NCompass Blog

The Nebraska Publications Clearinghouse receives documents every month from all Nebraska state agencies, including the University of Nebraska Press (UNP).  UNP books, as well as all Nebraska state documents, are available for checkout by libraries and librarians for their patrons.

Here are the UNP books the Clearinghouse received in September and October, 2025:

Daddy Issues: Stories, by Eric C. Wat. Series: Zero Street Fiction.

Winner of the Barbara DiBernard Prize in Fiction.

Daddy Issues is a collection of moving and complex—yet simply and directly told—stories of queer Asian American experiences in Los Angeles. In many of these stories, the protagonists are artists and writers and other creative thinkers living on the fringe of survival, attempting to align a life of the imagination with the practical considerations of career, income, and family: a gay father who hasn’t come out to his young son; a social worker, numbed by the destitution of his clients, who finds himself lost in self-destruction; a trans man who returns home to a father with dementia to help his family pack as they are pushed out by gentrification; a husband who can only stand aside as his wife heals from a miscarriage; and a broke writer who learns to love his stories again.

The stories in Daddy Issues offer different contemplations on solitude—the good and the bad of it. Ultimately, this collection by Eric C. Wat is full of hope, and it shows how we can find the connections we need once we allow ourselves to become vulnerable.

Death Does Not End at the Sea, by Gbenga Adesina. Series: The Raz/Shumaker Prairie Schooner Book Prize in Poetry.

Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry

In Gbenga Adesina’s groundbreaking debut book of poems, a defiant and wise exploration of exile, voyages, and spiritual odysseys, we encounter figures embarking on journeys haunted by history—a son keeps dreaming he carried his dead father across the sea; a young Black father, tired of fear and breathlessness, travels with his son in search of the ghost of James Baldwin—to Paris, the south of France, Turkey, and Senegal to investigate his ancestral roots; and finally, a group of immigrants on small boats in the middle of the Mediterranean Sea sing in order not to drown, in a stunning sequence that invokes the middle passage. In a lyrical voice at once new and surprisingly ancient, Adesina’s Death Does Not End at the Sea explores the complexity of elusive citizenship, an immigrant’s brokenhearted prayer for a new beginning, a chorus of elegies, and a cosmic love song between the living and the dead.

Dreams of a Young Republic, by John J. Harney. Series: Studies in Pacific Worlds.

The Congregation of the Mission, a Catholic order known as the Vincentians after their founder Saint Vincent de Paul, began missionary work in China in 1699. First run by French priests and nuns, a large vicariate in the south of China was taken over by American priests in 1921. French envoys of nineteenth-century imperialism had given way to American priests who ascribed to an idealized vision of a modern democratic China. For the Americans, China was a dream: a place liberated from centuries of imperial orthodoxy, a nascent democracy, a country that would forever be free and democratic—and thus one that would inevitably be capitalist and more friendly to Catholicism.

In Dreams of a Young Republic John J. Harney examines the perceptions and expectations of this group of American Catholic missionaries between the 1911 revolution that created the Republic of China and the communist revolution of 1949 that led to the collapse of that republic on the Chinese mainland. The Vincentians experienced warlordism, Nationalist leader Chiang Kai-shek’s partial unification of the country, Japanese invasion during World War II, and communist revolution. Through all this they clung to a vision of a free, democratic China friendly to the West. As Harney contextualizes the Vincentians’ observations and desires, he provides insight into the China that came to be and offers a history of a Sino-American relationship with much deeper roots than the antagonisms of the Cold War and the decades that have followed.

Our People Believe in Education: the Unlikely Alliance of the Miami Tribe and Miami University, by Cameron M. Shriver with Bobbe Burke. Series: Indigenous Education.

Across the United States, many institutions are striving to acknowledge and repair oppressive pasts and unequal presents, even as Indigenous communities are struggling to reclaim and revitalize the philosophies and knowledges of their elders. Our People Believe in Education explores the stories of the Miami Tribe of Oklahoma and Miami University to show how two organizations with almost nothing in common, aside from the name Miami, have collaborated to support Indigenous language and cultural revitalization. Founded in 1809, Miami University is a midsize public university in Oxford, Ohio, on land that once belonged to the Miami Tribe. The Miami Tribe of Oklahoma was, like many tribal nations, forcibly removed from its homelands and is now headquartered in northeast Oklahoma.

Cameron M. Shriver and Bobbe Burke provide a reflective examination of why a relationship developed between the two entities despite significant geographical and ideological hurdles, and how that partnership has evolved since 1972, when Myaamia chief Forest Olds first visited Miami’s university campus in his nation’s homeland. This intimate history of a tribe and a university struggling to reconcile colonial education with Indigenous survival offers a jumping-off point for new conversations in, and between, these two spheres.

Raising the Redwood Curtain: Labor Landscapes and Community Violence in a Pacific Littoral, by Michael T. Karp. Series: Studies in Pacific Worlds.

Raising the Redwood Curtain explores how shifting land use practices and exploitative labor patterns spurred by the colonial settlement of the Pacific world influenced the genocide of California’s Native people, anti-Asian campaigns, and the oppression of eastern European immigrant workers. By carefully examining these local developments, it explores how global capitalism fundamentally reordered labor patterns and social relations.

By analyzing the history of three episodes of labor and racial violence in Humboldt County, California, Michael T. Karp spans nearly a century in a detailed examination of the causes and interconnections between the Indian Island massacre of 1860, the expulsion of Chinese and Japanese people from the county between 1885 and 1906, and the killing and persecution of eastern Europeans during the Great Lumber Strike of 1935.

Regional labor and land use patterns shaped these events, but so did global economic developments and environmental change, connecting disparate acts of racial violence across time. By bringing together new scholarship on the American West, environmental history, and the Pacific world, Michael T. Karp illustrates the importance of considering communities on the periphery to better understand the violence that defined the colonial settlement of North America.

Twinless Twin: a Novel, by Dean Marshall Tuck. Series: The James Alan McPherson Prize for the Novel.

The James Alan McPherson Prize for the Novel, AWP Award Series Winner.

Twinless Twin finds a family maimed by a troubled, enigmatic son, whose unspeakable actions leave the family reeling, torn between moving on and searching for answers. A twin who survives their sibling twin may sometimes be plagued with lifelong feelings of loss, guilt, and even a strange sense of urgency—a need to live two lives in one. In this story, the tragedy of the lost child reverberates through the surviving sibling and ripples through the rest of the family and beyond.

Set largely in twentieth-century America in the foothills of an unnamed mountain, this insular landscape breeds rumor, legend, desperation, daydreams, and a mystery that runs deeper than the family who inhabits its woods. Raising questions regarding culpability in the face of tragedy and the responsibilities of those who remain after a family has been splintered, Twinless Twin ultimately asks: What must be done to salvage the family, their reputation, and their homeplace?

Wolves in Shells, by Kimberly Ann Priest. Series: The Backwaters Prize in Poetry.

Winner of the Backwaters Prize in Poetry.

Wolves in Shells is a modern monomyth telling the story of a woman navigating homelessness, trauma, and memories as she attempts to leave a violent partner. Reflecting on her familial heritage, this survivor grapples with the way she, the women of her history, and her daughter have been conditioned to accommodate the demands of the male ego and predation. Reflective, clear-eyed, and incisive, the poems of Wolves in Shells feature O-Six, a wolf born into the rewilding territory of Yellowstone National Park in the 1990s who serves as a metaphor for women who must cope with violence and survive on their own. Drawing from Gaston Bachelard’s quote “wolves in shells are crueler than stray ones,” the narrative considers how survival requires a balance of protectiveness, risk, trust, and escape.

**Pictures and Synopses courtesy of University of Nebraska Press.