Tag Archives: Friday Reads

Several years ago, I heard my dad scream in the middle of the night. It was such a foreign sound I thought it was leftover from the dream that had woken me up in the first place. I froze on high alert, listening. Nothing. I had nothing in my memory to compare the sound against, so it was easy to quietly dismiss the scream as a dream.

Months later, my dad and I were watching a movie about missing and murdered indigenous women and I found out my aunt had been murdered long before my life was even a possibility. He said the only time he ever screamed was that night when he woke up and saw her face next to his bed. The scream was real, and I did nothing. I didn’t know what to do with that information. I wanted to know more, but nobody ever speaks her name. The pain is still too great. There are probably others I don’t know about who were lost.

So I read Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls by Angela Sterritt, a Native journalist who grew up on the streets of Vancouver, Canada. I’ve read a lot on this topic. The book is part memoir and part investigative journalism as Sterritt blends together her own story of survival with the stories of those who were lost along the Highway of Tears in British Columbia. This is a stretch of highway where more than 40 Indigenous went missing or were found murdered. I thought it would be hard to read, but it wasn’t. Each story is filled with an equal amount of love and heartache. As I read, I wondered about my aunt’s story.

Sterritt tells these stories because “She could have been me”. I share the book because this problem is bigger than Canada. My aunt was found in Seattle. In the state of Washington alone, in a single year, over 5,000 Indigenous women and girls went missing. In smaller numbers, similar stories can be found in Alaska and other parts of the nation. As Sterritt shared her experience of walking the same streets as these lost women, I realized that I probably walked on the same street where my aunt lost her life. I’ve been to that area in Seattle several times, often at night. The statistics were mind-boggling. The stories struck me to the core.

As I read deeper, I remembered my mom telling me that I shouldn’t wear my beaded earrings, even though I love making them. They make me feel good. She wouldn’t say why, but she was disturbingly adamant that I shouldn’t wear them. At the time, I interpreted this as disrespecting a heritage that wasn’t her own. I wore them secretly in rebellious Native pride. Now I realize I was missing vital information. My aunt was murdered by a serial killer targeting Native women in Seattle. On the wrong streets, those earrings make me a target. I still make and wear my beaded earrings proudly, but when the shadows come out at night, I hide my heritage in a jewelry box in my purse. 5,000 women in a year. She could have been me.

I used to lay awake at night wondering if I would wake up in the dead of night and see her face. Would I recognize her? Did she spill over from a nightmare my dad was having? Would I share the same dream? I wondered if the desecration of murder was so powerful it could scream through the generations. 

All I know is that this book was a journey for Sterritt. It was a journey for me. The stories of these women deserve to be told. Sterritt lived a hard life, but she emerged Unbroken. She seeks justice for the women who were lost along the Highway of Tears. She uncovers unbelievable acts of racism and unfounded hatred for Indigenous people. She shows how law enforcement ignored the problem and more went missing. She refuses to allow the media or the public to turn a blind eye to difficult topics. She lived on the wrong end of justice for long enough to show she speaks the truth.

Most of all, she shows how Indigenous women can survive and thrive in life. This book may be hard for some to read, but knowledge is power. Now I know what my earrings really mean. It’s not fair or just, but I have the power to make myself a little bit safer. It did help in a gas station parking lot late one night. That night, I was white. The world should know that statistically, the world is more dangerous to Native women. Read and learn the root causes of these terrifying numbers, especially if you have a Native population. Help keep that population alive.

STERRITT, ANGELA. Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls. GREYSTONE BOOKS, 2024.

A whimsical and sweet story about found family, belonging, and magic. Mika Moon has been alone all of her life, raised by a series of nannies and forced to live by strict rules to protect and hide her magic (as all witches must do). She begins posting short witchy videos online, assuming no one will actually believe the simple magic tricks are real – until she gets a message offering her a tutoring job for three young witches.

When she arrives to “Nowhere House,” she meets the two caretakers, along with a retired actor, a grumpy/broody librarian, and the three girls who are very much in need of some magical guidance. She also finds that the mysterious archeologist, Lillian, who owns the house, has been out of contact for months and people are starting to ask questions which all threatens the girls’ safety. Mika knows if the kids are discovered (by other witches), they’ll be taken and split up so their magic doesn’t draw attention. No one at the house wants to find out what will happen if they’re discovered by non-witches.

But will the girls learn to reign in their powers? Will James, the librarian, trust Mika enough to let her help? Does he really hate her or is there something more developing between them? Where is Lillian? How is this connected to Mika’s own past? Could this odd group be the home and family that Mika has always wanted?

Mandanna, Sangu. The Very Secret Society of Irregular Witches. Berkley. 2022.

Ever since a friend recommended her breakout television series, Lady Dynamite, I’ve been a fan of Maria Bamford and her singular comedy style. In her new memoir, Sure, I’ll Join Your Cult, she discusses her desire to belong to something, anything, that makes sense of her life and what’s happening in her brain—and how well that challenge goes, or doesn’t. You will be rooting for her as she describes her journey, and as she illustrates the characters she meets along the way—people and organizations that are more than willing to offer her the security she craves, in exchange for her continued insecurity in some other area of her life. She addresses heavy (sometimes very heavy! You’ve been warned! She will warn you too!) topics with both irreverence and gentleness, somehow. No other comedian is quite like Maria Bamford. 

Bamford will talk about her mental health in fresh and honest and uncomfortable ways that will have you laughing out loud—so, you know, watch out for that if you’re listening to the audiobook on earbuds while you’re out in public. Her comedic timing is perfect, and she narrates accordingly, so it’s a great audiobook choice. There are some fun sound effects in the audiobook, to correspond with certain notes that appear in the printed book—it’s all thoughtfully explained at the beginning of the recording. I appreciated that the author and publisher took the time to make the audiobook succeed as a separate work on its own, and not suffer in the adaptation. I checked out the print book as well, though, to see the photos and illustrations. And to take a photo for Friday Reads, of course.  

If you’re familiar with Bamford, you already know you want to read this book. It’s almost all new material, and she even warns you when she’s about to use jokes recycled from earlier routines. (Even those recycled bits are often presented with more context, so you won’t mind.) If you’re not familiar with her, you might be surprised to find that you’ve seen her (or heard her) in a number of series and other works (check out her IMDb credits here).

Bamford M. Sure I’ll Join Your Cult : A Memoir of Mental Illness and the Quest to Belong Anywhere. First Gallery Books hardcover ed. New York: Gallery Books; 2023.

Many times, I have selected audio books for their length but this time I selected for the narrator, Meryl Streep. Eleven and a half hours still left me wanting more. When it ended, I wondered, what will I do now? How can I follow that?  Meryl’s voice is maternal, comforting, and restorative. Her delivery assures you everything will be all right. Even the author recommends listening to the book rather than reading the text.

The book is told through the voice of Lara, wife to Joe, and mother to 3 grown daughters and that makes it especially wonderful for Meryl to read. Set during the pandemic, all of her girls have returned home to the family orchard in northern Michigan. In the days of weeks of being sequestered, the girls encourage and cajole their mother to tell the stores of her young life when she shared the stage and a romance with a now famous actor, Peter Duke, in a summer stock theater called Tom Lake.

Time travels from the present to the past in the form of Lara recalling her youth mostly for the girls but also through interior thoughts shared only with the reader. For anyone who has lost young love and looks back, this is a familiar theme. Hindsight without nostalgia can bring clarity. Love during different ages of life and appreciating mature love.

This is a novel without drama or angst. One friend who read it agreed with me in calling the novel a warm hug. A bucolic story read to you by Meryl Streep. What are you waiting for?

Patchett, Ann. Tom Lake. Harper. 2023

I don’t remember whether it was the Apple TV+ series or a book that started my interest in Mick Herron’s spy novels. In my view, they are equally good. Bad Actors is the eighth and latest in Herron’s Slough House series. There are also four novellas. Slough House is purgatory for disgraced British MI5 service rejects placed apart from headquarters to serve out their careers. Central to all books in the series is the Slough House cast of colorful characters referred to as the “Slow Horses” – the B-team, if you will. In Bad Actors you will find some of the same characters and new ones as well – flawed as they all are. There is also the usual clash of personalities, backstabbing and insults, along with quick and sharp dialogue.

Mick Herron is kind of, sort of, somewhat, loosely in the company of many good and popular authors from among the espionage genre. Herron’s writing is especially witty and unique. These are intricate spy books that are also full of dark humor.

The Bad Actors narrative evolves from the growing tensions between the UK and Russia and a series of mysterious and supposedly unconnected events. A protest at a London arms fair leads into violence, a high-level politician disappears, and a shady organization known as “The Outfit” emerges to manipulate events from afar. As it happens, dispatched on a sideline task, Jackson Lamb’s “Slow Horses” find themselves in the midst of the chaos – a charade of conspiracy involving the upper echelons of government. Jackson Lamb is the offensive, slovenly leader of this group of misfits. Imagine Jackson Lamb with the well-worn trench coat, loosened necktie, longish unwashed hair, and days of unshaven face. A veteran intelligence officer, Lamb is a secretive, perceptive and shrewd spook. As outcast as they are, and as ill viewed, Jackson’s crew manages to pull it together and come out on top in the end.

The Apple TV+ series enriches Herron’s books, creating interest and adding multitudes of Herron fans.

Herron, Mick. Bad Actors. Soho Crime. 2022.