Author Archives: Sam Shaw

A little while ago, I had just finished reading The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret and I was listening to a story on NPR about music students attending the Berklee College of Music in Boston. Ironically, the story highlighted current student musicians that were contributing to the music world in a way quite similar to the wrecking crew of the 1960’s and 1970’s. You see, the original wrecking crew was a collection of backup (or maybe background would be a more appropriate word) musicians that played on numerous studio recordings. Like the Berklee music students, the wrecking crew played on jingles, theme songs, film scores, and commercials (the Berklee students have expanded to playing music for podcasts, video games, and other things).

So The Wrecking Crew documents the lives of these studio musicians, how they started and expanded in the business, and their interactions with some of the writers, producers, arrangers, and other notable artists. These include, among others, Brian Wilson, Sonny and Cher, Simon and Garfunkel, John Lennon, Frank Sinatra, and the Mamas and the Papas. While one of the more well-known members of the crew was Glen Campbell (who also toured as one of the Beach Boys), the book also focuses on drummer Hal Blaine and guitarist Carol Kaye (shown here hilariously giving Gene Simmons a lesson on bass). Incidentally, the name wrecking crew, penned by Hal Blaine, is disputed by Carol Kaye, who mentions that the group of musicians weren’t generally known as such (but sometimes called “the Clique”). Call them whatever you choose, but this set of musicians were the go-to’s when it came to studio recording, and the point is that the work was good enough for them to earn a living doing it. Most of the recorded music you hear from this time has these musicians playing on it instead of the actual bands that toured. And the kicker is that you would never know it; most of the time (if not all of the time) they weren’t credited.

The book also offers an interesting insight into many of the colorful (both in a healthy creative way and sometimes controlling and abrasive) characters in the music world at the time. For the creative but meticulous, think Brian Wilson. For the controlling and abrasive (and sometimes downright crazy), think Phil Spector. The Wrecking Crew offers access into not only these major artists but also those behind the scenes. A documentary film about the Crew, based on the book, may also be of interest (some of the original footage illustrates things in a worthwhile way).

Hartman, Kent (2013). The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret. St. Martin’s Griffin.

For a little while, I have been thinking of reviewing an urban fiction book for Friday Reads. Not that I am an avid urban fiction reader, because I am not. But rather this is a specific genre of fiction that no one has ever reviewed on FR. Urban fiction, for me at least, is very difficult to read, but I finally made it through one to write about it here. First, a basic definition of urban fiction. Sometimes called “hood books” or “the good books”, urban fiction often tells stories of inner cities, typically graphic in nature and tackling issues of poverty, abuses (drug, domestic, and others), crime, hustling, and street life. A number of urban fiction books have been written by authors while in prison. The challenge here is that for me some urban fiction is just plain unreadable. I tried numerous books and did not get very far into them before giving up. Some examples: True to the Game series (didn’t make it to chapter 2), The Thug Series of books (I tried a few, including Every Thug Needs a Lady, Honor Thy Thug, and Justify My Thug), and the Girls From Da Hood series (I thought they must be decent because there are 13 of them – unfortunately in my opinion they weren’t readable). About to give up, I finally decided to try Donald Goines’ classic Dopefiend, published in 1971. While I made it through, I cannot say I would recommend it overall. However, it might serve a purpose in a scared straight sort of fashion, maybe to high school or college aged students.

Dopefiend tells the story of a group of addicts in an inner city (Detroit) in a raw and graphic manner. The story mostly follows the decline of the main character Terry, spiraling downward into the depths of her addiction. Most of the story is disturbing, following not only Terry but also the side characters Teddy, Minnie, Porky, Snake, and Dirty Red. The story involves numerous crimes to support their habits, lies and ruined relationships, exploitative drug dealers, and prostitution. For me it was reminiscent of parts of Requiem for a Dream (both movie and book). While the depiction in Requiem for a Dream consists of mostly white characters, the characters in Dopefiend are overwhelmingly African American. Dopefiend is uncomfortable on many levels. I will say that after trying to read contemporary urban fiction, which often glamorizes the life of the hustler, Goines paints an entirely darker and realistic picture in the opposite direction.

Goines, Donald (1971). Dopefiend: The Desperate Rage and Suffering of a Hardcore Junkie. Holloway House

For years, I overlooked the simplicity and beauty of Tom Petty’s music. Some points of clarification at the outset: I would like to acknowledge the contribution of the Heartbreakers to Tom Petty, and it should be noted that the band (both collectively and individually) did a fair amount of side work, including backing Johnny Cash and the Travelling Wilburys (among other things). I owe it to my daughter (11-year old astrology expert and member of the counterculture) for my renewed interest in Petty, and the Heartbreakers. As a youngster, I never really listened to him much. Not that I had anything against him or his music, but I guess I just did not have the appreciation at that time. At any rate, the daughter, oddly and I’m not sure how, became a huge Petty fan. She likely was drawn to his simplicity, musical genius, and willingness to tell it like it is. Speaking of how Tom and the Heartbreakers got hooked up with Johnny Cash, Tom mentions that the band was interested in all forms of American music, pure forms that is, “not what they would call country today. What they would call country today is sort of like bad rock groups with a fiddle.” Tom and the Heartbreakers backed Cash on American II: Unchained. As much as I could go on about Cash, this little review today is about Petty, so let us steer back in that direction.

Petty, written by former Del Fuegos guitarist Warren Zanes, chronicles Tom’s upbringing, complete with an abusive alcoholic father in 1950’s working class Gainesville, FL.  Arguably, the most difficult obstacle in Petty’s childhood was his lack of familial support for his interests and passion (music), but some might argue that being severely beaten around age 5 would be just as bad or worse. At any rate, Tom did not have an easy childhood, and while struggling through the monotony and boredom of school, he did get hooked up with other musicians, notably taking guitar lessons from Don Felder (the Eagles), forming various cover bands, and then the assembly of Mudcrutch. Most of the members of Mudcrutch subsequently became members of the Heartbreakers.

The account provided by Zanes relies on interviews from various people around the band and Petty himself. I think Tom wanted to tell his story, but felt the need to have it done independently, so that it seemed more credible. I can’t say I blame him, as I’ve often read autobiographies (especially by musicians) that come across as braggadocios, even if not intended. This one doesn’t play that way. Petty is such a likeable figure because of his honesty and humility. That is not to say that the duration of the Heartbreakers was without conflict, because it certainly was not. In addition to the Heartbreakers and various producers (notably Jimmy Iovine and Rick Rubin), numerous other prominent figures played a role in his life, such as (to name just a few) close friends Stevie Nicks, Jeff Lynne, Bruce Springsteen, and George Harrison. One of the reasons Petty has appeal (aside from his work with the Heartbreakers) is his work and friendship with these other musicians. For a nice little example of this, check out the performance at George Harrison’s induction into the Rock and Roll Hall of Fame (2004), and a cat named Prince who makes an appearance around 3:29.

Zanes of course also covers personal aspects of Petty’s life, including his relationship with his first wife, Jane Benyo, his kids, and his second wife, Dana York. Zanes also chronicles Tom’s depression and heroin use, and while that certainly is a large part of his story, it does not overwhelm the reader. It just seems to be an honest depiction and part of his story. As far as biographies go, this is one of the better ones.

Zanes, Warren. Petty: The Biography. 2016. Print.

Last year saw the brilliant return of Twin Peaks season 3 on Showtime. For those of you who haven’t seen season 3 yet, I highly recommend it. However, it would be beneficial for you to review the first 2 seasons, which originally aired in 1990 and 1991. Yep, that’s correct, I’m recommending a TV series from the 90’s. Your local library or inter-library loan service should be able to net you the DVD’s (including season 3). A prequel movie, called Twin Peaks: Fire Walk With Me, is also beneficial before you swan dive into season 3. But today’s write up is about Twin Peaks: The Final Dossier, and not Twin Peaks the video series. While the author of the Final Dossier is Twin Peaks co-creator Mark Frost (the other co-creator is David Lynch), the book is written as a series of final FBI reports from the perspective of season 3 special agent Tammy Preston. I was surprised at the depth of Tammy’s reports. While I found Tammy’s character in season 3 to be a bit aloof (to put it mildly), not so in the case of the Final Dossier. She comes across as thorough, to the point, and witty in a Twin Peaks sort of way which is to say quite unconventional and refreshing.

The Final Dossier focuses on some rather interesting things about the Twin Peaks townspeople, and specifically what’s happened to them over the past 25 years (the gap between seasons 2 and 3). These people include Shelley Johnson and Co., the Haywards, the Horne’s, the Hurley’s, Windom Earle, Dr. Jacoby, Harry, and Annie. I’m sure I’ve missed some. I’d say it was interesting to read more about these characters, but the ultimate question after watching the ending of season 3 is: What really happened? The Final Dossier does in fact shed some light on these philosophical tidbits, and confirms some thoughts and theories by including dossiers devoted to Major Briggs, Philip Jeffries, Judy, the log lady, and in a roundabout way other big league players such as the Fireman, BOB, and the Woodsmen. Cooper (both good Coop and evil Coop/Mr. C) and Diane are also spread throughout both of these narratives. Be prepared, as these things —  both the book and TV series — include various dimensions, the supernatural, doppelgangers, alternate timelines and realities, and the omnipresent dream, which we may or may not live inside of. Or do we live inside of a dream of a dream? And as Twin Peaks asks, who is the dreamer?

Moving forward from that, I find it helpful to offer a brief sample so the reader of the review can get a flava for the writing style. In this case, thumbs up goes to this one:

“And even as we ‘wonder’ at what we’re doing here, so do we also fear – so deep down below the surface of our lives that few can bear to look at it – that life is a meaningless jest, an extravagant exercise in morbidity, a tale of sorrow and suffering lit by flashes, and made bearable only by moments of companionship and unsustainable joy. Along the way, as we struggle to come to terms and comprehend why this strange fate has befallen us, time becomes no longer our ally – the spendthrift assumption of our youth – but our executioner. It all feels at times like a merciless joke made at our expense, without our consent.”

While I’m now tempted to swing by the local library, grab some Sarte, head home and crank up some Joy Division on my home Hi-Fi, I think I’ll resist those urges. A final thought on the season 3 series that sums up its originality is evidenced by this brief video. And if that doesn’t make you want to watch the series or read the book, I don’t know what would. Maybe it just isn’t for you. But if it is, let me know so we can talk about theories, and we can certainly talk about Judy. Season 3 on DVD is now available.

Frost, Mark. Twin Peaks: The Final Dossier. New York: Flatiron Books, 2017. Print.

If you are looking for a quick, easy, and entertaining read, The Long Haul might fit the bill. I chose to read it because I was interested in learning more about the life of a long haul trucker, how life on the road is for the drivers, and how they deal with all that traffic. While The Long Haul offers insight into those things, it also is a bit more than that. Author Finn Murphy has an entertaining way of telling stories. Murphy started as a mover, working for a small company in Connecticut. After a few years in college, he dropped out to work full time as a “bedbugger”, a long haul truck driver who moves people. Murphy aptly tells the trucker’s tales, but also describes the unique challenges associated with doing higher profile corporate moves. Some of the stories are comedic, some tragic, and others offer commentary on social classes. In many cases, Murphy describes the typical corporate client (highbrow) often treating the mover (perceived lowbrow) in a crappy way and the mover providing a subtle, but non-harming method of revenge.

I’d say Murphy is a more sophisticated individual (he listens to Fresh Air interviews by Terry Gross while on the road) although he is working in what is generally thought of as a lower brow job (moving home furnishings and driving a truck). But Murphy also describes the importance of manual labor, from both a societal and personal perspective. A relatable quote from The Long Haul: “Many young male neurotics find out early that hard labor is salve for an overactive mind.” I’d argue that this often applies to older individuals also, and not just males. Likewise, on the value of manual labor: “Hard work temporarily shut down the constant movie running in my brain that looped around in an endless cacophony of other people’s expectations, obligation, guilt, anger, and rebellion.” I feel the same way about manual labor, but would add that reading a book or doing something relaxing like having a drink and watching birds, butterflies, or flowers equally works to dampen these things down. But I think I’d say rather simply that those things are just good for the soul.