with an up to date collection of opposing viewpoints on relevant subject matters. For example: Does your library collection contain books by Kendi and Ta-Nehisi Coates, but no antithesis from someone such as Coleman Hughes, Thomas Sowell, Glenn Loury, or John McWhorter? I imagine some might provide a feeble defense to these unbalanced collection development decisions by arguing that they are (as morally superior individuals looking out for you, the uninformed, ignorant reader who is incapable of your own thought) preventing dangerous “misinformation” from being spread and consumed by you. Hey, they are looking out for your interests, or protecting you, and for that reason, you should get off their case. Maybe even thank them. But is that your role as librarian? To be the arbiter of The Truth, one way or another? Ultimate decider of what is accurate or inaccurate? Or is it to offer a robust set of resources, presenting point and counter point, to individuals and the community at large so that they can make their own decisions? I’d argue the latter. Over the past few years, we’ve heard various hyper-ventilations about protecting the public from dangerous misinformation, formation of government ministries of truth, and the antidote to this the library’s promotion of censorship (e.g. casual exclusion of certain viewpoints, de-selection of materials, or non-selection in the first place) to achieve that end. Of course, come to find out, those marginalized as dangerous misinformation spreaders turned out later on to have a track record that is equal to or greater than Larry Holmes (69-6, 44 by KO). Sometimes, this nonsensical censorship is sold under the guise of “information literacy”. The perplexing part is that many seem perfectly OK with this. In response, the Supreme Court opinion in U.S. v. Alvarez comes to mind:
“Our constitutional tradition stands against the idea that we need Oceania’s Ministry of Truth . . . And suppression of speech by the government can make exposure of falsity more difficult, not less so. Society has the right and civic duty to engage in open, dynamic, rational discourse.”
Which brings me to my second rant about balanced collections and that, my friend, is book displays. Don’t get me wrong, I’m all for book displays in general, and the promotion of books and other items in the collection, strategically placed towards the checkout aisles like the Swiss Cake Rolls and Snowballs at the grocery store, as an effective strategy for suggestive selling and increasing your stats. But we should be careful about what we decide to promote and by exclusion, not promote. The book display shouldn’t be the librarian’s personal exhibition of what they think patrons should be reading (and by exclusion from the exhibit, not reading). Nor should it be the librarian’s opportunity to promote his or her own social or political causes at the expense of presenting any opposing viewpoints. For this reason, I believe the display should be somewhat generic in nature. All too often, they aren’t. They may be well intended, to correspond to a certain monthly event or holiday, for instance. Seems innocuous on the surface. But the problem with this is the display promotes those groups included in that monthly event and has the effect of excluding all others. Let’s cut to the chase, and use as an example the plethora of history/heritage months that have been designated, since we are talking about race under the blanket of this book on race relations by Coleman Hughes. Does your library have a display for Black History Month? If so, does it display for all the other history or heritage months to cover all members of your community? What about Asian History Month (May)? Hispanic (September)? Native Americans (November)? Let’s not forget the Irish (March). Arab-Americans (April)? Of course, there are many groups absent from these lists, and Jewish history doesn’t get it’s own billing (sharing May with the Asians). Why is that? Do all these history months divide the population by pointing out our differences (one of the key points Hughes makes), or bring them together? What if you are French Canadian? German? Italian? Welsh? Norwegian? Swedish? Slovakian? Or a member of virtually any other conceivable ethnic group not mentioned here? Does the absence of a book display for your group mean the library seeks to exclude you or send the message that those other groups matter, but you don’t? Perhaps the library should focus its attention in a broad way on American history, and then include a wide range of authors representing various viewpoints on various subjects. Maybe you agree (as I do) with Morgan Freeman, who concluded that Black History Month (and all the others, by applying the same logic) is a ridiculous farce:
“You’re going to relegate my history to a month? … Black history is American history. [Mike Wallace]: How are we going to get rid of racism and … [Morgan Freeman] Stop talking about it. I’m going to stop calling you a white man. And I’m going to ask you to stop calling me a black man. I know you as Mike Wallace. You know me as Morgan Freeman.”
Now a few words about Hughes and The End of Race Politics in particular. It would be easy to take the approach that Hughes speaks the truth, thank him for having the audacity to call out the Neoracists, elevate his prescription for a colorblind society, and discount (or outright dismiss) people like Ibram (“the only remedy to past discrimination is present discrimination. The only remedy to present discrimination is future discrimination”) Kendi as race hustlers or race grifters. Of course, such action would violate the deeply held free exchange of thought principles enunciated throughout today’s write up. The takeaway is that ALL of these resources should be held and equally promoted in the library, point and counter point, for the reader seeking to understand and develop their own views on race and what might ultimately be the prescription for a better America. And, since almost all of these authors seem to claim succession to the legacy of MLK Jr., perhaps someone seeking knowledge on these subjects should read his books as well (and they should be stocked in the library collection), including the last one, Where Do We Go From Here: Chaos or Community.
Hughes, Coleman. The End of Race Politics: Arguments for a Colorblind America. Thesis. 2024.
This black and white photograph on a postcard shows man and a woman walking together. The woman is wearing an American flag printed skirt and hat and the man has an American flag print hat. Perhaps they are celebrating the 4th of July!
This image is owned and published by History Nebraska. They digitized content from the John Nelson and the J. A. Anderson collection. John Nelson came to Nebraska with his parents at the age of seventeen from Sweden. His photographs tell the story of small town life in Nebraska during the first decades of the twentieth century.
The Nebraska Memories archive is brought to you by the Nebraska Library Commission. If your institution is interested in participating in Nebraska Memories, see http://nlc.nebraska.gov/nebraskamemories/participation.aspx for more information.
I hope everyone is as excited about the Summer Reading Program at their local library as I am! (I don’t want to brag, but I just received the Little Reader badge) This year’s theme is “Adventure Begins at Your Library”,and who knows better about Adventure than the spunky protagonists of middle-grade novels? Author Dusti Bowling is quickly becoming an icon in the middle-grade literature world, with her award-winning novels The Canyons Edge and Across the Desert flying off the shelves. After Bowling’s cousin experienced medical trauma and possible limb amputation, she wanted to read as much about limb differences as she could, but the books just weren’t there! Thus, Aven Green and the novel Insignificant Events in the Life of a Cactus were born.
Aven Green’s life is turned upside down when her family moves from Kansas to a failing western theme park in Arizona. Being the “new kid” is hard on any middle schooler, but Aven dreads the inevitable stares and questions when her classmates realize she doesn’t have arms. Don’t let her lack of arms fool you- Aven can do just about anything a regular kid can do, with some sass thrown in for good measure. Alongside the unwavering support of her adoptive parents and her new friends Connor and Zion, Aven is determined to get through the school year without dying from embarrassment in the lunch room when she has to eat with her feet. And if a new school wasn’t enough, there’s a mystery to solve! Something is afoot at Stagecoach Pass, and Aven Green is determined to get to the bottom of it, even if it means rooting out the mysterious owner, Joe Cavanaugh!
“I’m not sure I want to get involved with murders and dead lizards and stuff. I don’t know if my parents would like it”
Dusti Bowling
The hilarious and energetic Aven Green is a storyteller, athlete, musician, and detective in the charming Insignificant Events in the Life of a Cactus. A story about overcoming your fears, embracing differences, and getting through middle school with some great friends, Bowling pays close attention to illustrating how everyone has something they’re insecure about, even if it’s not as obvious as missing both your arms. Full of lighthearted radical acceptance, Insignificant Events in the Life of a Cactus may not be the end-all-be-all for perfect representation. Still, it is an incredible jumping-off point for students and adults alike looking to explore how those different from them experience life. And while Bowling doesn’t have a limb difference, she encourages the perspective of people who do, specifically the armless women, Barbie Thomas, and Tisha UnArmed, who helped with her manuscript!
This Disability Pride Month, lets celebrate the increasing visibility of disabled people. The rise of tools like social media has helped spread awareness and promote acceptance in the community! One of my favorite creators, actress Ren Willow, makes comedy videos about her life with a limb difference with realness and lightheartedness. Influencer Briel Adams-Wheatley, who, without arms or legs, shows off her skills as a makeup artist and fashion icon. While everyone’s abilities are different, these content creators and writers like Bowling are helping to reduce the stigma around people with limb differences and disabilities.
If you’re interested in requesting Insignificant Events in the Life of a Cactus for your book club, you can find the Request Formhere. There are 22 copies available. (A librarian must request items)
Bowling, Dusti. Insignificant Events in the Life of a Cactus. Scholastic. 2017
“The Verizon Skill Forward program is a collaboration between edX and Verizon aimed at providing career-enhancing online courses focused on high-demand skills to facilitate long-term career growth. The Skill Forward effort is part of Citizen Verizon, Verizon’s responsible business plan to prepare 500,000 individuals for in-demand jobs by 2030.”
This program offers a one-year free account to anyone in the United States (must be over 18). Accounts are free to register for and do not require any banking or credit card information.
These online self-paced courses and programs include high-demand topics such as Artificial Intelligence, Coding, Cybersecurity, Project Management, and Leadership. Spanish-language courses are also available.
For more information about the courses or to enroll:
The Nebraska Arts Council, Humanities Nebraska, and Nebraska Library Commission are seeking nominations for the next Nebraska State Poet. This designation recognizes and honors a Nebraska poet of exceptional talent and accomplishment. Nominations must be submitted online no later than midnight CDT on August 16, 2024.
Nominations may be made by any organization or individual in the state of Nebraska. To be considered, nominees must consent to the nomination. All nominations will be reviewed by the State Poet Selection Committee, which is made up of five individuals who are established members of Nebraska’s literary, cultural, educational and academic communities. After the committee selects finalists, the governor will make the final selection.
State Poet nominations will be collected and reviewed online only. The first step is to contact nac.info@nebraska.gov to verify if the poet in question has been nominated already. After the nominator has received a response to their query, the second step is to complete the online nomination form using the Nebraska Arts Council’s SlideRoom application site. The site includes complete instructions for submitting nomination materials.
The Nebraska State Poet will be chosen based on artistic excellence, exemplary professionalism demonstrated by significant publications and special honors, an established history of community service in the advancement of poetry in Nebraska, and the ability to present poetry and interact effectively with a public audience. In addition, the State Poet must be a legal, full-time resident for at least three years prior to the nomination deadline and must maintain Nebraska residence during his or her full term of office.
Once selected, the Nebraska State Poet will serve a five-year renewable term as an advocate for poetry, literacy, and literature in Nebraska. Duties include giving public presentations and readings, leading workshops and discussions, and providing outreach in schools, libraries, literary festivals, and various venues in rural and urban communities throughout the state.
Statewide presentations will be funded in part through the Nebraska Arts Council’s Nebraska Touring Program and the Humanities Nebraska Speakers Bureau. An annual stipend will also be provided to support a statewide project, designed by the State Poet, and participation in programming led by the Nebraska Arts Council, Humanities Nebraska, and Nebraska Library Commission. The stipend will be $10,000 annually for the first two years of the term, with possible adjustments during the final three years, subject to sponsoring organization budgets.
The position of Nebraska Poet Laureate was established in 1921 when John G. Neihardt was appointed by the Legislature. In 1982, William Kloefkorn was appointed Nebraska State Poet by Governor Charles Thone. Kloefkorn served as State Poet for more than 25 years until his death in May 2011. In November 2013, Governor Dave Heineman appointed Twyla Hansen as Nebraska State Poet. When her term ended in December 2018, Governor Pete Ricketts appointed Matt Mason as State Poet. Mason’s service ends in December 2024.
For more information about the Nebraska State Poet selection process, visit State Poet Selection Guidelines – Nebraska Arts Council or State Poet Nomination Guidelines – Humanities Nebraska. Humanities Nebraska is a private nonprofit with a mission to help people explore what connects us and makes us human. Humanities Nebraska is funded in part by the National Endowment for the Humanities, an appropriation from the Nebraska Legislature, private donations, and the Nebraska Cultural Endowment, a public-private partnership with state dollars matching private dollars to benefit the arts and humanities in Nebraska.
Learn about ‘Helping Students Be Google Aware’ on next week’s NCompass Live webinar on Wednesday, July 3 at 10am CT.
Google has become the most common and dominant search engine in our culture. Students use it to find information about everything, including scholarly research. As teaching librarians, we have to ask: What do students use when not at school? More than likely than not, they will turn to Google to search. Because of this, we must teach them to become careful consumers of the information the Google algorithm produces. Relevance is a complex combination of advertising influence, proprietary interests, programmers’ language, and predictions (based off of prior search patterns). Schembri discusses how to recognize and report inaccuracies of marginalized groups, and how Google has worked to maintain a better, more neutral output for potentially inflammatory searches.
Presenter: Pamela Schembri, School Library Media Specialist, Horace Greeley High School Library, Chappaqua, NY.
Upcoming NCompass Live shows:
July 17 – Think Outside the Box: Transformative Training with Breakout Challenges
July 31 – Pretty Sweet Tech
Aug. 14 – Operating a Culture of Belonging: Personal Librarian 2.0
To register for an NCompass Live show, or to listen to recordings of past shows, go to the NCompass Live webpage.
NCompass Live is broadcast live every Wednesday from 10am – 11am Central Time. Convert to your time zone on the Official U.S. Time website.
The show is presented online using the GoTo Webinar online meeting service. Before you attend a session, please see the NLC Online Sessions webpage for detailed information about GoTo Webinar, including system requirements, firewall permissions, and equipment requirements for computer speakers and microphones.
Do you know of or have access to free digital collections of Nebraska yearbooks? We would love to link them in our collection! We’re looking for both High School and College yearbooks!
Comment below or email us if you have a free digital collection of Nebraska yearbooks you’d like to share with us!
There’s no sibling rivalry with this week’s #BookFaceFriday. Read all about it in “The Good Sister” bySally Hepworth, it’s available for check out from our Book Club Kit Collection.
Your book club won’t be able to put down this psychological thriller about two sisters and devastating family secrets. Put it on your TBR list today and request this kit for your book club.
“Hepworth’s latest further solidifies her place among the top domestic suspense authors…Fern is drawn as smart, capable, and probably on the spectrum, and she is multilayered and relatable, illustrating Hepworth’s talent for page-turners with depth.”
—Booklist
Book Club Kits Rules for Use
These kits can be checked out by the librarians of Nebraska libraries and media centers.
Circulation times are flexible and will be based upon availability. There is no standard check-out time for book club kits.
Please search the collection to select items you wish to borrow and use the REQUEST THIS KIT icon to borrow items.
Contact the Information Desk at the Library Commission if you have any questions: by phone: 800/307-2665, or by email: Information Services Team
This title is also available as both an eBook and Audiobook through Nebraska OverDrive Libraries. You can find seven other titles by Sally Hepworth in the OverDrive collection! Libraries participating in the Nebraska OverDrive Libraries Group currently have access to a shared and growing collection of digital downloadable audiobooks and eBooks. 194 libraries across the state share the Nebraska OverDrive collection of 26,898 audiobooks, 36,794 ebooks, and 5,133 magazines. As an added bonus it includes 130 podcasts that are always available with simultaneous use (SU), as well as SU ebooks and audiobook titles that publishers have made available for a limited time. If you’re a part of it, let your users know about this great title, and if you’re not a member yet, find more information about participating in Nebraska Overdrive Libraries!
Sometimes I reserve books from my public library and by the time they become available, I have completely forgotten why I was interested. One such book was Anne Curzan’s “Says Who? A Kinder, Funner Usage Guide for Everyone Who Cares About Words.” It fell to the bottom of my library bag and I almost returned it unopened. Fortunately, I decided to skim the introduction and held onto it, and I’m so glad I did.
Curzan’s new book discusses the various linguistic pet peeves she is regularly questioned about as an English professor, radio show host, and member of the Usage Panel for the American Heritage Dictionary. (Did you know this was a thing? It’s quite the who’s who of the “Masters of the English Language.” Go check out the list – I’ll wait!)
Each chapter dives into a common complaint or point of confusion about the use of a word, part of speech, or punctuation, and how the grammar rules most of us learned in school came to be (spoiler alert – it was usually just one guy’s opinion). Curzan also talks about the evolution of common word usage, and the acceptance of those changes into standard usage over time.
Some of my favorite examples Curzan presents include:
Mark Twain using the adverb “literally” in a way that would make most English teachers want to literally throw their copies of The Adventures of Tom Sawyer at the wall (and Louisa May Alcott does it as well!) (p. 69);
The incongruity behind why few people notice when the * symbol is pronounced “asteriks” (instead of “asterisk”) but many are agitated when they hear “aks” in place of “ask“. In fact, William Chaucer used both “ask” and “axe” interchangeably in his writing – neither are incorrect, just examples of dialectal differences (p. 92).
“They” has functioned as a singular gender-neutral pronoun for at least 8 centuries – Shakespeare used it, as did Jane Austen (p. 144).
Through the book, Curzan challenges the reader to step back from their inner “grammando” (a long-overdue replacement for “grammar Nazi”) and embrace their inner “wordie”- to be curious, not judgy, and find joy in the ever-changing English language and its many dialects and variations.
This 14 x 9 cm color postcard shows a view of Epworth Lake Park in Lincoln, Nebraska from around 1901-1907. In the lake are people in a row boat near a dock and wooden house to the right. The lake is surrounded by trees and other buildings are seen beyond the trees. The name Epworth is misspelled on the card as “Epsworth Lake Park, Lincoln, Nebr.”
The Epworth Association was formed in 1897 with ties to the Methodist Church and patterned after the program and meeting grounds at Lake Chautauqua, New York. A large area southwest of Lincoln, Nebraska, along Salt Creek was purchased and Epworth Lake was dredged near its center and filled by the creek. Buildings erected included a dormitory, hotel, four restaurants, post office, an amphitheater seating 500, and a huge, roofed, open-sided amphitheater which seated between 2,500 and 3,000 people. Many small cabins and 857 wooden, raised tent bases were also built to accommodate vacationing families. The park could provide accommodations for 2,500 and by 1910-11 it was in full swing. The Burlington Railroad built a spur line from Lincoln to the park offering summer specials. Because evening programs and Chautauqua were popular, it was common for 25 railroad cars to wait outside the gates to return attendees to Lincoln after the shows. Daily admission was 25 cents or an 8-day pass for $1. Speakers included Booker T. Washington, Enrico Caruso, Theodore Roosevelt, William Jennings Bryan, and Howard Taft. During the summer daily attendance ran from 2,000 – 2,500. With the advent of the automobile and the ability of city dwellers to go anywhere, in 1930, only 13,682 admissions were recorded for the entire year. In 1935 torrential rains nearly destroyed the camp grounds and in 1940 the Epworth League moved its programs to Bethany Park. In about 1966 the land was willed to the City of Lincoln and became Wilderness Park.
— McKee, James L. “Remember When: Memories of Lincoln”. Lincoln: J & L Lee Co., 1998, p. 17.
This image is published and owned by the Omaha Public Library. They have a large collection of 1,100+ postcards and photographs of the Omaha area.
The Nebraska Memories archive is brought to you by the Nebraska Library Commission. If your institution is interested in participating in Nebraska Memories, see http://nlc.nebraska.gov/nebraskamemories/participation.aspx for more information.
Apply for an individual $500 scholarship to attend either the NLA 2024 Conference in Kearney on October 9th-11th or to the ARSL 2024 Conference in Springfield, MA on September 11th-14th!
The Fern V. Heim Scholarship for Trustees was established by her friend, Mary Louise Dutcher, to honor Fern’s dedication to small public libraries and their trustees. Although Fern’s library career began in special libraries (Head of the UNL Chemistry Department Library, Serials and Circulation Departments of UNL Love Library, and then Director of the Research Library at Goodrich Tire and Rubber in Akron, Ohio), her work at the Nebraska Library Commission was devoted to public libraries. Recognizing that few small library budgets could provide support for librarians, let alone their volunteer trustees, to attend professional meetings, she encouraged them to go whenever possible (at their own expense) if only for a portion of the meeting. As her legacy, it is fitting to assist those trustees through this scholarship program.
The “Catfish at the Pump” by Roger L. Welsch, with Linda K. Welsch, is now available on cartridge and for download on BARD, the Braille and Audio Reading Download service. BARD is a service offered by the Nebraska Library Commission Talking Book and Braille Service and the National Library Service for the Blind and Print Disabled at the Library of Congress.
Were our forefathers liars? “You bet they were,” says Roger Welsch, “and damned fine ones at that.” The proof is in “Catfish at the Pump”, a collection of the kind of humor that softened the hardships of pioneering on the Great Plains. From yellowed newspapers, magazines, and forgotten Nebraska Federal Writers’ Project files, the well-known folklorist and humorist Roger Welsch has produced a book to be treasured. Here are jokes, anecdotes, legends, tall tales, and lugubriously funny poems about the things that preoccupied the pioneer plainsman: weather extremes; soil quality; food and whiskey; an arkload of animals, including grasshoppers, bed bugs, hoop snakes, the ubiquitous mule, and some mighty big fish; and even sickness and the poverty that would inspire black laughter again in the Great Depression.
“The book is more than a collection of good tales and jokes; it is, in fact, a serious study about humor. . . . well documented and well written.”
—Nebraska History
TBBS borrowers can request the “Catfish at the Pump,” DCB02038 or download it from the National Library Service BARD (Braille and Audio Reading Download) website. If you have high-speed internet access, you can download books to your smartphone or tablet, or onto a flash drive for use with your player. You may also contact your reader’s advisor to have the book mailed to you on cartridge.
If you’re going to ALA in San Diego this week, visit our Tech Innovation Librarian, Amanda Sweet at the Tech Test Pilot Playground in the Exhibit area. Get some hands-on exploration to test out robots, AI, and all that techy goodness. This is a collaboration between Amanda and Brian Pichman from the Evolve Project. It’s time to play!
Dig into the wonderful world of geocaching to send kids, teens and adults on treasure hunts on next week’s NCompass Live webinar on Wednesday, June 26 at 10am CT.
Special monthly episodes of NCompass Live! Join the NLC’s Technology Innovation Librarian, Amanda Sweet, as she guides us through the world of library-related Pretty Sweet Tech.
This session will help you dig into the wonderful world of geocaching to send kids, teens and adults on treasure hunts! You don’t even have to hide the things yourself because the Geocaching community has already hidden little trinkets and treasures all over the world. Though you can add more stuff to the shared treasure map if you’re so inclined.
Learn how to leverage existing resources to get a geocaching adventure up and running for free or low cost using geocaching.com and the associated app on your smartphone, with the option to go all out and build a custom, themed geocaching adventure for your community. By the end of this session you will have:
Guide to set up geocaching adventures for all ages
Complementary summer reading, STEM & STEAM activities for kids
Complementary material displays, STEM & STEAM activities for teens & adults
Known geocaching trails across Nebraska & beyond
While the examples are from Nebraska, geocaching adventures are for everyone, everywhere!
Upcoming NCompass Live shows:
July 3 – Helping Students Be Google Aware
July 17 – Think Outside the Box: Transformative Training with Breakout Challenges
Aug. 14 – Operating a Culture of Belonging: Personal Librarian 2.0
To register for an NCompass Live show, or to listen to recordings of past shows, go to the NCompass Live webpage.
NCompass Live is broadcast live every Wednesday from 10am – 11am Central Time. Convert to your time zone on the Official U.S. Time website.
The show is presented online using the GoTo Webinar online meeting service. Before you attend a session, please see the NLC Online Sessions webpage for detailed information about GoTo Webinar, including system requirements, firewall permissions, and equipment requirements for computer speakers and microphones.
Both of these cozy, fantasy novels follow Viv, an orc barbarian, as she has not your typical barbarian adventures. Although, her barbarian skills do play a part, just in more unusual ways.
In this novel, Viv’s leg has been injured too badly to continue questing with her group of mercenaries, so she must take a break to heal up and recuperate. She is left behind in Murk, a quaint ocean town. At first, she is understandably angry and frustrated about her situation.
But, Murk isn’t as sleepy and boring as she assumes. Viv befriends the owner of a bookshop, helping her revive her struggling business, and falls in love with reading in the process. Perhaps this plants the seeds of what happens when Viv decides to retire from adventuring in Legends & Lattes?
But it’s not just a relaxing break for Viv. There’s the mystery of a necromancer, skeletons popping up everywhere, and a summer romance. Readers of Legends & Lattes will enjoy learning more about the history of Viv’s sword and her future friendships.
If you enjoyed Legends & Lattes, as I did, you will definitely feel the same about Bookshops & Bonedust. I hope the author has more stories about Viv to tell. I’d love to learn more about her past adventuring days or her life after settling down.
This week’s #BookFace, “Long Way Down” by New York Times bestselling author Jason Reynolds, is a Newbery Honor Book and a Coretta Scott King Honor Book.
This electric YA novel is available as a part of our Book Club Kit collection, along with five other books written by Jason Reynolds.
“Spanning a mere one minute and seven seconds, Reynolds’ new free-verse novel is an intense snapshot of the chain reaction caused by pulling a trigger. Reynolds’ concise verses echo like shots against the white space of the page, their impact resounding. He peels back the individual stories that led to this moment in the elevator and exposes a culture inured to violence because poverty, gang life, or injustice has left them with no other option. In this all too real portrait of survival, Reynolds goes toe-to-toe with where, or even if, love and choice are allowed to exist.”
—Booklist, starred review
Book Club Kits Rules for Use
These kits can be checked out by the librarians of Nebraska libraries and media centers.
Circulation times are flexible and will be based upon availability. There is no standard check-out time for book club kits.
Please search the collection to select items you wish to borrow and use the REQUEST THIS KIT icon to borrow items.
Contact the Information Desk at the Library Commission if you have any questions: by phone: 800/307-2665, or by email: Information Services Team
This title is also available as an Audiobook through Nebraska OverDrive Libraries. You can find ten other books by Jason Reynolds in our Kids and Teens collection! Libraries participating in the Nebraska OverDrive Libraries Group currently have access to a shared and growing collection of digital downloadable audiobooks and eBooks. 194 libraries across the state share the Nebraska OverDrive collection of 26,898 audiobooks, 36,794 ebooks, and 5,133 magazines. As an added bonus it includes 130 podcasts that are always available with simultaneous use (SU), as well as SU ebooks and audiobook titles that publishers have made available for a limited time. If you’re a part of it, let your users know about this great title, and if you’re not a member yet, find more information about participating in Nebraska Overdrive Libraries!
