Tag Archives: Friday Reads

Perhaps what is most important is not the truth of our lives, but the stories we tell.  

Or, as Poor Deer might argue, that’s a pretty saying that liars might repeat in an attempt to absolve themselves of guilt; nothing is more important than the truth.

Poor Deer is a quick-read of a novel. It is the confession and story of Margaret Murphy, who experienced an unthinkable tragedy when she was four years old. It is a strange literary punch of a novel, pirouetting on the incredible mutability and haze of a young child’s memory.  

I won’t spoil the central event of Poor Deer; what really happened the day of the schoolyard flood in that small mill-town is not definitively admitted until the final pages of the novel. But it is a tragedy regardless of what happened, and the confusing swirl of emotions and accusations, memory and blame, sweeps poor little Margaret away and drowns her life in guilt.

There is a fascinatingly light-touch to the story; Oshetsky relies on an older Margaret’s narration of the story – flipping back between third and first person perspective — and in doing so avoids the common, belief-breaking pitfall of “a child would not think or speak like that.” The language and tone of the novel itself is childlike and ephemeral, straightforward and naïve, poetic and blunt, and it softens the blow of what is a very depressing story. Don’t get me wrong: it still is a depressing story, in which awful things happen. It is depressing in the way that classic fairytales are depressing, and I think that was Oshetsky’s intent. But it is not entirely depressing, nor is it unrealistic or cruel. Oshetsky does not batter Margaret beyond the possibility of recovery, or beyond redemption.  

Margaret, who is now a young woman on the eve of another tragedy, is an unreliable narrator kept in check by the titular “Poor Deer” — an apparition who has been following Margaret since her childhood, who will not be dismissed until Margaret faces the truth. There are delightful and heartbreaking passages in which Poor Deer commands, “Again, again,” and Margaret starts again and tells her story honestly. “Is she real?” Margaret asks as she writes her confession under the weepy, vengeful gaze of the deer. “Does is matter? She is part of who I am.” 

Oshetsky, Claire. Poor Deer: A Novel. Ecco, an Imprint of HarperCollinsPublishers, 2024.

“After a certain age, you can pretty much do whatever takes your fancy. No one tells you off, except for your doctors and your children.”

Cooper’s Chase is a lovely upscale retirement village in Kent. Elizabeth (spy), Joyce (nurse), Ibrahim (psychiatrist), and Ron (union boss) meet every Thursday to discuss cold/unsolved murders – taken from their friend Penny’s old case files.

Told through Joyce’s journal entries, the club finds renewed purpose as two “new” murders basically fall on their doorstep. These septuagenarian detectives must use their past experiences and connection to (unofficially) help PC Donna discover the truth – this is her first murder investigation after all. Who is the killer and how are these murders connected to Cooper’s Chase?

A cozy mystery – the story focuses on our quirky cast of characters, their relationships and life lessons without being too gory or violent with the murders. The writing is warm-hearted and humorous with plenty of suspense, twists, and gossip.

Series:

• The Thursday Murder Club #1
• The Man Who Died Twice #2
• The Bullet That Missed #3
• The Last Devil to Die #4

Osman, R. The Thursday Murder Club. Penguin. 2020.

This book may be the first in another new series and released in time for Valentine’s Day since it features a matchmaking business.  Katie Donald agrees to leave her job at a London gallery to run the Perfect Passion Company in Edinburgh while the proprietor, Katie’s Aunt Ness, takes an adult gap year in Ontario, Canada. Katie has no formal training in this business and receives only brief but basic instructions.  Ness introduces Katie to William, the handsome Australian knitwear designer who lives in a flat adjacent to the agency office. William, along with the accountant, will be all the support Katie receives as she begins interviewing and introducing hopeful, love-seeking clients who would rather not use dating apps.

Her first client is a retired airline pilot turned farmer, who is looking for someone to cook for him. Her second client has struggled with relationships due to an overbearing mother. A third client is a verbose woman whose list of requirements for a man is lengthy and unattainable. Katie sends the first client to cooking school, the second client receives an introduction to a very strong-willed and assertive woman, and the third client is introduced to a man who wears adjustable hearing aids. Mostly successful and humorous results all around.

What makes Smith such a reliable author for me are his charming characters in delightful settings with clever dialog. This book is set in Edinburgh in the New Town area, the same neighborhood used for the 44 Scotland Street Series. In this book Katie is a level-headed, self-confident woman who is an excellent problem solver. Often, Katie is able to hold back words in a conversation she would like to say, but realizes in the moment, perhaps another comment would be more acceptable. Her interior thoughts are funny and relatable, unfortunately, her own success in love is lacking. William possess common sense, artistic talent, and tact although he has a few blind spots when it comes to his own love life. Smith rounds out the cast with hyperbolic and amusing characters. Having been to Edinburgh, I am familiar with the setting and am always happy to visit again.

Finding nonfiction to read is never difficult, but more recently, fiction has been a challenge.  Alexander McCall Smith will always be a go to author for me.

Smith, Alexander McCall. The Perfect Passion Company. Vintage. 2024

If there were a year that many would like to forget, it would likely be 2020. The worldwide pandemic that brought the spread of a novel virus, originating in rural China, sparked global disruption and changes that will continue into the future. In his new book, 2020, sociologist Eric Klinenberg chronicles the experiences, stories, and research associated with the pandemic, public health measures, economic peril, political distress, and societal changes.

The COVID pandemic, George Floyd’s death and the social justice movement, and the presidential election were prominent in this historic year. Klinenberg observes, “This story is not over. We are living through the long 2020.” 2020 includes an extensive presentation of data and is global in scope. However, as broad and sweeping as it is with comparisons and contrasts, a unique feature is the personal stories that reflect on individuals and their experiences living through this extraordinary time. Experiences depend on individual circumstances. Location, lifestyle, and access to resources all played a significant role. A takeaway is how these disruptive events affected each individual in their own personal way.

Disturbing was the growing divide over policies and actions to address the pandemic. Policies and actions varied from neighborhood, community, state, national, and global. The United States lacked consistency in providing direction. States differed in the extent of public health safety policies – some highly restrictive and others much less so. Communities varied based on local leadership and circumstances. Overall, the pandemic strained public trust in both government and science, leading to deep divisions over measures like mask mandates, social distancing, lockdowns, and vaccinations.

Klinenberg profiles seven New Yorkers including a new bar owner, an elementary school principal living in a multigenerational home, a transit worker, a local political aide, a retired district attorney turned neighborhood organizer, and others. Notable is the Staten Island bar owner who declared his bar an autonomous zone and refused to follow New York City’s health safety requirements. Questionable as his actions were, we can sympathize with his dilemma – opening a new business and having it shut down soon after. Others interviewed spoke of depression, food insecurity, and employment uncertainty. For others – the vulnerable – those living in high-density neighborhoods, nursing homes, those lacking homes with the resources school age children needed to participate in online education.  

Despite the negative, there are remarkable examples of compassion and courage, as well as the day-to-day efforts of many to provide care for family, friends, neighbors – donations, pantries, deliveries, childcare, and more. To be appreciated are the health care workers, teachers, and all in “essential” occupations with close exposure to illness.

Klinenberg’s book is difficult to read because it is a reminder of the tragedy of pervasive illness, death, disruption, and economic uncertainty. Consequences have lingered and polarization continues. A troubling question remains whether we are now better prepared and less vulnerable for the next pandemic.

Eric Klinenberg is Professor in the Social Sciences and Director of the Institute for Public Knowledge at New York University. Among his other books is Palaces for the People, published in 2018. In regard to Palaces for the People, Carla Hayden, Librarian of Congress, commented that “Klinenberg is echoing what librarians and library patrons have been saying for years: that libraries are equalizers and absolutely universal.”

Klinenberg, Eric. 2020: One City, Seven People, and the Year Everything Changed. Knopf. 2024.