Tag Archives: books

Mad Max: Fury Road is a post-apocalyptic dystopian movie with an outwardly simple plot: the protagonists escape captivity and race towards a destination, The Green Place, where they will be safe from their captors who are in murderous hot pursuit. After discovering The Green Place no longer exists, they go back the way they came, taking the fight to their oppressors in order to return to the only viable home they know, in the process transforming from property to heroes who make it rain with redemption. It is the archetypal hero’s journey, but in the hands of director George Miller, it arrives customized with outrageous visionary style and much chrome. This book, Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road by Kyle Buchanan, is an oral history of the making of the movie. On every page, somebody involved with the film discloses something that reinforces how unlikely it is that it ever got made.

The captivity/desperation/redemption arc in Fury Road could function as a metaphor for its own production. Starting around 1997, multiple studios tried to get it made, each one eventually glad to get it off their hands until the game of heavy metal musical chairs ended within the studios of Warner Brothers. Mel Gibson, Heath Ledger, Michael Fassbender, Johnny Depp, and even Eminem were at various points seriously considered for the role of Max, which eventually went to Tom Hardy. Gal Gadot, Jessica Chastain, and Uma Thurman were slated to play Furiosa, the true main character of the movie, before Charlize Theron won the role.

Immortan Joe, the chief villain, was initially blue. All of the stunts observable in the movie were created with real, ornately customized vehicles and real people. The shoot was moved from Australia to Namibia because a historic amount of rain turned the inert wasteland into fields of wildflowers. The flame-throwing electric guitar wielded by Immortan Joe’s mutant bugler had to be redesigned because director Miller wanted it not only to shoot flames but to actually play notes. It then weighed eighty pounds, which is why the bugler character, The Doof Warrior, dangles throughout the movie from a bungee in front of the wall of speakers fastened to the Doof Wagon…et cetera.

The long gestation of the movie allowed Miller to get every second visualized. This fever dream manifested itself as 3,500 storyboard panels; there was no real script. This was a problem for the actors, who did not necessarily know why they were doing what they were doing at any given time; only George Miller knew. Because they were filming from basically a graphic novel, panel by panel, the takes were often only a few seconds. Once these pieces were edited together, the method resulted in action of a remarkably frenetic pace, perhaps the reason why many cite Fury Road as the greatest action movie of all time. But it could have been the greatest disaster in the history of film.

Buchanan, Kyle. Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road. New York: William Morrow & Company, 2022.

I found myself talking about all-girls code clubs in an NCompass Live presentation earlier this week. Mid-sentence, I remembered an episode of the Queer Eye where a trans girl was trying to find groups in school that fit her identity. As I recalled her troubled face, I ended the sentence to include people who identify as girls. I tried to limit the verbal word vomit as I struggled to find the right words to describe people who don’t identify as male or female.

That night, I went on Hoopla and checked out the audiobook for Nonbinary: Memoirs of Gender and Identity by Micah Rajunov, hoping to find the right words. Plus, it’s almost Pride Month, so it might be a good book to help people understand a changing world. The nonbinary narratives in this book give a voice to those who do not fit neatly into the gender categories of male or female. As with any large group of people, one collection of stories can never represent an entire subset of the population. Each individual defines themselves.

Honestly, I find it difficult to neatly define what nonbinary means when the nonbinary population is still trying to define themselves, and struggling for acceptance in the world. Before reading this book, I knew that some nonbinary people used the they/them pronoun instead of she/he. Several years ago, I met them in a writing group and heard their story. Yes, you read that sentence right.

To this day, I still hear my grammar school teacher saying on repeat: ‘They’ are a group of people. She is an individual. He is an individual. We had to practice proper pronoun use around the room. Now, I still have to override the grammar side of my brain to be inclusive to all genders. So, I met them in a writing group. Just one person out of many people I met in that group.

I heard their story in that group, and now I have read the memoirs in this book. I learned from a man who finally gained the courage to transition to a female after fifty years. A trans advocate revealed the struggle of the trans nation. I added new words to my vocabulary: femme, gender rebel, genderqueer, nonbinary. These words are not my own, so I can’t help but pronounce them as though practicing a foreign language. The words are not wrong, just new. My voice tilts up at the end, as though asking if I got it right. Femme? Genderqueer? They’re never there to answer. This book gave them a voice and helped me find better words.

Stories are how we come to understand ourselves and the world. Sometimes we find a piece of ourselves we never knew was missing. New ideas give deep-seated, intangible feelings a name.  Naming an enemy gives us power to stand strong in the face of adversity. Like Rumplestiltskin. I read and wondered how many people saw ‘nonbinary’ and found peace after decades of mental anguish. Personally, I would prefer them to be nonbinary rather than depressed or suicidal.

So next time I talk about a Girls Who Code club, I will say that they are welcome. Anyone who wants them to feel safe and included is welcome. Anyone who wants to degrade them and make them feel insecure, unsafe, and less than human can see themselves out. Maybe not forever, just long enough to process. We are all human. Read their story, then we can all learn together.

Rajunov, Micah, and Scott Duane, editors. Nonbinary: Memoirs of Gender and Identity. Columbia University Press, 2019.

Avery Grambs just wants to survive high school, get a scholarship, and travel, leaving her terrible home life behind forever.

One day, she learns that billionaire Tobias Hawthorne has just died, leaving his entire fortune to the orphaned high school student. But Avery has never met or even heard of any member of the Hawthorne family.

In order to receive this unexpected fortune, Avery must live and stay at the Hawthorne mansion for one year. According to the will, Hawthorne’s two (quite angry) daughters and four grandsons, who all received nothing, would also be allowed to continue living at the mansion. Awkward. Avery seemingly has only her sister, Libby, and best friend, Max, on her side.

What is Avery’s connection to Tobias and the family? Is she just a con-woman, as the brothers suspect? Is she just a pawn in Tobias’ final twisted game? What secrets are hidden throughout the enormous mansion and mysterious passageways? Will Avery stay alive long enough to even claim her fortune?

This is the first book in a three-part series. It’s an entertaining read that focuses more on the puzzles and riddles left by Tobias, rather than a more straight-forward detective style story. The plot moves fairly quickly as Avery and the brothers work to make sense of the will, uncover family secrets, and avoid the threats against Avery’s life.

• Book #1: The Inheritance Games
• Book #2: The Hawthorne Legacy
• Book #3: The Final Gambit (August 2022)

Barnes, J. (2020). The Inheritance Games. Little, Brown Books for Young Readers.